Classical Period

studied byStudied by 0 people
0.0(0)
Get a hint
Hint

Classical period dates

1 / 99

encourage image

There's no tags or description

Looks like no one added any tags here yet for you.

100 Terms

1

Classical period dates

1750-1815

New cards
2

Beginning and end of Classical period

Death of Bach marks the beginning and the defeat of Napoleon marks the end.

New cards
3

Meaning of 'Classical'

Perfection.

New cards
4

Three composers associated with 'Classical'

Haydn, Mozart, and Beethoven.

New cards
5

Country where Classical style emerges

Italy.

New cards
6

Time of emergence of Classical style

1720s.

New cards
7

Country where Classical style develops

Vienna, Austria.

New cards
8

Empire dominating music during Classical period

Hapsburg empire.

New cards
9

Style reacting to Classical period

A departure from Baroque; emphasizing innovation.

New cards
10

Reason for more public concerts

Improved economy and a larger middle and upper class.

New cards
11

Locations of public concerts

Public buildings or taverns.

New cards
12

Melody characteristics in Classical period

Singable and not overly decorated.

New cards
13

Rhythm characteristics in Classical period

Flexible, not motoric.

New cards
14

Dynamics in Classical music

Deal with volume to enhance expression.

New cards
15

Crescendo

Going from piano to forte.

New cards
16

Decrescendo

Going from forte to piano.

New cards
17

Terms used to describe dynamics

Piano (soft) and Forte (loud).

New cards
18

Significance of dynamics in Classical period

Enhance expression in music.

New cards
19

Size of orchestras during Classical period

Larger than in Baroque, typically 40 instruments or less.

New cards
20

Reason aristocratic families disbanded orchestras in 1790s

Financial constraints due to industrial society.

New cards
21

Common wind instruments in Classical period

Oboe (woodwind) and French Horn (brass).

New cards
22

Family of the timpani

Percussion.

New cards
23

Reason violins are most numerous in orchestras

Their capability to play melodies well.

New cards
24

Concertmaster of an orchestra

First seat of the first violins; the lead violin player.

New cards
25

Key genre of Classical period

Symphony.

New cards
26

Importance of symphonies

Reflects societal changes with increased secular and instrumental music.

New cards
27

Reasons for the importance of symphony

Many composed, widespread throughout Europe, used to express complex ideas.

New cards
28

Function of symphonies

Entertainment.

New cards
29

Venues for symphony performances

Courts and public concerts.

New cards
30

Audience for court performances

Nobility.

New cards
31

Audience for public performances

Upper middle class.

New cards
32

Performers in court symphonies

Professionals.

New cards
33

Performers in public concerts

Professionals and amateurs.

New cards
34

Origin of symphony in the opera

Overture.

New cards
35

Early symphony structure in 1720s

Three movements: Fast, Slow, Fast.

New cards
36

Addition to symphony in Austria-Hungary c. 1750

Minuet: Fast, Slow, Minuet, Fast.

New cards
37

Reason for choosing minuet for symphony

It was a popular dance.

New cards
38

Structure of classical symphony

Four movements: Fast, Slow, Moderate, Fast.

New cards
39

Longest and most impressive movements in symphony

Movement 1 and Movement 4.

New cards
40

Form of first movement in symphony

ABA’ (Exposition, Development, Recapitulation).

New cards
41

Sections in first movement form

Exposition, Development, Recapitulation.

New cards
42

What happens in the Exposition section

Theme 1, Transition, Theme 2, Closing.

New cards
43

What happens in the Development section

Musical ideas are developed.

New cards
44

What happens in the Recapitulation section

Theme 1, Transition, Theme 2, Closing recapping.

New cards
45

Definition of 'theme and variations'

Presents a theme, followed by variations throughout the movement.

New cards
46

Definition of concerto

Three-movement instrumental piece for orchestra and soloist.

New cards
47

Purpose of concerto

To entertain.

New cards
48

Venues for concerto performances

Courts by professionals and public concerts.

New cards
49

Movements of a concerto

Three: fast, slow, fast.

New cards
50

Sonata form adaptation in concertos

Double exposition with both orchestra and soloist themes.

New cards
51

Structure of concerto movement

Exposition 1, Exposition 2, Development, Recapitulation.

New cards
52

Cadenza in concerto

Spotlight moment for the soloist.

New cards
53

Location of cadenza in first movement

Between Theme 2 and the closing of the recapitulation.

New cards
54

Definition of chamber music

Multi-movement works for one or a small group of players.

New cards
55

Performers of chamber music during this period

Amateurs.

New cards
56

Chamber music performance locations

At home.

New cards
57

Purpose of chamber music

For study and enjoyment among friends and family.

New cards
58

Why chamber music is profitable for composers

Higher number of amateur players increases publication sales.

New cards
59

Current performance venue for chamber music

Public concerts.

New cards
60

Instruments in a string quartet

2 violins, 1 viola, and 1 cello.

New cards
61

Father of the string quartet

Haydn.

New cards
62

Reason Haydn is called the 'Father of the String Quartet'

For writing many works and establishing the structure.

New cards
63

Movements in a string quartet

Four: Fast, Slow, Moderate, Fast.

New cards
64

Model genre for string quartet format

Symphony.

New cards
65

First movement form in string quartet

Sonata form.

New cards
66

Meaning of 'The Lark' quartet being Opus 64 No. 5

It is the 5th string quartet of Haydn's 64th publication.

New cards
67

Definition of sonata (genre)

Chamber music for one instrument with three movements.

New cards
68

Common number of players in a sonata

One.

New cards
69

Movements of a sonata

Three: Fast, Slow, Fast.

New cards
70

First movement form of sonata

Sonata form.

New cards
71

Operas based on pre-existing stories

They choose well-known books to avoid financial risk.

New cards
72

Best-known opera composer of Classical period

Mozart.

New cards
73

Name one opera by Mozart

Don Giovanni, Cosi fan Tutti, or The Marriage of Figaro.

New cards
74

Differences between Baroque and Classical opera

Variety of modern stories, overtures, use of tenor and bass, singable style, and varied structures.

New cards
75

Voices for male roles in Classical opera

Tenors and basses.

New cards
76

Complications of Don Giovanni post-#MeToo

Portrays sexual predation, a now problematic subject.

New cards
77

Reason Donna Anna’s arias resemble Baroque styles

Her wealth permits more elaborate singing.

New cards
78

Character of Leporello in opera

Comic, bass character; il basso buffo.

New cards
79

Language spoken by Haydn, Mozart, and Beethoven

German.

New cards
80

City living for Haydn, Mozart, and Beethoven

Vienna.

New cards
81

Reason they chose Vienna

Capital of the Hapsburg empire; a cultural center.

New cards
82

Genres composed by Haydn, Mozart, and Beethoven

Symphony, Concerto, String Quartet, Piano Sonata.

New cards
83

First teachers of Mozart and Beethoven

Their fathers.

New cards
84

Mozart’s activities from ages 6 to 16

Toured Europe as a child prodigy.

New cards
85

Mozart's 'manager'

His father.

New cards
86

Mozart's feelings about working for nobility

Dislikes it; fired by archbishop.

New cards
87

Mozart's financial struggles in Vienna

Due to gambling.

New cards
88

How Romantic Period viewed Mozart's troubles

Seen as a misunderstood genius, not a gambler.

New cards
89

Haydn's musical training

Choirboy at Vienna Cathedral.

New cards
90

Haydn's 'two lives'

Servant to nobility and later, a public artist.

New cards
91

Duties of Haydn as chapelmaster

Write music, rehearse, perform, care for instruments.

New cards
92

Beethoven's societal perception

Seen as an artist, not a servant.

New cards
93

Cause of perception change for Beethoven

Change in societal values.

New cards
94

Beethoven’s view of music

Not just for entertainment; meant to express ideas.

New cards
95

Beethoven’s sources of income in Vienna

Teaching, commissions, publishing, and concerts.

New cards
96

Features distinguishing Beethoven's music

More intense, deeper, demanding, longer.

New cards
97

Heiligenstadt Testament

Beethoven’s letter about his hearing loss.

New cards
98

Reason Beethoven wrote the Heiligenstadt Testament

To express the pain of losing his hearing.

New cards
99

Comparison of Vivaldi and Beethoven's opus numbers

Higher demand for Beethoven's works due to middle-class growth.

New cards
100

Reason music of Haydn, Mozart, and Beethoven persists

Their compositions continued to resonate after their deaths.

New cards

Explore top notes

note Note
studied byStudied by 55 people
... ago
5.0(1)
note Note
studied byStudied by 4 people
... ago
5.0(1)
note Note
studied byStudied by 11 people
... ago
5.0(1)
note Note
studied byStudied by 38 people
... ago
5.0(2)
note Note
studied byStudied by 43 people
... ago
5.0(1)
note Note
studied byStudied by 46 people
... ago
4.0(1)
note Note
studied byStudied by 9 people
... ago
5.0(1)
note Note
studied byStudied by 122669 people
... ago
4.8(561)

Explore top flashcards

flashcards Flashcard (63)
studied byStudied by 85 people
... ago
5.0(1)
flashcards Flashcard (21)
studied byStudied by 2 people
... ago
5.0(1)
flashcards Flashcard (154)
studied byStudied by 1 person
... ago
5.0(2)
flashcards Flashcard (27)
studied byStudied by 8 people
... ago
5.0(1)
flashcards Flashcard (58)
studied byStudied by 6 people
... ago
5.0(1)
flashcards Flashcard (49)
studied byStudied by 9 people
... ago
5.0(1)
flashcards Flashcard (24)
studied byStudied by 11 people
... ago
5.0(1)
flashcards Flashcard (104)
studied byStudied by 17 people
... ago
5.0(1)
robot