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Modal Jazz
Improvisation based on modes instead of traditional chord progressions
More open melodic exploration and extended solos
Fewer chord changes
Extended single chords
Greater freedom in soloing
John Coltrane - Three career phases
1959 = fascination with harmony/chord changes, apprenticeships with Miles & Monk
1960-1964 = opposite direction, classic quartet, modal jazz
1965-1967 = avant guard/free jazz
John Coltrane
tenor/soprano sax
still towers over jazz
20+ min solos
Coltrane’s Classic Quartet
McCoy Tyner - Piano
Jimmy Garrison - Bass
Elvin Jones - Drums
Re-popularize soprano sax
Coltrane's use of this instrument revived its popularity
Particularly in modal pieces like "My Favorite Things."
Prior to this Sidney Bechet was the only name really associated with Soprano Sax
Coltrane Spirituality
Coltrane and many other artists explored spirituality
This introspection and spiritual journey became intertwined with the idea of what a Jazz artist is
A Love Supreme
A Love Supreme
John Coltrane's concept album
Explores themes of faith and dedication
Massively popular and prime example of the Modal Jazz genre
Jazz and the Civil Rights Movement
During the Civil Rights Movement, Jazz served as a voice for racial equality and a soundtrack to the civil rights era, emphasizing freedom and protest.
Just as people were questioning the conventions of society, musicians were questioning the conventions of jazz
Louis Armstrong During the Jazz Civil Rights Movement
Louis used his fame to break racial barriers
Famously criticized President Dwight Eisenhower in an interview for refusing to send troops into Little Rock, Arkansas to guarantee the safety of nine black children attempting to enroll in the local high school ("Little Rock Nine")
Armstrong cancelled his music tour in the Soviet Union, saying he wouldn't defend the US constitution abroad if it wasn't properly enforced at home
"Alabama" by John Coltrane
Famous composition written by Coltrane in response to the 1963 Birmingham Baptist Church bombing that killed 4 young black girls and injured many others.
Wrote the composition to MLK's eulogy
Max Roach and Abbey Lincoln
Max Roach - Drummer
Abbey Lincoln - Vocalist
Did “Freedom Now Suite”
Jazz Civil Rights album
Combined jazz with spoken word and vocals to address racial injustices
Avant Garde (Free Jazz)
Often a reflection of societal upheaval (e.g., Civil Rights, counterculture movements)
Departure from traditional jazz forms
Highly experimental improvisation
Atonal melodies
Complex harmonies
Pushes the boundaries of musical structure
Collective Improv
Societal Changes in the 1960s
Vietnam protests
Civil rights movement
Protest from the norm and these things inspired Jazz
Avant garde ensemble roles
having different kinds of ensembles
instruments playing different roles
experimenting with sound
no standard to follow
Avant-garde aesthetics of sound
breaking down idea of bass/drum/piano rhythm section
changing roles around
Freedom From Musical Conventions
-Breaks away from the traditional preset rhythms, harmonies, & song forms
-Redefined the way the ensembles were played and instrumental roles
-Aesthetics of sound: Genre showed you don't have to have the same format of piano and bass comping for solos etc. etc.
-"They just played with sound a lot"
Ornette Coleman
Alto Saxophonist
Leader of the Avant Garde genre
Sounded like Charlie Parker in high school
Innovates experimental ways to play, highly controversial
Doesn't believe you have to be stuck in the traditional Jazz forms
Known for his trademark plastic saxophone (claims he just liked the sound of it)
Ornette Coleman's Quartet
Don Cherry: Pocket Trumpet
Charlie Haden: Bass
Billy Higgins: Drums
Ed Blackwell replaced Higgins on drums in later iterations of the quartet
Albert Ayler
Tenor saxophonist (Avant Garde)
Unique style
Influenced with John Coltrane
Cecil Taylor
Pianist (Avant Garde)
“Whats wrong with expressing rage in music”
Extremely spastic and energetic playing
Dave Brubeck influences
Sun Ra
Made his own myth that he wasn’t from the Earth
Band leader for the Myth Science Arkestra
Pianist/keyboard
Afro-Centric philosophy
Miles Davis' 2nd Great Quintet
Tony Williams (Drummer): Joins Miles at 17
Ron Carter (Bass)
Herbie Hancock (Pianist)
Wayne Shorter (Tenor Sax): “the idea man”
Controlled Freedom
The way that Miles' 2nd Great Quintet was described as playing
A mix of Avant Garde experimentation whilst still holding onto Jazz traditions like steady rhythm and harmony
Wayne Shorter becomes main composer
Jazz Fusion
Influenced by rock and r&b
1960s
Electric Instruments and Effects: Synthesizers, electric guitars, and pedals
Studio Technology: Multi-track recording and editing became integral
Pioneered by Miles Davis
Drums getting bigger
Precursors and Influences of Jazz Fusion
R&B artists like Ray Charles
Soul jazz & the Harmon organ
Many rock bands in the 60s were playing with improvisation
Connections to the blues
Controversy Over Jazz Fusion
Due to the electric instruments, many Jazz purists saw it as pop music more than Jazz
People thought jazz was selling out to become commercial
Miles Davis, Bitches Brew
Groundbreaking album that defined jazz fusion
Featured long tracks with layered rhythms and dense textures
One of Miles' most popular works to this day
Mixed opinions: Many critics felt that Miles' "sold out"
Miles Davis’ “Lost Quintet”
Wayne Shorter
Chick Corea
Dave Holland
Jack DeJohnette
“Bitches Brew”
Herbie Hancock - Headhunters
Famous Funk-driven fusion group
"Chameleon"
Drums
Miles Alumni
Chick Corea - Return to Forever
Brazilian Jazz Band
Combined Latin, classical, and jazz elements
Made the song "Light as a Feather"
Keyboard
Miles Alumni
John McLaughlin - Mahavishnu Orchestra
Guitarist
Inspired by Indian music
Made the song "Miles Beyond"
Miles Alumni
Fusion
Weather Report
Jazz fusion band
Considered one of the defining acts in the genre
Known for their innovative and complex sound
Made the song "Teen Town"
Weather Report Band Members
Wayne Shorter (Tenor Sax): Known for his experimental harmonies and legendary compositions
Joe Zawinul (Keys): Austrian keyboard player who comes to America, master synthesizer player, organic sound
Jaco Pastorius (bass): Revolutionized electric bass, known for fretless playing style
Mario Bauza
Trumpet & Saxophone
First Latin big band
Afro-Cuban Jazz pioneer
Machito
Maracas & vocals
Brother in law to Mario Bauza
Helped popularize Afro-Cuban Jazz with Mario
Machito & his Afro-Cubans
Chano Ponzo
Percussionist
Collaborates with Dizzy Gillespie to create a big band
Dizzy Gillespie & Cubop
Becomes fascinated with Afro-Cuban Jazz after meeting Mario Bauza
Partners with Chano Ponzo and creates big band
“Manteca”
Pedrito Martinez
Percussionist (Afro-Cuban Jazz)
Brazilian Jazz
Bossa nova and samba styles introduced a relaxed, lyrical quality to jazz
blends rhythmic elements of Brazilian music like samba with improvisational qualities of American jazz
Unique, laid-back sound
Bossa Nova
A style of Brazilian music derived from samba but placing more emphasis on melody and less on percussion
Emphasis on guitar
Joao Gilberto & Antonio Carlos Jobim
Founders of Bossa Nova
Joao Gilberto: Guitarist & vocals
Antonio Carlos Jobim: Guitar
May be the most recorded musician in the world
Stan Getz
American Tenor Saxophonist
Brought Bossa Nova to the U.S. through the Getz/Gilberto album
Airto Moreira
Percussionist
Revolutionary for his unique style and large variety of instruments
Played with Miles, Cannonball, Weather Report
Redefines what a percussionist is
Joins Chick Corea's band "Return to Forever"
Married to Flora Purim, a singer
Wayne Shorter, Native Dancer
Collaboration album with Milton Nascimento
Hermento Pascoal
Brazillian Jazz royalty
Known for being able to play any instrument
Prolific for his ability to make music out of nature
“Universal Music” - pulls from all
Has a group named “O Grupo”
Rehearsed constantly
O Grupo
Hermento Pascoal's group
Known for rehearsing 5 days a week, 6 hours a day, for 12 years
Kieth Jarrett
Leader of the Neo-Classism movement
Pianist - only really likes acoustic
Joins ECM Records and puts them on the map
Known for his solo improvisational concerts where he would perform and often come up with everything on the spot
American & Scandinavian Quartets
Kieth Jarrett's music groups
American did Free Jazz stuff
Musical & Philosophical Ideas of Neo-Classism
Fusion had become commercial, so Neo-Classism was inspired to return to acoustic instruments
Return to the conventions of hard bop
Swinging rhythms, playing the blues, and contrafacts were all elements of this style
"Paying tribute but not necessarily going back in time"
Wynton Marsalis
Trumpet
Figure head of the neoclassical movement
Tours with Miles Davis' rhythm section
Very inspired/compared to Miles
Signs w/ CBS records and wins Grammies in both Classical and Jazz music
Highly critical of the state of Jazz and Miles' Jazz Fusion work
He's basically a "moldy fig" who protested experimental Jazz
Young Lion
Young Lions
Name for the young musicians in the 1980s who the record companies tried to hire and basically industry plant
The new generation of players
Repertory Movement
Groups like the Lincoln Center Jazz Orchestra focus on preserving classic works
The studying, preserving, and performing the many different styles of Jazz music
Controversy Over Wynton Marsalis
Becomes music director for Lincoln Center Jazz Orchestra
Very little electric Jazz was played as Wynton hated this form of music
Mostly only classic Jazz was played at these performances
Carla Bley
Composer & bandleader (Avant Garde & Neo-Classism)
Piano
Known for her unique and humorous style
Steve Swallow
Carla Bley’s husband
Bass Player/Composer
Esperanza Spalding
Bassist & vocalist
Blends Jazz w/ classical elements
Won Grammy for "Best New Artist", beating the likes of Justin Bieber for the award
Worked with Wayne Shorter
Made the song "But Not For Me" (2018) w/ Fred Hersch
Fred Hersch
Pianist, Composer, and Bandleader
Multiple decades worth of success
Made the song "But Not For Me" (2018) w/ Esperanza Spalding