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:: Frederich Engels, The Condition of the Working Class in England, Text Selections: 1844

:: “Manchester, from the Entrance to the London and North-Western Railway,” Illustration: c. 1840’s

Gaspard-Félix Tournachon [a.k.a. Felix Nadar], “Subterranean Paris (Pont au Change),” Photograph, albumen print from glass negative: 1864-1865, 24.8 x 19.6 cm

:: Gustave Caillebotte, Paris Street; Rainy Day, Oil on Canvas: 1877

“Loathsome practice of mouth spray in the Chinese Laundries,” Illustration: Originally in The Chinese in California, G. B. Densmore, 1880; Reprinted in Contagious Divides, Nayan Shah, 2001

William Booth, In Darkest England, and the Way Out, Illustration: 1890

The Working Man’s Reward,” Chicago, Advertisement: 1891

:: Ebenezer Howard, “The Three Magnets,” Illustration/Diagram: 1898

Hanoi, Tonkin (French Indochine), Boulevard Dong-Khanh, Postcard: c. 1900

“Au Maroc – A Casablanca, Lache Agression des Marocains Contre Nos Marins” (In Morocco – In Casablanca, Moroccans’ cowardly/feeble aggression against our Marines), Cover Illustration: Le Petit Parisien, 1907

:: Taj Mahal Hotel, Bombay, Postcard: c. 1900-1930

:: Casablanca, Morocco, Place de France, Postcard: c. 1916

:: Interborough Rapid Transit Corona Line, Queens, New York City, Photograph: 1917

:: Eastern Parkway, Prospect Heights, Brooklyn, New York City, Postcard: c. 1930

:: Soviet Urban Architecture and Street Scenes, Photograph: c. 1925-1940

:: Techwood Homes, Atlanta, Photograph: c. 1940

:: Indonesian President Sukarno, Opening Address to Bandung Afro-Asia Conference, Text Selection: 1955

:: Teaching Rooms, Royal University of Phnom Penh (1950’s), Photograph (Contemporary)

:: Cabrini-Green Housing Project, Chicago, Photograph: c. 1960’s

United States Brewers Foundation, “In This Friendly, Freedom-Loving Land of Ours…Beer Belongs— Enjoy It!” Advertisement: c. 1960’s

:: “What do you have all this for? / I received an apartment in a new building!” Soviet Satirical Cartoon: c. 1960-1980
:: Bulaq, Cairo, Photograph (still image from film): c. post-2011
