6. Star Wars by John Williams - BASICS

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18 Terms

1

John Williams' style

fanfares, battle music, marches, soaring violins, large orchestra and leitmotifs

2

Metre

4/4 military march style until bar 44 then 3/4

3

Tempo changes

1. mostly fast (crotchet = 100)

2. few rallentandos/ritenutos before main ideas appear

3. massive slow down leading to pause in bar 50

4. codetta is very fast (160bpm)

4

Rhythmic features in opening fanfare

triplets and repeated notes

5

Section 1 rhythmic features

1A = syncopated block chord accompaniment

1B = triplets & dotted rhythms

6

Section 2 rhythmic features

- Violin triplet / sextuplet / demisemiquavers

- Pounding crotchets in bass

- war-like triplets from b42

7

Main texture

Mostly homophonic

8

Structure overview

Intro - Section 1 "Main theme" (A B A1) - Section 2

9

Melody (general)

- bold, clearly defined (features of JW's style)

- fanfare passages

- leitmotifs (Skywalker & Rebel Blockade)

- sequences

10

Fanfare melody

- rapid repeated notes

- triplet arpeggio-like figures

- 7th leaps

11

Melody theme A

4 bar Skywalker leitmotif on trumpet featuring rising 5ths, wide leaps of 7ths, triplets & syncopation.

<p>4 bar Skywalker leitmotif on trumpet featuring rising 5ths, wide leaps of 7ths, triplets &amp; syncopation.</p>
12

Melody theme B

elegant and conjunct 4 bar idea on violins

<p>elegant and conjunct 4 bar idea on violins</p>
13

Section 2 solo instrument

piccolo

<p>piccolo</p>
14

Instrumentation (ensemble)

- Full symphony orchestra (almost 90 players)

- Much doubling of parts (thickly scored)

- No electronic effects or synths

<p>- Full symphony orchestra (almost 90 players)</p><p>- Much doubling of parts (thickly scored)</p><p>- No electronic effects or synths</p>
15

Instrumentation details

10 woodwind

11 brass

6 percussion

harp

60 strings in 5 parts (1+2 violins, violas, cellos & double basses)

<p>10 woodwind</p><p>11 brass</p><p>6 percussion</p><p>harp</p><p>60 strings in 5 parts (1+2 violins, violas, cellos &amp; double basses)</p>
16

Intro + section 1 tonality

Bb major

17

Section 2 tonality

Eb, then chromatic (b33), hexatonic (b36), ambiguous C major (b42). Becomes less clear, almost atonal with the coda bitonal (C + Db)

18

Harmony (general)

- mostly tonal harmony with lots of major chords

- frequent complex chords and unusual progressions

- influence of quartal harmony (especially intro)