Early + High renaissance

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Last updated 1:41 PM on 3/30/26
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24 Terms

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Chapter House

A meeting room in a monastery or cathedral where monks or church leaders gather to discuss important matters

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Humanism

A way of thinking during the Renaissance that focused on humans, their potential, and achievements (instead of only focusing on God)

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Madonna

A term used in art for the Virgin Mary (usually shown holding baby Jesus

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Pietra Serena

A gray stone used a lot in Renaissance architecture (especially in Florence) for columns, arches, and trim

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Pilaster

A flat, decorative column attached to a wall (it looks like a column but doesn’t stick out fully)

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Contrappasto

A pose where a person stands with weight on one leg, making the body look more natural and relaxed

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Canvas

A strong fabric (usually cloth) used as a surface for painting instead of wood panels

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Chiaroscuro

The use of strong light and dark contrasts to make things look more 3D and dramatic

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In situ

Means “in its original place”-- the artwork is still where it was first created (natural)

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Last Supper

Refers to the final meal Jesus had with his disciples (a very common subject in art)

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Sfumato

Misty haziness

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Sibyl

A woman in ancient times believed to have prophetic powers (like predicting the future), often shown in Renaissance art

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Architecture

  • Renaissance architecture depends of order, clarity, and light 

  • Geometric designs are more demonstrable than most

  • A system of ideal proportions learned from the Roman Vitruvius 

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Key ideas 

  • Renaissance courts were influenced by the spirit of humanism, which stressed the secular alongside the religious 

  • Artists created realistic three-dimensional paintings based on the newlyy rationalized theories on linear perspective

  • A great understanding of human anatomy

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• Fra Filippo Lippi, Madonna and Child with Two Angels.

  • Came after the first room in the Uffizi

  • Depicted very naturally, very real 

  • Mary seen a young mother 

  • Mary’s halo is almost non-exhistent very faint; just a simple circle 

  • Mary’s hands are clasped in prayer

  • The angels look playful; look like children

  • Atmospheric perspective  

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 Sandro Botticelli, Birth of Venus (Focus on Botticelli’s style)

  • We don’t know where it originally comes from

  • Mythological subject 

  • One of the first representations of a female nude 

  • Gesture of modesty, born from the sea; born fully grown 

  • Newborn goddess on the right 

  • Heavily patterned; gold

  • Connects to Neoplatonism; Celebration of both beauty and love 

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Donatello, David

  • After he killed Goliath, he cut off his head with the sword

  • First bronze nude; androgynous figure 

  • Exaggerated contrapposto of the body; nonchalance

  • David’s head is lowered to suggest humanility 

  • Laurel on hat indicates David was a poet

  • It symbolizes the strength & independence 

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Verrocchio, David

  • Bronzed but clothed 

  • Youthful

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Michelangelo, David

  • Marble 

  • Huge, a heroic scale 

  • Before the fight 

  • Perfect anatomy 

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Last Supper (Who taught him how to paint?)

  • Andrea del Verrocchio taught him how to paint 

  • Shows Jesus and his disciples at their final meal

  • You can find this painting at Santa Maria delle Grazie 

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Sistine Chapel Ceiling

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  • Stanza della Segnatura (pope office) in Rome 

  • Left Plato, Right Aristotle 

  • Represents philosophy + humanism 

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Venetian Style

  • A soft atmospheric ambiance 

  • Beauty of natural world 

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• Titian, Venus of Urbino (balance + color)

  • Red tone

  • Titian used color to organize his placement of forms

  • Titian: a brownish orange color

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