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Stepwise/Scalic
movement of a melody upwards or downwards using the note of the scales in order
Leap
movement of a melody up or down with a jump from one note to another more distant
passing note
a note witch links the note before and after, usually on the weak beat of the bar
interval
the distance between two notes
Scale - Major
happy sounding scale
Scale - minor
Sad sounding scale - form of harmonic, natural, melodic
Scale - chromatic
a 13 note scale, where every step is a semitone
Scale - blues
major scale with a flattened third and seventh, which replaced the second and sixth note
Scale - Raga
an indian scale - sa , ri , ga , ma , pa , dha , ni
scale - slendro
the five note gamelan scale
scale - pelog
the seven note gamelan scale
Range
the notes that an instrument plays, highest - lowest
Glissando/slide/bend
a slide from one note to the next
Repetition
repeating music heard previously
sequence
where a melodic phrase is repeated at a different pitch
imitation (melodic)
the repetition of a melody in a different voice. can be played in a different pitch or changed a bit but the character remains.
ostinato (melodic)
phrase that constantly repeats usually at the same pitch
inversion (melodic)
melodic phrase turned horisontal / upside down
retrograde
phrase is played backwards to create contrast
riff
another word for ostinato but used in the context of popular music
improvisation
associated with jazz and Indian classical music. music built up on the spot during a performance.
call and response
a short melody (call) followed by an answering phrase (response)
Prego & Choro (salsa)
type of call and response used in salsa music
Walking bass
A bassline consisting of small steps or intervals up and down the scale
Fills (melodic)
short section of music between phrases
Stabs
short, accented notes, usually on an offbeat
Hook
Short, memorable bit of tune
Stave
The five lines on which music is written
Score
Musical name for sheet music
Treble clef
Used for the higher sounding pitches. Also known as the G clef.
Bass cleff
used for lower pitched instruments. Blob goes on the line for F below middle C
Sharp
Raises a note by a half step
Flat
lowers a note by a half step
Natural
cancels a sharp or flat
Phrase marks
indicate the length of a phrase
Tie
Curved line that joins 2 notes of the same pitch to sound like one note
Trill
Rapid alternation between the note indicated and the note directly above it
Turn
Playing of the note above the one on the score, the note itself, the note below the one on the score and the note itself again
Mordent
A single rapid alternation with the note above (upper mordent) or the note below (lower mordent)
Acciaccatura
An ornament which sounds like a crushed note played very quickly on the beat or just before it.
Appogiatura
a grace note performed before a note of the melody and falling on the beat
Anacrusis
an unstressed note or group of notes at the start of a phrase
Syncopation
emphasising or accenting the weaker beats of the bar
Metre
the regular pattern of beats indicated by a time signature
Pulse
the 'heartbeat' of the music. although the music may have rhythms made up of different note lengths, the pulse will be steady.
rest
an interval of silence indicated with a symbol
Pianissimo
very quiet
Piano
quiet
Mezzo piano
moderately quiet
Mezzo forte
moderately loud
Fortissimo
very loud
Crescendo
getting louder gradually
diminuendo
getting quieter gradually
monophonic
single melodic line ( without harmonies ) . a solo or instrument section such as violin 1s
Homophonic / chordal
a CHORDAL texture where all the parts move together, but there is one line thats most important (e.g. a hymn tune)
Polyphonic / contrapuntal
The weaving together of two or more equally important melodic lines, which all fit together harmonically. the texture sounds 'busy'
Unison
all instruments or voices playing or singing notes at the same pitch
Parallel motion
were parts move in the same direction as one another
Contrary motion
where parts move in the opposite direction
Counter melody
a second melody played at the same time as the main tune
Descant
a harmonising tune sung at the same time as melody but at a higher pitch
melody and accompaniment
a form on homophony - when the main tune is supported by accompaniment
heterophony
music made up of lots of versions of the main tune
Diatonic
Harmony using just notes from the scale
concordant
notes is the chord that all agree with each other
Dissonant
notes that disagree with each other and creating a clash
Atonal
music without any sense of key
Seventh chord
a four note chord with an added 7th.
- major 7th: major triad with 7th note of scale added
- Dominant 7th: Major triad with a flattened 7th added
- Minor 7th: Minor triad with a flattened 7th
Tonic chord (I)
the home or root chord built on the root note of the key you are in
Sub-dominant chord (IV)
The chord built around the fourth note of the key you are in
Dominant chord (V)
the chord built around the fifth note of the key you are in
Blue note
A note that has been altered or flattened in blues music, most frequently the 3rd 5th of 7th degree of the scale
Perfect cadence
V - I (sounds finished)
Imperfect cadence
Anything - V (sounds unfinished)
Plagal cadence
IV - I (sounds finished)
Interrupted cadence
V - VI (sounds surprising)
Arpeggio / broken chords
Playing the notes of a chord separately
Primary chords
I, IV, V
Secondary chords
II, III, VI
Harmonic progression
the sequence of chords in a piece
harmonic rhythm
The speed at which the chords change
Modulation
moving from one key to another
Pedal note
note held as the harmony changes (either a tonic or dominant pedal)
Drone
Low help note
Inverted pedal
when the pedal note is higher than the main tune
Baroque period
1650 - 1750
Baroque composers
Bach, Handel, Vivaldi, Purcell
Baroque orchestra
Mainly strings, small amount of woodwin, very basic brass (no valves), percussion consists of 1 or 2 timpani, harpsichord
Baroque Prominent structures/forms
Ritornello Form, Sonata, Concerto Grosso, Canon and Fugue, Opera, Oratorio
Baroque features
Use of harpsichord, Terraced dynamics, predominantly strings in the orchestra, lots of ornamentation, basso continuo, polyphonic texture,contrasts in dynamics, dovetailed phraising
The classical period
1750 - 1820
classical composers
Mozart, Haydn, Beethoven (bridge composer)
Classical prominent structures/forms
Sonata form, concerto, symphony, minuet and trio, opera, oratorio
Classical key features
mainly homophonic textures, light clear texture, major/minor tonality ( mainly diatonic ), use of alberti bass, more varied dynamics including crescendos and diminuendos, clear cut phrases of 4 or 8 bars, clear cadence points ( perfect and imperfect ), predominantly tonic / dominant harmony, the emotion of the piece is carefully controlled
Alberti bass
Broken chord or arpeggiated accompaniment, where the notes of the chord are presented in the order lowest, highest, middle, highest and then repeated. pattern helps to create a smooth, sustained, flowing sound
The romantic period
1820 - 1900
Romantic composers
Tchaikovsky, Brahms, Chopin, Liszt
Romantic prominent structure/forms
opera, symphonic poem, theme and variation, lieder, programme music, piano concerto
circle of fifths
keys or tonalities ordered by ascending (for sharp keys) or descending (for flat keys) intervals of a fifth
Romantic key features
huge orchestra using a huge range of percussion instruments as well as auxiliary instruments, dramatic contrasts between moods and the music, unusual modulations to keys you wouldn't necessarily expect though still using major and minor keys, a wider use of chromatic notes to add warmth and expression to the music, irregular phrase length, use of rubato