Music in Society - Test 1

0.0(0)
studied byStudied by 0 people
learnLearn
examPractice Test
spaced repetitionSpaced Repetition
heart puzzleMatch
flashcardsFlashcards
Card Sorting

1/41

encourage image

There's no tags or description

Looks like no tags are added yet.

Study Analytics
Name
Mastery
Learn
Test
Matching
Spaced

No study sessions yet.

42 Terms

1
New cards

Music

The art of organizing sound.

2
New cards

Active Listening

Purposeful, attentive listening.

3
New cards

Purpose of Music

Elicit an emotional response from the listener.

Also, communication, expression, pleasure, entertainment, etc.

Composer wants the listener to have some kind of response/opinion.

4
New cards

Properties of Music

Rhythm

Pitch

Dynamics

Tone Color

5
New cards

Rhythm

The flow of music through time.

What happens between the beats.

6
New cards

Pitch

The highness or lowness of the sound.

7
New cards

Interval

The space between two notes

8
New cards

Dynamics

The loudness or softness of the music

9
New cards

Tone Color

The element of Music that gives it a specific feel -

dark, light, bright, round, etc.

The sound quality that distinguishes one instrument from another.

10
New cards

Middle Ages Dates

400-1400

11
New cards

Composers

12
New cards

Middle Age Society

Catholic Church = center of society.

13
New cards

Characteristics of Music in the Middle Ages

Mostly vocal music.

Secular music used instruments.

Composers not given much status.

Popular instrumentation began with the pipe organ.

14
New cards

Troubadours

Secular poet/musicians that would travel and perform in the Middle Ages.

15
New cards

Guillame de Machaut

Most important composer of the Middle Ages.

Composer of the oldest printed music we have found.

Developed the technique of "polyphonic music".

16
New cards

Polyphonic Music

The use of two or more melodic lines of equal importance.

(Not melody and harmony).

17
New cards

Renaissance

"Working Musicians" became much more prominent.

Musicians begin to have a higher status than ever before - home base, steady pay, etc.

Italy, Venice especially, is the cultural center of the arts in Europe.

18
New cards

Motet

Polyphonic choral work set to sacred Latin text.

19
New cards

Mass

Polyphonic choral work, set in 5 different sets to cover the entirety of the service.

20
New cards

5 Components of a Mass

Kyrie, Gloria, Credo, Sanctus, Agnus Dei

21
New cards

Palestrina

Led the counterreformation - did not want the new types of music being used in the protestant church.

22
New cards

Secular Music During the Renaissance

Madrigal

"pop music" of the time.

Songs about love.

Created for many voices.

23
New cards

Giovanni Gabreilli

Renaissance composer

Composer for the St. Mark's Cathedral in Venice

Instrumental polychoral music.

Created the first taste of stereophonic surround sound.

Incredibly innovative for the time.

Helps usher in the Baroque period.

24
New cards

Antiphonal

Statement and response piece.

25
New cards

Baroque Dates

1750 - When Bach Dies

26
New cards

Idea of Beauty in the Baroque Period

Elaborate ornamentation

Love for the dramatic

Age of Michelangelo style - lots of color and action in art.

art/architecture/elaborate music are and culture.

27
New cards

Homophonic

A single dominant melody.

Begins to sound like music today.

28
New cards

Opera

Drama that is sung with an orchestral accompaniment.

Includes sets and costumes.

29
New cards

Oratorio

Large scale composition for orchestra, chorus, and vocal soloists.

Usually contains a story line and is dramatic.

No sets or costumes.

The most famous - The Messiah, Handel

30
New cards

Recitative

The dialogue between people in an opera (with no real rhythm or time).

31
New cards

Aria

In an opera, when the drama stops and a soloist has a featured song.

32
New cards

Characteristics of Baroque Music

Crescendo and Decrescendo not invented yet - always sudden changes in dynamics.

Figured bass.

The introduction of movements in pieces.

33
New cards

Terraced Dynamics

Before the invention of crescendo and decrescendo - sudden changes in dynamics.

34
New cards

Figured Bass

Chord symbols, etc. instead of notes on a staff.

35
New cards

Movement

An independent piece that's part of a larger work.

36
New cards

Fugue

Polyphonic work that's based off of a main theme or subject.

J.S. Bach mastered this.

37
New cards

Johann Sebastian Bach

Church organist by trade.

Deeply religious man - Composing and performing was a sacred task for him.

Incredibly innovative and progressive.

Did a lot of improvising/improv fugues.

Achieved a great amount of success and celebrity status in his life.

Many consider his music to be the height of all music.

38
New cards

Hayden

Classical Period Composer.

Patron for the Esterhazy family, who thrived under the patronage system.

Developed the string quartet and symphony.

Wrote over 104 symphonies.

39
New cards

Parton

A person or group that supports a cause or individual.

40
New cards

Symphony

A work of music with movements.

41
New cards

Mozart

Classical period composer.

Child prodigy - writing symphonies by age 9 or 10.

Hated working as a patron - wanted to operate on his own terms. Didn't make much money doing what he was doing.

All of his status came postmortem.

42
New cards

Beethoven

Classical period composer.

Most important composer - developed the way we listen to music today - writing music with an emotional base.

Bridged the gap between the classical and romantic periods.

Wrote 9 symphonies.

First successful freelance musician.

Tragic life full of abuse and struggle.