Silk Road Beginnings: Buddhist Cave Complexes and the First Global Encounters Across Asia

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1
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Ajanta Caves, western India, 2nd century BCE - 5th century CE

picture

<p>picture</p>
2
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<p>where were the ajanta caves built and why</p>

where were the ajanta caves built and why

away from a city or silk road, but still close enough to the monks so they could come for buddhist pilgrimages from all over the world to worship

3
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<p>describe the structure of the ajanta caves and why they are like that</p>

describe the structure of the ajanta caves and why they are like that

they used the natural landscape very shrewdly because they didn't have enough workers to carry up slabs, there is a reliance on pillars both outside and inside, a chance that leftover craftsman from Greece helped with the creation

4
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<p>What are the two types of spaces within the ajanta caves</p>

What are the two types of spaces within the ajanta caves

Vihara (monastery) and Chaitiya (worship hall)

5
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<p>who could use the Vihara monastery in the Ajanta caves</p>

who could use the Vihara monastery in the Ajanta caves

it was off limits to the general public

6
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Prayer hall (chaitiya), Cave 19

picture

<p>picture</p>
7
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<p>what was the purpose of the worship hall in the Ajanta caves</p>

what was the purpose of the worship hall in the Ajanta caves

place that pilgrims would visit

8
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<p>describe the structure of the worship hall in the Ajanta caves</p>

describe the structure of the worship hall in the Ajanta caves

reliance on longitudinal plan, focal point is the middle structure called the stupa (dome shaped structure that contains the relics of the Buddha himself, Buddha carved out), precisonal walkway very narrow, divided by columns, no unity of design

9
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<p>why was the worship hall in the Ajanta caves structured in such a way</p>

why was the worship hall in the Ajanta caves structured in such a way

horror vacui, fear of emptiness, liked to fill the spaces with art and design

10
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Bodhisattva, Wall painting, Cave 1, late 5th century CE

picture

<p>picture</p>
11
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<p>what is the Bodhisattva wall painting and how was it made and significance</p>

what is the Bodhisattva wall painting and how was it made and significance

it is a dried fresco, prepared with some kind of plaster that dried before adding pigment and painting meaning that it was more easily damaged

12
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<p>what is the Bodhisattva/what does it depict</p>

what is the Bodhisattva/what does it depict

another member of the Buddhist pantheon, helper to the Buddha

13
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<p>describe the Bodhisattva figure and its significance</p>

describe the Bodhisattva figure and its significance

more ornate than a Buddha, covered in luxurious, looking down showing deep meditation, viewer is encouraged to emulate the image, not interact

14
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Story of the Golden Deer (Ruru jataka), wall painting, Mogao Caves, Dunhuang, Gansu province, China, 6th century CE; caves built between 4th -14th century CE

picture

<p>picture</p>
15
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<p>where is the Story of the Golden deer found</p>

where is the Story of the Golden deer found

in the Magao Caves

16
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<p>what technique was used on the Golden Deer story</p>

what technique was used on the Golden Deer story

dried fresco technique

17
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<p>what is the name for the Story of the Golden Deer</p>

what is the name for the Story of the Golden Deer

Jataka=fable

18
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<p>what is the Story of the Golden Deer/what does it depict</p>

what is the Story of the Golden Deer/what does it depict

there was a drowning man and a magic golden deer that saves the man. The deer tells the man not to tell the king because then the king will skin the deer. The man tells the king immediately and when the king looks for the deer he finds out that it was Bodhisattva in disguise. The king asks Bodhisattva if he should kill the man but the Bodhisattva grants the man forgiveness.

19
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<p>describe the depiction of the story of the golden deer and its significance</p>

describe the depiction of the story of the golden deer and its significance

the forms are very stylized, relies on vibrant colors which gives an otherworldly quality/belongs to enlightenment

20
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Gu Kaizhi (ca. 344-406 CE). Admonitions of the Court Instructress, ink and color on silk, handscroll, Northern Dynasties, 4th-5th century CE (British Museum)

picture

<p>picture</p>
21
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<p>what are the Gu Kaizhi admonitions of the court and who used them</p>

what are the Gu Kaizhi admonitions of the court and who used them

an instructional manual from a Confucian text that was illustrated, would have been spread only to women of the palace

22
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<p>what were the admonitions of the court hand-scrolls used for</p>

what were the admonitions of the court hand-scrolls used for

used to show legitimacy because they were insecure about the fact that they were ethnically different, and to reinforce Confucian values to legitimize the rulers

23
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<p>what do the admonitions of the court hand-scrolls depict</p>

what do the admonitions of the court hand-scrolls depict

a continual visual narrative with episodes that relate to the proper conduct of women

24
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<p>describe one of the scenes in the admonitions of the court hand-scrolls</p>

describe one of the scenes in the admonitions of the court hand-scrolls

there is a beautiful woman riding with the emperor, but because she is too beautiful she is distracting attention from the emperor so she gets off the horse and walks behind him, the random props throughout the scenes give a more theatrical feel

25
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<p>what is the condition of the admonitions of the court hand-scrolls</p>

what is the condition of the admonitions of the court hand-scrolls

not in good condition/deteriorating