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8 Terms
1
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Melody
* Most resembles Luther’s original hymn tune * Conjunct and diatonic, occasional small leaps
2
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Harmony
* Diatonic and functional * Frequent perfect cadences - confirm the modulation to a new key * B10 imperfect cadence - the only in these three mvts * Most chords are in root position or first inversion, although second inversions are used
3
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Rhythm/Metre/Tempo
* 4/4 * Begins with an anacrusis * Pauses at the end of each phrase - typical of chorales, halts the tempo * Mostly crotchets
4
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Texture
* Homophonic * instruments double vocal parts
5
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Tonality
* D major * Briefly modulates to A major twice * Perfect cadence to return to D major after it briefly modulates to G major
6
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Instrumentation
* Vocals, SATB * (If u want, the following instruments double up * 2 Oboe - one with sop, other with alto * Violin I and II - one with sop, other with alto * Viola - with tenor * Taille (alto oboe) - with tenor * Organ (Continuo)
7
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Dynamics/Articulation
* None, it’s a Bach cantata what did we expect. * Swelling in phrases I assume
8
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Structure
* Bars 1-4 2 2-bar phrases repeated * Bars 5-12 This section consists of five phrases. Starts in D major, although
modulating to the dominant key, A major, in both bars 5 and 8, although
* after the perfect cadence swiftly returns to the tonic. * In bar 9 the music
moves through G major in order to reach the relative minor key of E