1/36
Looks like no tags are added yet.
Name | Mastery | Learn | Test | Matching | Spaced |
---|
No study sessions yet.
Anastasia 1997
Don Bluth and Gary Goldman
Romanticizes imperial russia
Motifs: music box, song, motif
Clear bad and good
Rasputin: his fault for uprising of Russian citizens NOT because they were being starved
Omniscient from Dowagers Empress
Restricted from Anastasia’s POV
Subjective: we get their thoughts from the songs
Dmitri as a positive in American cinema:
Entrepreneur, trickster, redemption arc
Anastasia not a damsel in distress
Black Widow 2021
Kate Shortland
Marvel
Identity of a Russian family:
Serves state first then family
Vodka love
Men not taken seriously, women rule the house (soviet families)
Cold War legacies: obsession with comparing to American and hoping they still think of them as equals (not so much after cold war but during yes)
Superhero and melodrama genres
Other families in the film: widows under Dreykov, the avengers (found family)
Soviet Toys 1924
Dziga Vertov
NEP man: portrayed as gluttonous with food and money and women
Experimental political propaganda
He is only defeated by the merging of a working man and a peasant (hammer and sickle)
Everyone is then hung on a new year’s tree
Priests are bribed by NEP man then killed
Advertising the people’s bank where the taxes from NEP man go, new year’s tree, and film studio
China In Flames 1925
Valentina Brumberg and collective
Villainized the west and religion
Colonialism in china from western powers, fight back, soviet solidarity with china
Imperialism robbing china, chinese rich and servants oppressing chinese people
Hole in great wall of china
Missionaries as snakes
Text from lenin as a call to action
The Little Humpback Horse 1947
Ivan Ivanov-Vano
Tsar is comedic, not the villain and easily manipulated
Fairytale
Distinct good and bad
Cel animation
No morals, only luck!
Villain physical appearance xenophobic because he’s not Russian (not snub nosed)
Two older brothers like parents and he is the child (youngest always a fool, brothers always bossy)
Deliberately not validating hard work (only luck)
Magical helper: little humpbacked horse
Alexander Nevsky 1938
Sergei Eisenstein and Dmitri Vasilyev
Usable past: manipulate the past for whatever they want to promote
1300s-1200s
Supposed to be stalin
People’s tsar (cares
Film to raise patriotic spirit and prepare for war
Banned when friends with germany, brought back when enemies with germany
Bad russian rich people: merchants
Catholic bad, orthodox good
Catholics: burning children
Orthodox: Nevsky final speech in front of orthodox cathedral
Germans: white, purity, evil with blond curls, ice, mechanical, feminized, geometric
Russians: dark, organic, masculine, dynamic/human, curved lines
Getting idea on how to trap Germans from a peasant telling a folk tale
Folk tale motifs:
Natural elements
Animal symbolism
Traditional women’s lament
Parable of the hare and the fox
Motif of rival suitors
Sequence of closures:
Reuniting romantic lovers
Court of justice
Soldiers forced to fight so go free
Knights exchanged for soap
Russian nobleman killed by crowd (rich people bad)
Making merriment: orders people to drink and be happy
Final warning: to internal people (fight when called) and external people (you’ll be defeated)
Mother happiest about the marriage
Circus 1936
Grigorii Aleksandrov
Re-eduction of positive hero: Marion
Franz: mentor
Ivan: love interest and mentor
People-mindedness:
Easy to understand follow with no tricks or ambiguity
Class-mindedness:
Support poor and oppressed against rich and spoiled
Party-mindedness:
Promoting communism
Re-education:
Comes to the USSR and thinks it’s like the US and she has to hide her black son
When people find out, no one cares and all accept her so she thinks the USSR is amazing and wants to stay forever
She thinks a soviet man can be racist which the film shows is an impossibility and its her mistake and she must overcome it
America: racist, bad, materialistic
USSR: welcoming, good, not materialistic
Song of the Motherland: sung in several different languages, starts and ends in russian (russia first)
No longer sexualized, seen as an equal
Music comedy and social realism
In the red square
Silver Dust 1953
Abram Room
Soviet fantasy of America, show america is bad but still want their consumer goods and cars
Communism is oppressed and so are black people
Black people only personality traits is being oppressed and need to be saved by the white communist savior complex man
The scenes in Dr. Steal’s lab are staged in the style of German Expressionism
Mad scientist trope: his youngest son ends up dying from it and then he dies as well
Experimenting on prisoners of war and black people
Older son good, cause communist
Younger son bad because in cahoots with german nazi scientist who gets him killed
Older son:
Dr. Schneider: Nazi scientist
Marys son is ben
The Millionaire 1963
Sergei Mikhalkov (writer)
Yuri Prytkov
Obsessionism with consumerism in america
Making fun of rich people in the US
Trying to show that money can get you anywhere
Doesn’t matter who you are, just that you have money
Dance scene: animal-like, following money
Rhyming couplets
A Lesson Not Learned 1971
Valentin Karavaev
Cel animation with photomontage (collage)
See excerpts from newspapers and photographs from war
berlin wall stops spread of German Revanchism (trying to bring back old ideas from WWI)
America/UK/west shares ideals with Nazis and will go easier on them than Russians
Truce agreement between west Germany and the USSR stops fascist ideologies from spreading
German military pose as wounded soldier to get into better, more comfortable prison than USSR side
The bible as mein kampf
Jack Frost 1964
Aleksander Rou
Multiple folk tales combination
Nastya is perfect no re-education needed
Imperfect male protagonist (ivan) vain and arrogant to humble and kind
Magical helpers:
Grandfather mushroom: ivan doesn’t thank him so he turns him into a bear, when he thinks of other people first, he gets turned back
Baba yaga: comedic villain, villain to try and break ivan and Nastya apart
Jack frost: helps Nastya because shes humble doesnt help sister because shes rude
Women either ugly and bad or pretty and good
Step mother always evil and the fault for everything
Ends in a marriage
Kid friendly because step sister no die
Film Film Film 1968
Fedor Khitruk
Not disney style, limited animation
Lack of dialogue, only sound effects and music (away from stalinist-era)
Photo montage of western movie stars at the beginning
Censors behind closed doors
Winnie the Pooh 1969-1972
Fedor Khitruk
No christopher robin
Childrens drawing style for background
Limited animation
Nostalgic trip into childhood
Winnie the pooh not social realism
More comedic and not morality (arrogant and philosophical)
Junior and Karlsson 1968
Boris Stepansev
Based on works of Swedish author Astrid Lindgren (western author) Pippi longstocking
Child’s perspective and focus on child’s imagination
Urban and contemporary city in sweden
Junior is lonely even though he has good family because he want dog
Karlsson: trickster, causes chaos, middle-aged man friend who flies
Loves jam too much
Opposite of socialist realist mentor because he causes chaos and is arrogant
Thaw culture: many different perspectives on how to interpret the world (child and adult)
Perspective of child as main trope of neo-realism
Experimental animation
Lack of socialist realist re-education
Child’s point of view
Things of anarchy
Limited setting
Soyuzmultfilm
single centralized studio 1936
Little humpbacked horse
logo of Mosfilm: the worker and the collective farm woman 1937
Vera Mukhina
Hammer and sickle
Shown in world fair at paris facing off against (eagle=america)
symbolizes union of working class
Russian Cinema Reader
Russians called the cold war the thaw
Stalin’s death as the marker or the beginning of the thaw era
Other key events marking the end of the thaw:
A palace coup that voted Nikita Khruschev out of office
Restoration of stalin-era title of general secretary of the communist party
KGB arrested Andei Sinivskii and Yuli Daniel for publishing prose abroad that differed from approved ones
Warsaw Pact troops invaded Czechoslovakia
Fifth main administration for ideological subversion: polices soviet artistic filmmakers
Last years of stalin’s rule as cine-anemia (decrease in film production due to strict ideological control over the industry and low funding)
Chose three main directions when making WWII films:
reviving traditions of the 1920s avant-garde
Incorporating neorealist aesthetics into their film style
Depicting the war through the lens of art cinema narration
“The stagnation era model of ideological control was not about ubiquitous fear,mass terror or the promise of communist utopia; rather it was about limiting access to information and the continual harassment of those few, like Tarkovsky, who did not give up and continued exercising artistic agency.”
Brandenberger article
Russia: National Bolshevism
100th year death anniversary in 1937: Pushkin
Pushkin: great poet, not from Russia but brought to Russia
Russian national poet
Celebrated his death because it was more convenient than celebrating his birth
Moved from internationalism to russo-centric
Bolshevism: original revolution of 1917, they were internationalists
Aleksander Drostovsky: a revolution should never end
National bolshevism: oxymoron
Russo-centrism: preaches equality, but always makes sure Russia appears on top “first among equals”
Literature, folklore, cinema, and art
Explosion of nationalism shown in all art forms
“Usable past” (not all past is good so you have to pick and choose): past that contributes good things/defines the present. People in power and artists decide this
“imagined community:” national is a strange animal, we feel that we are a community of people who have common history, literature, and stories of the past which promotes unity
Laura Pontieri
How did animation change in the 1950s and beyond?
Change to limited animation (not 3D, look more like drawings and less smooth)
Artistic interpretation itself changes
Not only constrained to propaganda or fairy tales anymore, can have contemporary themes and setting
Mixed audiences
Contemporary themes
Loneliness as an issue rather than starvation and war (issues under stalin)
Satirical moments are cartoons style
Production: creative workshops, authors
georges melies
Magician, actor, director, producer
tied with trick cinema and invented special effects and fantasy genre
A Trip to the Moon (1902)
pre-revolution
Over 500 films
Ladislas Starewicz
Director, stop-motion animation
Cameraman’s revenge (1912)
He’s Polish and worked in France after he emigrated from Russia
Dziga Vertov
Director of Soviet experimental/avant-garde cinema
Soviet Toys (1924)
Man with a Movie Camera as well
Grigorii Alexandrov
Director of stalinist backstage/show musicals
Circus (1936)
His wife at the time was almost always the lead actress in his films
Boris Shumiatskii
Head of soviet film government industry (Soyuzkino)
Introduced Soviet Hollywood into the film industry
cinema for the millions
Aleksander Rou
Director
Jack Frost (1964)
Cinema of attractions: purpose of displaying (man into bear)
Also director New adventures of Puss in Boots (1958)
Fedor Khitruk
Director
Film Film Film (1968) and Winnie the Pooh (1969-1972)
Also made The man in the frame
Boris Efimov
Soviet political cartoonist
Wrote A Lesson Not Learned (1971)
Drew political cartoons of people at the nuremberg trials
Ukrainian and Jewish
Sergei Mikhalkov
Soviet author
Wrote the script for The Millionaire (1963)
Was originally a child’s poet
Wrote soviet national anthem lyrics
trick cinema
The use of certain techniques like manipulating the film and camera to give film special effects
A Trip to the Moon (1902): the clip where the rocket hits the moon in the eye. They stop filming briefly and then start filming again with the rocket in the moon’s eye to give the effect that the rocket just hit the moon in the eye. The rocket just spontaneously appears on the moon.
Beginning in 1902 and on
stop-motion animation
Type of film animation where different frames are made by pausing filming and adjusting the characters and the set repeatedly to make a cohesive clip
Cameraman’s Revenge (1912): when Mr. Beetle throws the grasshopper off the chair, each movement made is from a different frame where they paused filming and adjusted the characters
Beginning in 1912 and on
cel animation
Type of animation style with vibrant colors, 3D characters, each frame individually drawn. Disney-style animation.
The Little Humpback Horse (1947)
Began in the 1930s until the 1950s
New economic policy (NEP)
everything was centralized with no private ownership (capitalistic)
1921-1927
Soviet Toys: NEP man at the table gorging himself on food who is eventually killed by the merging of the working man and peasant
Cinema for the Millions
Ban on experimentation and turn to formalism
Idea of mass accessibility supports film industry
Tool for education, shape of collective consciousness for entire population, unification
1930
Circus
Positive Hero
Aspect of socialist realism where the protagonist must go through re-education
Goes through re-education (protagonist), flawed
1934 (socialist realism started)
marion from circus
Soviet Hollywood
Ideas coming from hollywood but adjusted to soviet ideology and socialist realism
1930
Boris Shumiastkii
Entertaining ideology
Musical numbers while working only
Clear plot and good vs. bad
Love story and re-education story
circus
Good versus bad
Rotoscoping
a technique used in animation to capture live action frame by frame: the goal is to imitate live action
Snow white: evil queen sitting in chair reference photo
1915
Sergei Eisenstein
director
Alexander Nevsky 1938
friends with Walt Disney