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‘Reason is but choosing’ - intellectual freedom
Milton, Areopagitica, 1644
‘To justify the ways of G-d to men’
Milton, Book I
‘Man’s ability to make decisions is the animating idea behind every one of Milton’s works’
Klimt - animating idea
Milton renders impossible any simple, stable interpretation of the poem’s politics'
Herman politics
The nature of marriage was evidently an abiding concern for Milton
Foxley marrige
The complex relationship between Adam and Eve is at the core of his masterpiece
Foxley relationship
The allure of freewill is where the attractiveness and power of Satan’s character lies
Zeng freewill Satan
Her failure was primarily intellectual. His is moral
Evans failure
Milton’s deliberately ambiguous grammar + liquid syntax
Ricks liquid
Milton was expanding the terse account in Genesis to epic proportions
Bell terse account
The transition from innocence to sin can be felt very early on in the narritve
Bell innocence sin
Evil is an active, ever-present element
Bell evil
The central moral concern [of b9] is truth
Anna Fish concern
Satan can be read as a republican hero; G-d infallible and omnibenevolent, a tyrannical monarch
Klimt Monarch
Poetry uses a solid and treatable smoothness to paint out and describing whatsoever in religion is holy and sublime
Milton solid smoothness
Milton was ‘a true poet and of the devil’s party without knowing it’
William Blake on Milton Devil
[Freedom, whilst a theme is also] embedded in the very experience of reading it
Orlando Reade Freedom
‘All higher knowledge in her presence falls’
Adam to Raphael about Eve
Sufficient to have stood, though free to fall
G-d on Adam, Book III
the invention of a barbarous age
Milton on rhyme
the troublesome and modern bondage of rhyming
Milton on rhyming (II)
Written in the ashes of a failed revolution
Orlando Reade on Political Context
a mere artificial Adam, such an Adam as he is in the motions.’
Milton, Areopagitica, 1644, Adam’s alternate creation
Better to reign in hell than serve in heaven
Satan Book I