Mass and Module Production in China

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8 Terms

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Early Chinese Cultures

  • 2 river system

    • Huang River and Yangtze River

  • North: dry, harsh, mountainous

    • Yellow River named for its sediment-heavy appearance

  • South: green, humid

  • Yangshao (coloured pots) Culture

    • ~5000 BCE, Middle Yellow River

  • Longshan Culture

    • ~3000 BCE, Lower Yellow River, Shandong Province

  • Liangzhu Culture

    • ~2500 BCE. jade prisms (cong) and discs(bi) used in burials

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Qin Dynasty

  • ‘China’ is a modern concept

    • Zhongguo had the connotation of a culturally distinct core with peripheral tribes

    • Qin Dynasty -> first unified kingdom 221-207 BCE

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Terracotta Army

  • Xi’an, Gansu Province

  • tomb of First Emperor of Qin

  • discovered 1974

  • giant palace built over the tomb

  • original mass production

    • made in parts and assembled

    • similar to writing system, module production

  • no repetition over thousands of soldiers

    • mold for faces, then taken apart and reassembled

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Purple Pigments in Xi’an Necropolis

  • synthesised by Taoist alchemists as a byproduct of tech developed for imitating jade with barium-containing glasses

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Bronze Working

  • modular production

  • casting of taotie mythical animal

  • clay model made

  • soft clay pressed around to form mold

  • bronze poured into hardened mold

  • some bronzes elaborate for ritual purposes

  • China’s Bronze Age ~3000 BCE

    • Shang Dynasty had bronze, writing, walls, etc

    • Fu Hao's tomb 1250 BCE

      • hundreds of bronze objects. jade, stone, ivory, shell, bone, pottery

    • bronze working started in Xia Dynasty

  • Warring States Period (475-224 BCE) bronze became a personal luxury not just for ritual purposes

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Porcelain

  • module production

  • different firing temperatures

  • porcelain fired at 1300-1500C

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Tang Dynasty Architecture

  • popular across Asia

  • bracketing system meant no nails were needed

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Modularity vs Individuality

  • woodblock, tile printing all modular

  • individuality in elite art