HUM1020 Mid-Term: Chapter 32 - The Modernist Assault [Study Guide] (Use LEARN)

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23 Terms

1
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this concept rejected former cultural values and conventions in favor of innovation, experimentation, and (at its most extreme) anarchy, the absolute dissolution of established norms

Modernism

2
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The _________ revolution in creative arts responded to equally revolutionary changes in science and technology.

Modernist

3
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leaders in search for a more concentrated style of expression; believed the writer was like a sculptor, whose technique required that he carve away all extraneous matter in a process of abstraction that aimed to arrive an intrinsic or essential form

Imagists

4
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_____-_____ artists questioned the value of art as a faithful recreation of the visible world; pioneered an authentic, "stripped down" style that EVOKED rather than DESCRIBED experience

avant-garde

5
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one of the central tenets of Modernism; promised to purify nature so as to come closer to its true reality

abstraction

6
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_________, ___________, and _______________ became the hallmarks of the Modernist revolt against convention and tradition.

innovation, abstraction, and experimentation

7
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he worked in almost every major art style of the twentieth century, some of which he inaugurated; produced thousands of paintings, drawings, sculptures, and prints

Picasso

8
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___ ___________ depicts five nude women--the prostitutes of a Barcelona bordello in the Carrer d'Avino (Avignon Street).

Les Demoiselles

9
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this painting violated every shred of tradition; Picasso's most (arguably) infamous painting

Les Demoiselles

10
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this painting was the precursor of Cubism

Les Demoiselles

11
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a bold and distinctive formal language that came to challenge the principles of Renaissance painting as dramatically as Einstein's theory of relativity had challenged Newtonian physics

Cubism

12
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kind of art that was neither a painting nor a sculpture, but both at the same time. resulting from Picasso and Braque pasting various mundane objects such as wine-bottle labels, playing cards, and scraps of newspaper onto the surface of a canva

collage

13
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perfected the process by which cellulose film ran smoothly in a commercial projector

Lumière Brothers

14
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made major innovations in cinematic technique; introduced the use of multiple cameras and camera angles, as well as close-ups, fade-outs, and flashbacks

D.W. Griffith

15
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three-hour silent film; an epic account of the American Civil War and the Reconstruction Era that followed in the South. despite this film's technical excellence, its negative portrayal of African-Americans contributed to stereotyping them as violent and ignorant savages

The Birth of a Nation

16
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When was "The Birth of a Nation" made?

1915

17
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True/False. Until the late 1920s, all movies were silent--filmmakers used captions to designate the spoken word whenever appropriate, and live musical accompaniment was often provided in the theater.

True

18
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was performed by the Ballet Russes, a company of expatriate Russian dancers led by Sergei Diahilev.

The Rite of Spring

19
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The music accompanying "Le Sacre du Printemps (The Rite of Spring)" was composed by...?

(Igor) Stravinsky

20
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True/False. Stravinsky's tonal shifts are subtle and nuanced; pleasant to listen to.

False Stravinsky's tonal shifts are abrupt and disjunctive

21
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critics argued _____ choreography in Rite of Spring seemed to express the "hidden primitive in man"

Vaslav Nijinsky

22
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Innovative character of early modern dance. the rules and conventions of classical ballet, preferring to explore the dance traditions of Asia, Africa, and Native America; sought a direct correspondence between intangible emotions and physical gesture

Martha Graham

23
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"The Mother of Black Dance" her choreography drew on the dance styles of late nineteenth century, when all-black theatrical companies and minstrel shows toured the United States

(Katherine) Dunham