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Sensation
the process by which our sensory receptors and nervous system receive and represent stimulus energies from our environment
Perception
the process of organizing and interpreting sensory information, enabling us to recognize meaningful objects and events
bottom-up processing
the analysis of the smaller features to build up to a complete perception
top-down processing
the use of preexisting knowledge to organize individual features into a unified whole
selective attention
the focusing of conscious awareness on a particular stimulus
inattentional blindness
failing to see visible objects when our attention is directed elsewhere
Change blindness
failing to notice changes in the environment
Transduction
The process of converting outside stimuli, such as light, into neural activity
absolute threshold
the minimum stimulation needed to produce a sensation
subliminal
below the level of consciousness
signal detection theory
a theory predicting how and when we detect the presence of a faint stimulus (signal) amid background stimulation (noise). Based on alertness
difference thrshold
Smallest amount of sensory stimuli to seem different
Weber's Law
the just noticeable difference of a stimulus is a constant proportion despite variations in intensity
Sensory adaption
a decrease in sensitivity to a constant level of exposure
perceptual expectancy
the tendency to perceive things a certain way because previous experiences or expectations influence those perceptions
Schema
a concept of framework that organizes and interprets information
Context effects
The context that surrounds an event effect how an event is perceived and remembered
Wavelength
Determines hue- peak of one sound to another
Hue
color seen by wavelength
Amplitude
Determines brightness
accommodation
the process by which the eye's lens changes shape to focus near or far objects on the retina
feature detectors
nerve cells in the brain that respond to specific features of the stimulus, such as shape, angle, or movement
parallel processing
The brains ability to take in multiple different forms of information at the same time envision those are motion, form, depth, and color
Opponent process theory
Theory that opposing retinal processes, enable color vision, negative after image
Young-Helmholtz trichromatic theory
the theory that the retina contains three different color receptors—one most sensitive to red, one to green, one to blue—which, when stimulated in combination, can produce the perception of any color.
Gestalt Psychology
a psychological approach that emphasizes that we often perceive the whole rather than the sum of the parts
Figure ground
the tendency to perceive objects, or figures, as existing on a background
proximity
(n.) nearness, closeness
Continuity
we perceive smooth, continuous patterns rather than discontinuous ones
closure
the tendency to complete figures that are incomplete
binocular cues
depth cues that depend on the use of two eyes
retinal disparity
a binocular cue for perceiving depth by comparing images from the retinas in the two eyes, the brain computes distance—the greater the disparity (difference) between the two images, the closer the object.
convergence
The muscular tension that occurs when the eyes turn inward. There is less tension for further objects.
monocular cues
depth cues available to either eye alone
phi phenomenon
the illusion of movement created by blinking rapidly
stroboscopic movement
the brain perceives continuous movement in a rapid series of slightly varying images
perceptual constancy
perceiving objects as unchanging even as illumination and retinal images change
color constancy
perceiving familiar objects as having consistent color, even if changing illumination alters the wavelengths reflected by the object
Linear perspective
parallel lines appear to meet with distance
texture gradient
the tendency for textured surfaces to appear to become smaller and finer as distance from the viewer increases
Interposition
if one object partially blocks our view of another, we perceive it as closer
motion parallax
a depth cue in which the relative movement of elements in a scene gives depth information when the observer moves relative to the scene
Timbre
quality of sound
auditory nerve
the nerve that carries impulses from the inner ear to the brain, resulting in the perception of sound
conduction deafness
An inability to hear resulting from damage to structures of the middle or inner ear.
sensorneural deafness
damage to the inner ear, cochlea's receptor cells or to the auditory nerves
cochlea
a coiled, bony, fluid-filled tube in the inner ear through which sound waves trigger nerve impulses
Nociceptor
pain receptor
gate-control theory
theory that explains how the nervous system blocks or allows pain signals to pass to the brain, rubbing our injury
gustatory receptors
chemoreceptors on the tongue that respond to chemicals in food
Eustachian tubes
narrow tubes that lead from the middle ear to the nasal cavity and the throat, drain ear fluid
semicircular canals
three canals within the inner ear that contain specialized receptor cells that generate nerve impulses with body movement
tympanic membrane
The eardrum. A structure that separates the outer ear from the middle ear and vibrates in response to sound waves.
Ossicles
Three middle bones that vibrate
Pinna
the visible part of the ear