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Eliot poetry/emotion/escape
"Not an expression of emotion but an escape from emotion" TS Eliot
Hardy's connection to real world/present
"writing about a world from which his readers were already exiled" Kirsch
Eliot's connection with real world/present
"The great poet, in writing himself, writes his time" Eliot
Hardy's loss of words
"loss of words to express his feelings" Borade
Hardy's own view of voices/echoes
"In this world there are few voices and many echoes" Hardy
silencing of Emma's voice
"remorse for his wife was famous, but it wasn't strong enough to allow her to have her say" Jackobson
WW1 and individualism
"everyone's individual lives are swallowed up in the one great tragedy, that one almost ceases to have personal experiences or emotions" Eliot
Hardy/loss
"a poet of loss" Davies
Preludes is like a
"sick version of life" Chakraborty
Eliot's place/setting
"Concerned with scenes of urban squalor" Ackroyd
Hardy/the past
"Hardy looks back nostalgically at the past, which to him always seems preferable to the present" Norman
Hardy/nostalgia
"a poet of rural nostalgia" Davies
Hardy/nature
"feels the earth and its roots as if he had sap in His veins instead of blood" Gosse
Portrait of a lady and Prufrock: society
"a character study intended to communicate the mood of a certain social environment" Heiney
setting of Prufrock
"the twentieth century Inferno and Purgatory" Southam
Hardy/society
"Poetry of social engagement and the celebration of the bonds of community" Taylor
the women in Eliot's poems
"Women are imprisoned in their own spheres" Miller
Prufrockian paralysis
"Trapped in his own mind" and " unable to act" Perry
Eliot/the past
"past and present coexist" Chakraborty
Hardy/memory
"obsessive attention to the process of memory" Perkins
Hardy/war/love
"There will always be love and war" Paulin
Eliot/death
"Eliot had a vision of the relationship between the living and the dead" Spender
Eliot and Viv's marriage/unhappiness
"To her, the marriage brought no happiness. To me, it brought the state of mind out of which came The waste Land" Eliot
Eliot's use of classical allusions viewed negatively as
"a full-scale retreat from the present" Wood
similarities between Prufrock and Eliot makes the poem a
"ruthless self mockery" Spurr
Journey of the Magi / change
"the poem explores our essential powerlessness in a changing world" Williamson
Emma's death viewed as
"the moment when Thomas Hardy became a great poet" Tomalin
Hardy's poems are "most often located in the past"
"in response to inhabiting a world of dizzying change" Lucas
Hardy/pessimism
"vulnerable, doomstruck man" Tomalin
Hardy and Eliot comparison
"Hardy shared many of the same concerns as Eliot, though his articulation of them differed" Gillies
Hardy's 'LOVE poems' to Emma are
"arguably the most powerful love lyrics in the English language" Fincham
Hardy's Emma poems are
"racked with guilt and wonder" Mallon
Hardy's poems of Emma's DEATH are some of the
"finest and strangest celebrations of the dead in English poetry" Tomalin
Famous poets influenced by hardy's modern and original style
Robert Frost, Auden, Phillip Larkin (Hardy experimented with new stanza forms and use of voice, full of idiosyncrasies)
hardy's love of Emma in death
"he loved the woman dead and inaccessible as he had never loved her in life" tomalin
Eliot's view on death
"we don't actually fear death, we fear that no one will notice our absence" Eliot