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Renaissance
a revival of classical art, literature, and learning that began in Italy in the 14th century — focused on realism, perspective, and human anatomy, exemplified by artists like Leonardo da Vinci and Michelangelo
Mannerism
emerged after the Renaissance, emphasizing exaggerated poses, elongated figures, and complex compositions to create tension and elegance, seen in works by El Greco and Pontormo
Baroque
a dramatic, emotional, and ornate style of the 17th century, using light, shadow, and movement to inspire awe, as in works by Caravaggio and Rubens
Rococo
an 18th-century decorative style known for its pastel colors, playful themes, and intricate detail, seen in the art of Fragonard and Boucher
Neoclassicism
inspired by ancient Greece and Rome, this movement stressed order, simplicity, and virtue, represented by Jacques-Louis David and Ingres
Romanticism
focused on emotion, nature, and the sublime, reacting against industrialization and rationalism, as seen in Turner and Delacroix
Realism
depicted ordinary life and working-class subjects without idealization, challenging romantic and academic traditions, championed by Gustave Courbet
Pre-Raphaelite Brotherhood
British artists seeking truth and beauty in art before Raphael’s influence, emphasizing vivid detail and moral symbolism, like Rossetti and Millais
Impressionism
captured fleeting effects of light and color through loose brushwork and outdoor painting, pioneered by Monet and Renoir
Post-Impressionism
expanded on Impressionism with more structure and emotion, emphasizing symbolic content and geometric form, as in Van Gogh and Cézanne
Symbolism
used dreamlike imagery and myth to express emotions and ideas rather than reality, represented by Redon and Moreau
Art Nouveau
characterized by flowing organic lines, floral motifs, and decorative design across art and architecture, seen in works by Klimt and Mucha
Fauvism
used wild, non-naturalistic colors and bold brushwork to convey feeling over realism, developed by Matisse and Derain
Expressionism
expressed intense emotion through distorted forms and colors, reflecting inner psychological states, exemplified by Munch and Kirchner
Cubism
fragmented objects into geometric forms and multiple viewpoints, revolutionizing perspective, pioneered by Picasso and Braque
Futurism
celebrated speed, technology, and modern industry with dynamic compositions, led by Boccioni and Balla
Dada
rejected logic and reason through absurd, spontaneous, and anti-art creations responding to World War I, promoted by Duchamp and Höch
Surrealism
explored dreams, the subconscious, and irrational imagery to unlock creativity, with artists like Dalí and Magritte
Constructivism
Russian movement combining art and engineering, emphasizing abstract geometric forms and utilitarian design, led by Tatlin and Rodchenko
De Stijl
Dutch abstract movement using primary colors, horizontal and vertical lines to achieve harmony and balance, founded by Mondrian and van Doesburg
Bauhaus
German school integrating art, craft, and technology, emphasizing functional modern design, with Gropius, Klee, and Kandinsky
Precisionism
celebrated American industrial and architectural forms with sharp lines and simplified geometry, seen in O’Keeffe and Sheeler
Social Realism
depicted everyday struggles of the working class to inspire social change, associated with Diego Rivera and Ben Shahn
Regionalism
focused on rural American life and landscapes during the Great Depression, led by Grant Wood and Thomas Hart Benton
Abstract Expressionism
emphasized spontaneous gesture and emotional intensity through large-scale abstract works, as seen in Pollock and Rothko
Color Field Painting
featured large areas of solid color to evoke emotional or spiritual contemplation, practiced by Newman and Frankenthaler
Pop Art
drew imagery from popular culture, consumer goods, and advertising with irony and humor, exemplified by Warhol and Lichtenstein
Op Art
created optical illusions and visual vibration through precise patterns and contrasting colors, pioneered by Riley and Vasarely
Minimalism
reduced art to its basic geometric forms and materials to emphasize simplicity and perception, led by Judd and Martin
Conceptual Art
prioritized the idea behind the work over its visual form, with artists like Sol LeWitt and Joseph Kosuth
Performance Art
used the artist’s body and live actions as the artwork itself, challenging traditional art boundaries, exemplified by Marina Abramović
Photorealism
recreated photographs in paint with meticulous realism, exploring perception and surface, as in works by Chuck Close and Richard Estes
Land Art
created site-specific works in nature using earth, rocks, and organic materials, integrating art with landscape, as in Smithson’s “Spiral Jetty”
Fluxus
experimental, interdisciplinary movement blending art, music, and humor, promoting art as everyday life, led by George Maciunas and Yoko Ono
Neo-Expressionism
revived expressive, figurative painting with bold color and emotion in the 1980s, as seen in Basquiat and Kiefer
Street Art
public, often political art using graffiti and stencils to challenge authority and reclaim space, represented by Banksy and Haring
Postmodernism
questioned modernist ideals and embraced irony, parody, and cultural references, as seen in Koons and Sherman
Installation Art
transforms spaces into immersive environments or experiences, inviting viewer interaction, by artists like Kusama and Eliasson
Digital Art
created with computers and digital tools, exploring virtual, generative, and AI-driven creativity, led by Beeple and Refik Anadol
New Media Art
uses emerging technologies—video, sound, and interactive systems—to create innovative art forms, as in Nam June Paik’s work
Feminist Art
addresses gender inequality, identity, and the female experience through visual art, championed by Judy Chicago and Barbara Kruger
Performance Feminism
uses live performance to explore gender, body, and identity, represented by Carolee Schneemann and Ana Mendieta
Kinetic Art
incorporates physical movement, either mechanical or viewer-driven, to animate form, pioneered by Alexander Calder
Suprematism
Russian abstract movement focusing on pure geometric forms and spiritual expression, founded by Kazimir Malevich
Vorticism
British avant-garde movement combining Cubism and Futurism’s dynamism with bold abstraction, led by Wyndham Lewis
Ashcan School
depicted gritty urban life in early 20th-century America with realism and energy, featuring Robert Henri and George Bellows
Hard-Edge Painting
emphasized clean lines, sharp edges, and solid colors to eliminate emotional expression, seen in Stella and Kelly
Arte Povera
Italian movement using everyday or “poor” materials to challenge consumer culture and traditional art forms, with Pistoletto and Kounellis
Transavantgarde
Italian reaction to conceptual art emphasizing emotion, color, and figuration, led by Chia and Clemente
Environmental Art
integrates ecological awareness with creative expression, often using natural materials or landscapes, as in Goldsworthy and Agnes Denes