Mvt 8: Das Wort sie sollen lassen stahn - Bach

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8 Terms

1
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Melody
* Most resembles Luther’s original hymn tune
* Conjunct and diatonic, occasional small leaps
2
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Harmony
* Diatonic and functional
* Frequent perfect cadences - confirm the modulation to a new key
* B10 imperfect cadence - the only in these three mvts
* Most chords are in root position or first inversion, although second inversions are used
3
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Rhythm/Metre/Tempo
* 4/4
* Begins with an anacrusis
* Pauses at the end of each phrase - typical of chorales, halts the tempo
* Mostly crotchets
4
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Texture
* Homophonic
* instruments double vocal parts
5
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Tonality
* D major
* Briefly modulates to A major twice
* Perfect cadence to return to D major after it briefly modulates to G major
6
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Instrumentation
* Vocals, SATB
* (If u want, the following instruments double up
* 2 Oboe - one with sop, other with alto
* Violin I and II - one with sop, other with alto
* Viola - with tenor
* Taille (alto oboe) - with tenor
* Organ (Continuo)
7
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Dynamics/Articulation
* None, it’s a Bach cantata what did we expect.
* Swelling in phrases I assume
8
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Structure
* Bars 1-4 2 2-bar phrases repeated
* Bars 5-12 This section consists of five phrases. Starts in D major, although

modulating to the dominant key, A major, in both bars 5 and 8, although

* after the perfect cadence swiftly returns to the tonic. 
* In bar 9 the music

moves through G major in order to reach the relative minor key of E

minor in bar 10.Â