APAH Indigenous Americas: Def+ MC

Ashlar Masonry

carefully cut and grooved stones that support a building without the use of concrete or other kinds of masonry

Bandolier Bag

a large heavily beaded pouch with a slit on top worn at the waist with a strap over the shoulders

Chacmool

a Mayan figure that is half-sitting and half-lying on his back

Corbel Arch

a vault formed by layers of stone that gradually grow closer together as they rise and eventually meet

Covolxauhqui

an Aztec moon goddess whose name means “Golden Bells”

Huitzilopochtli

an Aztec god of the sun and war; sometimes represented as an eagle or as a hummingbird

Kiva

a circular room wholly or partly underground, used for religious rites

Potlatch

A ceremonial feast among Northwest Coast American Indians in which a host demonstrates his or her generosity by bestowing gifts

Pueblo

a communal village of flat-roofed structures of many stories that are stacked in terraces; made of stone or adobe

Relief Sculpture

a sculpture that projects from a flat background

Repoussé

a type of metal relief sculpture in which the back side of a plate is hammered to form a raised relief on the front

Roof Comb

a wall rising from the center ridge of a building to give the appearance of greater height

Teepee

portable Indian home made of stretched hides placed over wooden poles

Tlaloc

ancient American god who was highly revered; associated with rain, agriculture, and war

T’oqapu

small rectangular shapes in an Inkan garment

Transformation mask

a mask worn in ceremonies by people of the Pacific Northwest, Canada, or Alaska. The chief feature of the mask is its ability to open and close, going from a bird-like exterior to a human-faced interior

Transformation masks are best understood as works

(B)that are seen as part of a larger ceremony

Native American artworks often show the influence of Europeans in that they

(A)used European materials in their work

The image of Coyolxauhqui was carved on a round disk and placed

(C)at the base of a pyramid so sacrificial victims could reenact the fate of Coyolxauhqui

The Hide Painting of a Sun Dance attributed to Cotsiogo is painted on the same kind of surface as

(B)The Book of Lindisfarne

The Hide Painting of a Sun Dance attributed to Cotsiogo draws on Native American traditions

(C)of articulating forms by placing them in an active sequence around a given space