Art and Architecture of the Enlightenment: Neoclassicism PT.2

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6 Terms

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<p><span>Angelica Kauffmann</span> – <em>Cornelia Pointing to Her Treasures</em></p>

Angelica KauffmannCornelia Pointing to Her Treasures

This painting illustrates a moral anecdote from Roman history. Cornelia, mother of the Gracchi, presents her children as her true “treasures,” rejecting material wealth.

  • Classical subject from Roman history

  • Clear composition and calm gestures

  • Simplicity over luxury → core Neoclassical ideal

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Palladism

Palladianism (also called Neo-Palladianism) is an architectural style based on the ideas and buildings of Andrea Palladio

  • Architecture should be rational, harmonious, and morally uplifting, following the rules of classical antiquity (Ancient Greece and Rome).

  • Italy → Villas and churches (Palladio himself)

  • Great Britain → Country houses (e.g. Chiswick House)

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<p>Palladianism in Architecture</p>

Palladianism in Architecture

Italy: Antonio Canova – Temple at Possagno

  • Designed by Canova as both a Catholic church and personal mausoleum, inspired by the Pantheon and Greek temples.

Great Britain: Palladian Tradition

  • British Neoclassicism favored domestic architecture, adapting Palladio’s ideas for aristocratic country houses.

  • Symmetry and proportion

  • Classical orders

  • Architecture: Richard Boyle & William Kent – Chiswick House

    • A manifesto of British Palladianism, directly inspired by Palladio’s Villa Rotunda.

  • Interiors: Gresham & Robert Adam – Osterley House

    • Robert Adam transformed the interiors using a refined Neoclassical decorative language. Elegant plasterwork and classical motifs, Light color palette, roman oriented ornaments.

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<p>The Picturesque &amp; Classical Landscapes</p>

The Picturesque & Classical Landscapes

Henry Flitcroft – Palladian Bridge, Pantheon & Temples (Stourhead)

  • Classical structures placed within landscaped gardens to evoke ancient ruins and idealized nature.

  • Inspired by Roman temples

  • Landscape as a painted composition

  • Emotional contemplation of antiquity

José de la Ballina – Temple of Bacchus

  • A garden folly inspired by Roman temples, built for leisure and classical fantasy.

  • Decorative, not functional

  • Mythological reference (Bacchus)

  • Antiquity as pleasure and imagination

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<p>Greek Revival Architecture - Europe and America</p>

Greek Revival Architecture - Europe and America

Karl Friedrich Schinkel – Altes Museum (Berlin)

  • A public museum inspired by Greek stoas, symbolizing education and civic culture.

  • Greek Doric influence

  • Enlightenment ideals of knowledge

William Strickland – Tennessee State Capitol

  • Greek Revival adopted in the United States as a symbol of democracy.

  • Greek temple form

  • Political symbolism

  • Association with ancient democracy

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<p>Architecture of John Soane (British Architecture) </p>

Architecture of John Soane (British Architecture)

Bank of England

  • Soane designed the bank as a walled, inward-looking complex, emphasizing security and light.

    • Complex spatial planning

    • Use of skylights and lanterns (a small structure with mirrors all around the base)

    • Abstracted classical forms

    • Innovation within Neoclassicism

Joseph Gandy – Imagined Ruins

  • Gandy visualized Soane’s buildings as future ruins, inspired by Giovanni Battista Piranesi.

    • Melancholy and time

    • Reflection on history and decay

Soane’s Home & Museum (Lincoln’s Inn Fields)

  • Soane’s house functioned as a living museum, merging architecture, light, ruins, and collections.

    • Experimental spatial sequences

    • Use of mirrors and skylights

    • Display of antiquities and casts

    • Neoclassicism + imagination

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