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Choreographer - Alina Curva
Itzik Galili
Company - Alina Curva
Rambert
Date premiered - Alina Curva
2009
Dance styles - Alina Curva
Samba, Capoeira, Contemporary
Stimuli - Alina Curva
Curved line, brazilian culture, celebration
Number of dancers - Alina Curva
28, 15 men, 13 women
Structure - Alina Curva
Curved line, ensemble and narrative sections
Choreographic intent - Alina Curva
Having fun, Samba parades, Men showing off and competing for women
Performance environment - Alina Curva
End stage
Choreographer - shadows
Christopher Bruce
Company - shadows
Pheonix Dance theatre
Date premiered - shadows
2014
Dance style - shadows
Classical and contemporary neoclassical
Stimuli - shadows
Arvo part’s Fratnes - evoked images of European history and tradition
1000’s years of suffering
Relationships between family dealing with outside force
Number of dancers - shadows
4, 2 men, 2 women
Structure - shadows
Semi-narrative - solo, duet, trio, quartet
Performance environment - shadows
End stage
Choreographic intent - shadows
Politics affecting human life
Family in deprivation and poverty
What lies outside the family home
Choreographer - e of e
Kenrick H20 Sandy
Company - e of e
Boy Blue entertainment
Date premiered - e of e
2013
Dance style - e of e
Hiphop: krumping, popping, locking, waacking, animation, breaking
Stimuli - e of e
Music (Til Enda)
Being free to express yourself as individuals and as a group
Number of dancers - e of e
17, 8 women, 9 men
Structure - e of e
Genesis, growth and struggle, connection and flow, empowerment
Performance environment - e of e
Proscenium arch
Choreographic intent - e of e
Sharing emotional journey through hiphop dance
Life cycle - moments in life.
Order and chaos
Choreographer - artificial things
Lucy Bennett
Company - artificial things
Stopgap
Date premiered - artificial things
2014
Dance style - artificial things
Inclusive contemporary dance
Stimuli - artificial things
Image of an isolated figure perched on a collapsed wheelchair as if in a snow globe
Paintings by Serbian artist Goran Djurovic
Dancer’s personal experiences
Number of dancers - artificial things
4, 2 men, 2 women
Structure - artificial things
Section 1 - underlying tension
Section 2 - seeking liberation
Section 3 - aftermath of tragedy where dancers are pensive
Performance environment - artificial things
Proscenium arch
Choreographic intent - artificial things
Coming to terms with life’s limitations In certain confinements
Finding resolutions by coming together
Surrendering to the fact that we are all living with individual regrets
Choreographer - within her eyes
James cousins
Company - within her eyes
James Cousins dance company
Date premiered - within her eyes
2016
Dance style - within her eyes
Contemporary contact
Stimuli - within her eyes
Love story with a twist
Loss, love, dependency, loyalty, longing, memory
Number of dancers - within her eyes
2, 1 man, 1 woman
Structure - within her eyes
A prologue with 6 continuous sections in one seamless journey
Performance environment - within her eyes
Site-sensitive. Dance for camera
Choreographic intent - within her eyes
High emotional intensity
Abstract love story
Female leads all the movements
Total contact throughout - female never touches the floor
Narrative of the females pull to her late lover and trying to allow herself to move on
Choreographer - infra
Wayne McGregor
Company - infra
Royal Ballet
Date premiered - infra
2008
Dance style - infra
Contemporary ballet
Stimuli - infra
Life below the surface of the city
Behaviour of people during the London bombings
Number of dancers - infra
12, 6 men, 6 women
Structure - infra
Episodic, made up of solos, duets and ensembles
Performance environment - infra
Proscenium arch
Choreographic intent - infra
Seeing below the surface of things
Inferring particular types of relationships in everyday life
Letting the audience make their own interpretation