African Art & Contemporary Practice Week #2

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28 Terms

1
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What is Berger's main argument in Chapter 3?

That nude art often reflects male power over women

2
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How do men's and women's presence differ in art?

Men show power; women show how they think they should be seen

3
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What does Berger say women learn to do from a young age?

Watch themselves through the eyes of others

4
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What is the "split self" Berger describes?

Women are both the watcher and the watched

5
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What does “Men act and women appear” mean?

Men do things; women are shown and judged for how they look

6
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What is the difference between nakedness and nudity?

Nakedness is natural and personal; nudity is being looked at as an object

7
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Why can nudity never be fully natural in art?

It’s made for someone else to look at, not just to be

8
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Why is the male viewer always present in nude art?

The paintings are designed for his gaze, even if he’s not painted

9
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How does the story of Adam and Eve relate to nude art?

It blames women for shame and makes them objects of judgment

10
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How is Susannah and the Elders an example of objectification?

The viewer joins the elders in spying on her

11
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What do mirrors symbolize in nude paintings?

Vanity and self-judgment, often to please male viewers

12
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How does The Judgment of Paris show beauty as competition?

Women are judged for their looks, and the winner is owned

13
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What did royal nude portraits, like Nell Gwynne’s, represent?

The woman was shown as a possession of powerful men

14
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How does non-European art show nakedness differently?

As mutual, loving, and equal—not about one-sided power

15
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Who is the invisible protagonist in most nude paintings?

The male viewer, who stays clothed while women are naked

16
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Why is European sexual imagery often frontal?

It’s meant to please the male viewer who is “in charge”

17
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What makes some nudes different from the rest?

They show the woman as a real person, not just a body

18
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What makes Rembrandt or Rubens’ nudes exceptional?

They show time, emotion, and experience—not just form

19
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What does Berger say about real nakedness in life?

It’s about shared experience, not just looking

20
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Why are expressive nude photos rare?

It’s hard to show real intimacy in just one frozen moment

21
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What is the “humanist contradiction” in nude art?

The artist is seen as an individual, but the woman is treated like an object

22
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How does Berger describe women’s self-image?

Many women judge themselves the way men are taught to see them

23
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What does Manet’s “Olympia” show?

A woman starting to challenge how she’s usually seen

24
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How did 20th century art change the nude?

Artists used real women like prostitutes, not idealized figures

25
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How does modern media continue the nude tradition?

Women are still shown to please an assumed male viewer

26
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What critical test does Berger suggest for readers?

Imagine a male nude in place of a female and notice how strange it feels

27
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Why is this chapter important?

It shows how art reflects deeper social power structures around gender

28
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