Hardy & Eliot critic's quotes

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36 Terms

1
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Eliot poetry/emotion/escape

"Not an expression of emotion but an escape from emotion" TS Eliot

2
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Hardy's connection to real world/present

"writing about a world from which his readers were already exiled" Kirsch

3
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Eliot's connection with real world/present

"The great poet, in writing himself, writes his time" Eliot

4
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Hardy's loss of words

"loss of words to express his feelings" Borade

5
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Hardy's own view of voices/echoes

"In this world there are few voices and many echoes" Hardy

6
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silencing of Emma's voice

"remorse for his wife was famous, but it wasn't strong enough to allow her to have her say" Jackobson

7
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WW1 and individualism

"everyone's individual lives are swallowed up in the one great tragedy, that one almost ceases to have personal experiences or emotions" Eliot

8
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Hardy/loss

"a poet of loss" Davies

9
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Preludes is like a

"sick version of life" Chakraborty

10
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Eliot's place/setting

"Concerned with scenes of urban squalor" Ackroyd

11
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Hardy/the past

"Hardy looks back nostalgically at the past, which to him always seems preferable to the present" Norman

12
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Hardy/nostalgia

"a poet of rural nostalgia" Davies

13
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Hardy/nature

"feels the earth and its roots as if he had sap in His veins instead of blood" Gosse

14
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Portrait of a lady and Prufrock: society

"a character study intended to communicate the mood of a certain social environment" Heiney

15
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setting of Prufrock

"the twentieth century Inferno and Purgatory" Southam

16
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Hardy/society

"Poetry of social engagement and the celebration of the bonds of community" Taylor

17
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the women in Eliot's poems

"Women are imprisoned in their own spheres" Miller

18
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Prufrockian paralysis

"Trapped in his own mind" and " unable to act" Perry

19
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Eliot/the past

"past and present coexist" Chakraborty

20
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Hardy/memory

"obsessive attention to the process of memory" Perkins

21
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Hardy/war/love

"There will always be love and war" Paulin

22
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Eliot/death

"Eliot had a vision of the relationship between the living and the dead" Spender

23
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Eliot and Viv's marriage/unhappiness

"To her, the marriage brought no happiness. To me, it brought the state of mind out of which came The waste Land" Eliot

24
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Eliot's use of classical allusions viewed negatively as

"a full-scale retreat from the present" Wood

25
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similarities between Prufrock and Eliot makes the poem a

"ruthless self mockery" Spurr

26
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Journey of the Magi / change

"the poem explores our essential powerlessness in a changing world" Williamson

27
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Emma's death viewed as

"the moment when Thomas Hardy became a great poet" Tomalin

28
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Hardy's poems are "most often located in the past"

"in response to inhabiting a world of dizzying change" Lucas

29
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Hardy/pessimism

"vulnerable, doomstruck man" Tomalin

30
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Hardy and Eliot comparison

"Hardy shared many of the same concerns as Eliot, though his articulation of them differed" Gillies

31
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Hardy's 'LOVE poems' to Emma are

"arguably the most powerful love lyrics in the English language" Fincham

32
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Hardy's Emma poems are

"racked with guilt and wonder" Mallon

33
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Hardy's poems of Emma's DEATH are some of the

"finest and strangest celebrations of the dead in English poetry" Tomalin

34
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Famous poets influenced by hardy's modern and original style

Robert Frost, Auden, Phillip Larkin (Hardy experimented with new stanza forms and use of voice, full of idiosyncrasies)

35
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hardy's love of Emma in death

"he loved the woman dead and inaccessible as he had never loved her in life" tomalin

36
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Eliot's view on death

"we don't actually fear death, we fear that no one will notice our absence" Eliot