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Omniscient narration
1) the narrator has unlimited knowledge
2)told in third person POV
3)can enter hearts and minds of characters
4) can withhold or share information
5) not neutral and known to pass judgement implicitly or explicitly
First person POV
1) told in the person with words such as “I/me/my”
2)author as narrator disappears and character narrates from their own perspective
3)only one character’s voice so tone of narration explicitly creates the personality of character
Third person limited POV
1) uses pronouns “he/she/they”
2)focus is generally on one character’s thoughts, feelings, and motivations
3)no direct knowledge of what other characters are thinking and feeling
2nd person POV (direct address)
1) uses “you” pronouns to speak directly to reader
2)draws reader into the narrative, can create immediacy, intimacy or be creepy
stream of consciousness
Presents the random thoughts going through a character’s head within a certain period of time
Often not chronological: mingles memory and past experiences
Often includes run-ons & few transitions, or transitional links that are psychological rather than strictly logical
Tone
The attitude of the speaker/narrator towards the subject
Mood
The atmosphere created by speaker’s tone
Differences between mood and tone
1) Tone is often a byproduct of the author’s POV and style of writing whereas mood is intentional
2) tone is affected by dialogue, deception and word choice, whereas mood is affected by setting, subject matter, literary devices and word choice
Plot
1) the sequence of incidents or events through which an author constructs a story
author organises to a specific end, the plot is not the action itself
The structure patterns of a plot
– Chronological
– Experimental/unpredictable
– Complex structures convey complex meanings (Faulkner)
First for structure in poetry (Narrative)
Tells a story
Epic
Long narrative poems on heroic subjects
Lyric
Poems in which a speaker expresses a state of mind or feeling
Prose poem
Look like prose (laid out in paragraphs rather than lines) while still retaining verbal features characteristic of poetry
Traditional
Employs poetic meter and rhyme
Free verse
discard meter and rhyme but keep other poetic conventions like figurative language and rhythmic phrases
Ballad
short narrative poem , usually sung and employs a refrain
Blank verse
unrhymed iambic pentameter
Clanto
a large division of a long poem
Elegy
poem about a specific death (friend, relative, famous person) or a general meditation on death
Epigram
short, usually rhymed poem distinguished by terseness and concludes with a witty surprise
Sonnet
a lyric poem in 14 lines, normally in iambic pentameter and rhyme according to a number of 3 set patterns
Stanza
a grouping of lines, set off by a space , that usually has a set pattern of meter and rhyme
Types of stanzas
– Quatrain
– Couplet
• Heroic couplet (iambic pentameter)
– Tercet
– Terza rima: interlocking
3-line rhyme scheme
– Ballad: alternating 8 and 6
syllable lines
– Cinquain
– Sestet
– Octave
Syntax
Syntax deals with the relation of words to each other as component parts of a sentence, and with their proper arrangement to express clearly the intended meaning
Common Syntactical Elements to Discuss
● Punctuation such as dashes, parentheses
● Loose vs. periodic sentences
● Parallel structure
● Repetition
● Sentence length (patterns & breaks
from pattern)
● Sentence types (simple, compound,
complex, compound-complex)
Syntax components
– Sentence parts
-Word order
– Sentence length
– Punctuation
Clause
A group of related words with a verb and a subject
Phrase
A group of words that does not contain a subject-verb relationship
Complete sentence
One or more clauses put together
Co-ordinating conjunction
and, but, or, nor, for, yet and sometimes so
Subordinating conjunction
Something like “although”
Semicolons
Connect two independent clauses