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Novel
An extended work of prose fiction (50,000+ words) featuring complex plots, multiple developed characters, detailed settings, and broad themes.
Short Story
A brief work of prose fiction (typically under 10,000 words) focused on a single incident or theme
Novella
A work between short story and novel length (20,000-50,000 words), allowing focused but detailed development
Cultural Setting
The social environment and customs shaping the world of the story (values, beliefs, norms, politics, religion).
Physical Setting
The tangible environment (geography, weather, time period, architecture, sensory details)
Story
The full chronological sequence of events ("what happened").
Plot
How events are arranged for effect ("how it's told").
Narrative
The telling of the story—includes voice, structure, and style.
Exposition
Opening section introducing setting, characters, and background.
Problem/Conflict
Central struggle driving the story (external or internal).
Rising Action
Series of events building tension toward the climax.
Climax
Turning point of highest tension where conflict peaks.
Denouement/Resolution
Conclusion where conflicts are resolved and new balance established.
Subplot
Secondary storyline complementing or contrasting the main plot.
First-Person
Story told using "I" from a character's viewpoint.
Third-Person Omniscient
All-knowing narrator outside the story.
Third-Person Limited
Narrator outside the story but limited to one character's perspective.
Reliable Narrator
One whose account aligns with story's truth.
Unreliable Narrator
One whose credibility is doubtful.
Indirect Speech
Narrator summarises a character's words (no direct quotes).
Interior Monologue
Direct presentation of a character's thoughts.
Free Indirect Speech
Blend of third-person narration and character's inner voice.
Stream of Consciousness
Continuous, unfiltered flow of thoughts and perceptions.
Protagonist
Main character driving the story's conflict or change.
Antagonist
Force opposing the protagonist (person, society, nature, self).
Secondary Character
Supporting figure, often flat or archetypal.
Foil
Character contrasting the protagonist to highlight their traits.
Characterization
The author's methods for revealing character traits.
Direct Characterization
Narrator explicitly states traits.
Indirect Characterisation
Traits shown through behaviour or dialogue.
Narrative Tension
Sense of uncertainty or anticipation that keeps readers engaged.
Suspense
Feeling of anxious curiosity about upcoming events.
Pace
Speed of story progression, shaped by scene length and detail
Narrative Structure
Framework of how a story is arranged.
Prolepsis (Flash Forward)
Jump ahead in time to future events.
Flashback
Interruption to reveal past events.
Linear Structure
Chronological sequence from beginning to end.
Circular Structure
Story begins and ends similarly, creating closure or repetition.
Concrete Words
Words that refer to tangible objects or sensory
experiences
Abstract Words
Words that refer to ideas, qualities, or concepts that
cannot be directly perceived by the senses
Literal Meaning
The primary, surface-level definition of a word or
phrase, denoting exactly what is said
Connotative Meaning
implied or suggested emotional and cultural
associations a word carries, beyond its literal definition
Archaism
the use of old-fashioned, outdated language
Neologism
A newly coined word or expression, or a new use for an old word, introduced into a language
Formal Register
Language characterised by a casual, conversational
style and the use of slang or colloquialisms, reflecting everyday speech
Informal Register
Language characterised by a casual, conversational
style and the use of slang or colloquialisms,eflecting everyday speech
Metaphor
A direct comparison between two unlike things that states one thing is another, without using "like" or "as"
Simile
A comparison between two unlike things using connective words such "like", "as", or "than"
Personification
Assigning human characteristics, emotions, or actions
to inanimate objects, animals, or abstract ideas
Hyperbole
The use of extreme exaggeration for emphasis or effect; an overstatement that is not meant to be taken literally
Imagery
Descriptive language that appeals to the five senses (sight, sound, smell, taste, touch), creating a sensory experience for the reader
Symbolism
The use of an object, person, or event to represent something else, usually a deeper, abstract idea (e.g., a dove symbolises peace)
Verse
A single line of poetry; sometimes used to refer to a stanza
Stanza
A group of lines forming the basic recurring metrical unit of a poem; a verse paragraph
Quatrain
A stanza or poem consisting of four lines
Couplet
Two consecutive lines of verse that rhyme and typically have the same meter
Form
The overall structure, organisation, and pattern of a poem, which may follow a set convention (e.g., sonnet, ballad)
End-Stopped
A line of poetry where the grammatical clause or phrase concludes at the end of the line, often marked by punctuation
Enjambment
The continuation of a sentence or clause from one line of a poem to the next without a pause or terminal punctuation
Caesura
A deliberate pause or break near the middle of a line of poetry, often indicated by punctuation
Spacing/Indentation
The physical arrangement of lines and words on the page, including white space and alignment, which can affect rhythm and emphasis.
Repetition
The conscious and purposeful re-use of a word, phrase, line, or idea to create emphasis, rhythm, or a unifying effect
Anaphora
The repetition of a word or phrase at the beginning of successive clauses or verses for emphasis
Polysyndeton
The deliberate use of many conjunctions (like and or or) in close succession, often slowing the pace and creating a sense of multiplicity
Asyndeton
The omission or absence of conjunctions between parts of a sentence, creating a quickened, urgent rhythm
Word Order
The sequence in which words appear, used to establish rhythm, emphasis, or meaning
Inversion
A literary device where the normal grammatical word order (subject-verb-object) is reversed or rearranged for poetic effect or meter
Parallelism
The use of successive verbal constructions in poetry or prose that correspond in grammatical structure, meaning, or meter
Refrain
A line or set of lines repeated regularly throughout a poem, often at the end of a stanza, functioning like a chorus
Alliteration
The repetition of identical initial consonant sounds in words that are close to one another
Assonance
The repetition of similar vowel sounds in nearby words that have different consonant sounds
Consonance
The repetition of similar consonant sounds in nearby words, especially in the middle or end of words
Onomatopoeia
The use of a word that phonetically imitates or suggests the sound that it describes
End Rhyme
The correspondence of sound between the final syllables of lines of poetry
Rhyme Scheme
The ordered pattern of rhymes at the ends of the lines of a poem or verse. It is denoted by assigning a letter of the alphabet (A, B, C, etc.) to each terminal sound, with matching letters indicating rhyming lines.
Slant Rhyme (or Near Rhyme)
A rhyme in which the vowel sounds or the
final consonant sounds are similar, but not identical. It offers an imperfect, subtle correspondence of sound
Sibilance
A specific type of alliteration or consonance that involves the strong repetition of hissing sounds—often represented by the letters "s", "sh", "z" or soft "c" - to create a smooth or sometimes sinister effect.
Plosive
A sound device where the repetition of "bursting" consonant sounds is used. These sounds are made by completely stopping the airflow and then quickly releasing it. The main plosive consonants are "p", "b", "t", "d", "k" and "g"
Rhythm/Meter
The systematic arrangement of stressed and unstressed syllables that creates a measurable beat or pattern in a line of verse
Beat
The fundamental pulse or rhythm of a poem, often referring to the regular recurrence of stressed and unstressed syllables
Emphasis
The prominence or weight given to a specific word or syllable through vocal stress, positioning, or other poetic devices to draw the reader's attention to its importance
Stressed/Unstressed
Refers to the two basic types of syllables that create
meter. The pattern of both forms the poem's rhythm
Stressed Syllable
pronounced more forcefully or loudly
Unstressed Syllable
Pronounced more softly
Iambic Pentameter
A specific meter where each line of verse consists of
ten syllables—five metrical feet (penta-meter)—each foot being an iamb (one unstressed syllable followed by one stressed syllable: da-DUM)