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BP1
Nora’s Initial Role
→ “little skylark”, “squirrel” (dimuntive pet names)
→ “I’ll do everything that you like, Torvald” (Act 1) (self-worth dependence on his approval, upper middle class women expected to maintain beautiful homes + flawless reputations)
BP2
Origins of Nora’s Role
“I was simply transferred from Papa’s hands into yours” (act 3)
→ submissive role from the start
→ she is viewed as a possession
→ women in victorian-era expected to keep up social image
→ identity built around fulfilling expectations rather than her selfhood
“He’d never have allowed it” (act 1)
→ act of defiance twisted into illusion of obedience
→ part of a larger performance advanced by her marriage + class
BP3
Nora’s Awareness + Rejection
“I have been your doll-wife, just as I used to be Papa’s doll-child” (Act 3)
→ critique shows it was not glorified, it was humiliating/demoralizing
→ Nora’s self awareness of her objectification
“I believe that before all else I am a human being, just as much as you are” (Act 3)
→she is a human being who does not have to be constrained to a role (she defines her value as a human not a possession)
→ establishes her freedom; she can do what she wants
you got this