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The musician-neuroscientist who stated “music is a kind of fuel for the brain” is
Daniel Levitin
Recognizing a composition or performance’s unique combination of features is a goal of
Active listening
T/F: Rock music and classical music require different listening skills
True
Composer Aaron Copland described three levels of music listening; which of the following is NOT one of them?
Performing it with others
T/F: One should expect to immediately know how to listen to their first jazz concert without practicing listening to the style
False
Who has described music as “a kind of fuel for the brain”?
Neuroscientist Daniel Levitin
Recognizing formal “signposts” from the composer in a piece of music will help you find your way if you feel lost when listening to a composition.
True
is an important part of developing a sense of [] when listening to a musical work
memory; time
what is the value of listening to different performances of a musical work?
you can hear how different performers shape the same musical work
what is NOT the value of listening to different performances of a musical work?
you can determine what is the best or definitive performance for everyone
you can judge how many mistakes one of the performers made
Which of the following are types of listening as described by composer Aaron Copland?
playing music in the background
active, engaged listening
emotionally reacting to a piece of music
Which of the following are likely to be good ways to develop your listening skills?
foregrounding listening to music without distraction
repeated listening
Which of the following might best help you remember the sequence and timing of events in a piece of music?
taking notes as you listen
Music impacts only a small remote area of the brain
False
Listening to a musical work multiple times will help you discuss it and/or write about it.
True
Which term describes the overall shape of a melody?
Contour
Which term refers to the distance between the first and second notes in Happy Birthday
Interval
A melodic line that moves predominantly by large leaps would be called
Disjunct
T/F: A countermelody is a secondary melodic line that accompanies or interacts with the main melody
True
Which term describes a melodic line’s ending or resting point?
Cadence
The contour of the opening phrase of Joy to the world is
Descending
Pitch
Highness or lowness of a note, depending on the frequency
Frequency
Rate of vibration
Note
A musical symbol denoting pitch and duration
Staff
The five parallel lines on which notes are written
Notation
The practice of writing down music, as opposed to oral tradition
Duration
Length of time something lasts; e.g., the vibration of a musical sound
Volume
Degree of loudness or softness of a sound; also amplitude. See also dynamics
Tone color
see timbre
Timbre
The quality of a sound that distinguishes one voice or instrument from another. Also tone color.
Melody
Succession of single pitches perceived by the ear as a unity.
Range
Distance between the lowest and highest pitches of a melody, an instrument, or a voice.
Contour
The overall shape of a melodic line. It can move upward or downward or remain static.
Interval
The distance and relationship between two pitches.
conjunct
Smooth, connected melody that moves principally by small intervals.
Disjunct
Disjointed or disconnected melody with many leaps.
phrase
A musical unit; often a component of a melody.
cadence
Resting place in a musical phrase; musical punctuation.
countermelody
An accompanying melody sounded against the principal melody.
rhyme scheme
The arrangement of rhyming words or corresponding sounds at the end of poetic lines.
climax
The high point in a melodic line or piece of music, usually representing the peak of intensity, range, and dynamics.
Imagine attending a rock concert and hearing the drummer provide a steady underlying pulse. What would this be called?
beat
What is another term for the first beat in a measure
downbeat
T/F: Simple meter is characterized by the subdivision of beats into groups of two
True
T/F: Yankee Doodle is an example of a song in triple meter
False
What is the difference rhythm and meter?
Rhythm refers to the pattern of sounds and silences in music, while meter refers to the organization of those sounds into regular groups.
What is the meter of this excerpt from Mozat’s ah, vous diary-je mama?
duple
What is the meter from this excerpt from Grenensleeves, an English folk song?
sextuple
Rhythm
The controlled movement of music in time.
beat
Regular pulsation; a basic unit of length in musical time.
accent
The emphasis on a beat resulting in its being louder or longer than another in a measure
meter
Organization of rhythm in time; the grouping of beats into larger, regular patterns, notated as measures.
measure, or bar
Metric grouping of beats, notated on the musical staff and separated by vertical bar lines.
bar (or measure) lines
Vertical lines on a staff that separate measures; each measure gets a specific number of beats.
downbeat
First beat of the measure, the strongest in any meter.
duple meter
Basic metrical pattern of two beats to a measure.
triple meter
Basic metrical pattern of three beats to a measure.
quadruple meter
Basic metrical pattern of four beats to a measure. Also common time.
simple meter
Meter in which the beat is divided into two, as opposed to compound meter.
compound meter
Meter in which each main beat is divided into three rather than two.
sextuple meter
Compound metrical pattern of six beats to a measure.
upbeat
Last beat of a measure, a weak beat that anticipates the downbeat.
syncopation
Deliberate upsetting of the meter or pulse through a temporary shifting of the accent to a weak beat or an offbeat.
offbeat
A weak beat or weak portion of a beat.
polyrhythm
The simultaneous use of several rhythmic patterns or meters, common in twentieth-century music and certain African musics.
nonmetric
Music lacking a strong sense of beat or meter, common in certain non-Western cultures.
Which term describes a group of three or more notes played simultaneously?
chord
A musical interval spanning eight notes is called
An Octave
T/F: Melody refers to the horizontal aspect of music, while harmony refers to the vertical aspect
True
T/F: The tonic is the central pitch around which a melody and its harmonies are built.
True
T/F: Consonance refers to the harsh sounds created by discordant combinations of pitches
False
The vertical aspect of music—i.e., how pitches sound together—is called
Harmony
Harmony
The simultaneous combination of notes and the ensuing relationships of intervals and chords
Chord
Simultaneous combination of three or more pitches that constitute a single block of harmony.
scale
Series of pitches in ascending or descending order, comprising the notes of a key.
octave
interval between two notes eight diatonic pitches apart; the lower note vibrates half as fast as the upper and sounds an octave lower.
triad
Common chord type, consisting of three pitches built on alternate notes of the scale (e.g., steps 1–3–5, or do–mi–sol).
tonic
The first note of the scale, or key; do.
tonality
Principle of organization around a tonic, or home, pitch, based on a major or minor scale.
dissonance
Combination of tones that sounds discordant and unstable, in need of resolution.
consonance
Concordant or harmonious combination of pitches that provides a sense of relaxations and stability in music.
drone
Sustained sounding of one or several pitches for harmonic support, a common feature of some folk musics.
A musical interval that spans two half steps is called a
Whole step
Which of the following scales includes all twelve pitches within an octave?
Chromatic
Which of the following illustrates the correct pattern of intervallic steps in a major scale?
whole-whole-half-whole-whole-whole-half
Which of the following illustrates the correct pattern of intervallic steps in a minor scale?
whole-half-whole-whole-half-whole-whole
T/F: Diatonic music firmly rooted in chromaticism
False
What is the term for a chord built on the fifth degree of a scale?
Dominant
Semitone
Also known as a half step, the smallest interval commonly used in the Western musical system.
half step
Smallest interval used in the Western system; the octave divides into twelve such intervals. On the piano, the distance between any two adjacent keys, whether black or white. Also semitone.
microtone
Musical interval smaller than a semitone (half step), prevalent in some non-Western musics and some modern music.
chromatic
Melody or harmony built from many if not all twelve pitches of the octave. A chromatic scale consists of an ascending or descending sequence of half steps.
sharp sign
Musical symbol (_) that indicates raising a pitch by a half step.
flat sign
Musical symbol (_) that indicates lowering a pitch by a half step.
whole step
Interval consisting of two half steps.
key
Defines the relationship of pitches with a common center, or tonic. Also a lever on a keyboard or woodwind instrument.
major scale
Scale consisting of seven different pitches that comprise a specific pattern of whole and half steps (W-W-H-W-W-W-H). Differs from the minor scale primarily in that its third degree is raised half a step.
dominant
The fifth scale step, sol.
minor scale
Scale consisting of seven different pitches that comprise a specific pattern of whole and half steps (W-H-W-W-H-W-W). Differs from the major scale primarily in that its third degree is lowered half a step.
diatonic
Melody or harmony built from the seven pitches of a major or minor scale. A diatonic scale encompasses patterns of seven whole steps and half steps.