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Chapter House
A meeting room in a monastery or cathedral where monks or church leaders gather to discuss important matters
Humanism
A way of thinking during the Renaissance that focused on humans, their potential, and achievements (instead of only focusing on God)
Madonna
A term used in art for the Virgin Mary (usually shown holding baby Jesus
Pietra Serena
A gray stone used a lot in Renaissance architecture (especially in Florence) for columns, arches, and trim
Pilaster
A flat, decorative column attached to a wall (it looks like a column but doesn’t stick out fully)
Contrappasto
A pose where a person stands with weight on one leg, making the body look more natural and relaxed
Canvas
A strong fabric (usually cloth) used as a surface for painting instead of wood panels
Chiaroscuro
The use of strong light and dark contrasts to make things look more 3D and dramatic
In situ
Means “in its original place”-- the artwork is still where it was first created (natural)
Last Supper
Refers to the final meal Jesus had with his disciples (a very common subject in art)
Sfumato
Misty haziness
Sibyl
A woman in ancient times believed to have prophetic powers (like predicting the future), often shown in Renaissance art
Architecture
Renaissance architecture depends of order, clarity, and light
Geometric designs are more demonstrable than most
A system of ideal proportions learned from the Roman Vitruvius
Key ideas
Renaissance courts were influenced by the spirit of humanism, which stressed the secular alongside the religious
Artists created realistic three-dimensional paintings based on the newlyy rationalized theories on linear perspective
A great understanding of human anatomy
• Fra Filippo Lippi, Madonna and Child with Two Angels.
Came after the first room in the Uffizi
Depicted very naturally, very real
Mary seen a young mother
Mary’s halo is almost non-exhistent very faint; just a simple circle
Mary’s hands are clasped in prayer
The angels look playful; look like children
Atmospheric perspective
Sandro Botticelli, Birth of Venus (Focus on Botticelli’s style)
We don’t know where it originally comes from
Mythological subject
One of the first representations of a female nude
Gesture of modesty, born from the sea; born fully grown
Newborn goddess on the right
Heavily patterned; gold
Connects to Neoplatonism; Celebration of both beauty and love
Donatello, David
After he killed Goliath, he cut off his head with the sword
First bronze nude; androgynous figure
Exaggerated contrapposto of the body; nonchalance
David’s head is lowered to suggest humanility
Laurel on hat indicates David was a poet
It symbolizes the strength & independence
Verrocchio, David
Bronzed but clothed
Youthful
Michelangelo, David
Marble
Huge, a heroic scale
Before the fight
Perfect anatomy
Last Supper (Who taught him how to paint?)
Andrea del Verrocchio taught him how to paint
Shows Jesus and his disciples at their final meal
You can find this painting at Santa Maria delle Grazie
Sistine Chapel Ceiling
Stanza della Segnatura (pope office) in Rome
Left Plato, Right Aristotle
Represents philosophy + humanism
Venetian Style
A soft atmospheric ambiance
Beauty of natural world
• Titian, Venus of Urbino (balance + color)
Red tone
Titian used color to organize his placement of forms
Titian: a brownish orange color