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Revenge and jealousy - implied stage directions from Messenger
“and arranged her hair before a mirror smiling at the lifeless image of herself”
Revenge and jealousy - imagery from Medea
“stealing into the palace where the bed is made”
Revenge and jealousy - irony from Medea
“that will be a fine shame for the new wedded groom”
Revenge and jealousy - juxtaposition from Medea
“I will act thus to my enemies, and I will not spare my children, whom I bore”
Honesty and deceit - dramatic irony from Medea
“I understand what I am about to do is wrong, but anger…drives me on”
Honesty and deceit - rhetorical question from Medea
“Why should I hurt their father with the pain they feel, and suffer twice as much pain myself”
Honesty and deceit - dramatic irony from Medea
“I’ll say that I agree with him, that I approve”
Honesty and deceit - simile from Medea
“I will share my thoughts as though you were a friend”
Roles of men and women - juxtaposition from Medea
“I would very much rather stand three times in the front of battle than bear one child”
Roles of men and women - metaphor from Medea
“with an excess of wealth it is required for us to buy a husband and take our bodies a master”
Roles of men and women - foreshadowing from Creon
“Medea, I order you to leave my territories”
Roles of men and women - hyperbole from Jason
“for there is already abundance of pleasure for men”
Tension between reality and appearance - contrast from Jason
“I can prove you have certainly got from me more than you gave”
Tension between reality and appearance - hyperbole from Jason
“and women not to have existed, then life would have been good”
Tension between reality and appearance - contrast from Jason
“I’ll not desert my friends, but have come to make some provision for you”
Tension between reality and appearance - juxtaposition from Medea
“pleasant sounds for men living at ease”