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Inspector Goole interrupts Birling’s monologue.
Technique: Stage direction. Effect: Shows immediate authority and disrupts capitalist ideology.
An impression of massiveness, solidity and purposefulness.
Technique: Abstract nouns. Effect: Makes Inspector Goole seem powerful and symbolic of moral authority.
Lighting becomes brighter and harder upon Inspector’s arrival.
Technique: Symbolism (lighting). Effect: Truth is being revealed; characters cannot hide guilt.
We are members of one body.
Technique: Metaphor. Effect: Shows socialist message that society is interconnected.
There are millions and millions of Eva Smiths and John Smiths still left with us.
Technique: Hyperbole + common names. Effect: Eva represents the whole working class.
Each of you helped to kill her.
Technique: Direct address + blunt verb. Effect: Forces collective responsibility.
Their lives, their hopes and fears… intertwined with our lives.
Technique: Metaphor. Effect: Shows all social classes depend on each other.
They will be taught it in fire and blood and anguish.
Technique: Tricolon + violent imagery. Effect: Sounds like a warning → foreshadows war and suffering.
I’m a hard-headed practical man of business.
Technique: Adjective phrase. Effect: Shows capitalist values and lack of empathy.
The Titanic… unsinkable, absolutely unsinkable.
Technique: Dramatic irony. Effect: Makes Mr. Birling look foolish; audience knows he is wrong.
The Germans don’t want war.
Technique: Dramatic irony. Effect: Shows Mr. Birling's political ignorance and false confidence.
It’s my duty to keep labour costs down.
Technique: Modal verb (‘duty’). Effect: Justifies cruelty through business language.
I can’t accept any responsibility.
Technique: Repetition of negation. Effect: Shows refusal to change.
There’ll be a public scandal.
Technique: Noun phrase. Effect: Shows Mr. Birling cares about reputation, not morality.
The whole story’s just a lot of moonshine.
Technique: Colloquial language. Effect: Dismisses lesson; shows he has learned nothing.
A rather cold woman.
Technique: Adjective phrase. Effect: Shows emotional distance and lack of compassion (Mrs. Birling).
Girls of that class.
Technique: Demonstrative pronoun. Effect: Dehumanises Eva and shows Mrs. Birling's snobbery.
I did nothing I’m ashamed of.
Technique: Absolute statement. Effect: Shows pride and moral blindness (Mrs. Birling).
As if a girl of that sort would ever refuse money!
Technique: Exclamatory sentence. Effect: Shows stereotyping of working-class women (Mrs. Birling).
I told her it was her business.
Technique: Short declarative. Effect: Shows lack of empathy and responsibility (Mrs. Birling).
I accept no blame for it at all.
Technique: Repetition of negation. Effect: Refuses responsibility like her husband (Mrs. Birling).
I was perfectly justified.
Technique: Intensifying adverb. Effect: Shows arrogance and dramatic irony (Mrs. Birling).
Mummy… Daddy…
Technique: Childlike language. Effect: Shows immaturity at the start (Sheila).
Very pleased with life.
Technique: Stage direction. Effect: Shows sheltered privilege (Sheila).
Is it the one you wanted me to have?
Technique: Question. Effect: Shows desire to please and dependence (Sheila).
These girls aren’t cheap labour — they’re people.
Technique: Contrast. Effect: Shows moral growth and empathy (Sheila).
I know I’m to blame — and I’m desperately sorry.
Technique: Emotive language. Effect: Accepts responsibility → Priestley supports this attitude (Sheila).
He’s giving us the rope — so that we’ll hang ourselves.
Technique: Metaphor. Effect: Shows intelligence and understanding of Inspector’s method (Sheila).
It frightens me the way you talk.
Technique: Verb ‘frightens’. Effect: Shows moral divide between generations (Sheila).
You mustn’t try to build up a kind of wall between us and that girl.
Technique: Metaphor (wall). Effect: Represents class division; Sheila rejects it.
An attractive chap about town.
Technique: Stage direction. Effect: Shows charm and status (Gerald).
Everything’s all right now, Sheila.
Technique: Repetition. Effect: Tries to return to normal and avoid responsibility (Gerald).
She was young and fresh and charming.
Technique: Tricolon. Effect: Objectifies Eva and romanticises her (Gerald).
I didn’t feel about her as she felt about me.
Technique: Contrast. Effect: Shows emotional imbalance and exploitation (Gerald).
I became at once the most important person in her life.
Technique: Hyperbole. Effect: Shows power and control over Eva (Gerald).
We’ve been had.
Technique: Colloquial language. Effect: Focuses on being tricked, not Eva’s death (Gerald).