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what did WR launch as?
a mass market women’s weekly magazine
when did WR launch?
Feb 22 1958
why was WR published?
to take sales pressure off Woman
how many copies did Woman sell per issue?
3 million
where did WR print?
a plant in Watford Herts owned by Odhams
what sections did WR include?
fiction
children’s realm
fashion
bottled beauty
the sunday cook
knitting section
shopping guide
why did WR push dominant ideologies that subverted the 2nd wave feminist movement?
typical of a mainstream magazine
how did magazines generate revenue?
primarily through sales of copies & advertising
what is it called when there are two forms of revenue?
dual revenue stream
what were 60s adverts criticised for and by whom?
perpetuating stereotypical views of women - feminists
what proportion of total revenues did advertising account for?
1/3
what must the adverts and the magazine both do?
target the same audience
what do the gesture codes on the front cover suggest?
the model is coy and modest
how do the subheadings reinforce stereotypical expectations of domesticity?
focus on children, fashion & romantic fiction
why do publishing houses consolidate power by merging with rival publishers?
reduces competition as there is power in the hands of fewer companies
who owned WR between 1958 and 61?
Mirror Group
what took over Odhams Press Ltd?
Amalgamated Press (later Fleetway Publications Ltd)
what was the aim of the string of takeovers from the Mirror Group?
to rationalise the overcrowded magazine market
what owned WR in 1965?
IPC Media
what else did IPC Media own?
Woman
Woman’s Own
Woman’s Weekly
what are the benefits of concentration of IPC Media?
removes competitors
streamlines + rationalises printing costs
rationalises personnel expenditure
consolidates audiences and increases advert revenue
increased investment in fewer products makes IPC more appealing e.g., investment in colour printing
horizontal and vertical integration benefits
what does the fictional story include?
historical context as written post-war - anti-French/Russian/German
ideology that men are worthy & precious
aspirational - castle, staff, wealthy - fits target audience
masculine depiction of the father and warriors