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Hunt, Awakening Conscience, 1853, Pre-Raphaelite I
-a lesson to women, to not be like this.

Millais, Mariana, 1850-51, Pre-Raphaelite I
FOR: Society
WHAT: Creates empathy for women.
Extra: She is confined to her home because her engagement was canceled, she’s a spinster
Virgin Mary in the stained glass, reference to stained glass

Rossetti, Found, 1853, Pre-Raphaelite I
FOR: the public, and women
WHAT: Don’t go to the city
Extra: Farmer goes into town to sell cow, finds his ex who is now a prostitute, is upset

Rossetti, Bocca Baciata (These lips have been kissed), 1859, Aestheticism: Pre-Raphaelite II
FOR: British Public
WHAT: Challenges their notions that women like sex, and it doesn’t ruin them
Extra: Color makes it venetian, shirt is open and hair is down, model was rossettis mistress “Fanny Cornforth”, celebrate sexuality not prostitution, apple reference to eve.

Rosstti, Prosperine (Persephone), 1873-77, Aestheticism: Pre-Raphaelite II
FOR: Public, and for himself
WHAT:
Extra:

Burne-Jones, Chant d'Amour (Song of Love), 1868-77), Aestheticism: Pre-Raphaelite II

Morris, La Belle Iseult, 1858, Aestheticism: Pre-Raphaelite II

Horta, Tassel House, Brussels, 1892-3, Aestheticism: Art Nouveau

Waterhouse, Lady of Shalott, 1888, Aestheticism: Victorian Academicism

Waterhouse, La Belle Dame sans Merci (The Beautiful Woman without Merci), 1893, Aestheticism: Victorian Academicism

Leighton, The Bath of Psyche, 1890, Aestheticism: Victorian Academicism

Leighton, Winding the Skein, 1876, Aestheticism: Victorian Academicism

Moore, Homage to Music, 1868, Aestheticism: Victorian Academicism

Whistler, The Little White Girl, 1862, Aestheticism: Anti-Naturalism

Whistler, Symphony in White no. II, 1864, Aestheticism: Anti-Naturalism

Whistler, Variations in Flesh and Green, The Balcony, c. 1868, Aestheticism: Anti-Naturalism

Beardsley, Enter Herodias, 1894, Aestheticism: Anti-Naturalism

Beardsley, Et in Arcadia Ego, 1901, Aestheticism: Anti-Naturalism

Klimt, The Kiss, 1907, Continental Aestheticism

Klimt, Portrait of Adele Bloch-Bauer (wealthy Viennese woman), 1907, Continental Aestheticism

Pradier, Phryne, c. 1850, French Academicism

Gerome, The Large Pool at Bursa, 1885, French Academicism

Caillebotte, Paris, Rainy Day, 1877, Realism: Generation of 1870

Caillebotte, Nude on a Couch, 1880, Realism: Generation of 1870

Manet, Olympia, 1863, Realism: Generation of 1870

Manet, Luncheon on the Grass, 1863, Realism: Generation of 1870

Manet, Bar at the Folies-Berere, 1881-82, Realism: Generation of 1870

Monet, Terrace at St. Adresse, 1867, Realism: Generation of 1870

Monet, Clifftop Walk, 1882, Realism: Generation of 1870

Renoir, Moulin de la Galette, 1876, Realism: Generation of 1870

Renoir, Bathers, 1884-7, French Academicism

Degas, Rehearsal on the Stage, 1874, Realism: Generation of 1870

Degas, Bather having her hair combed, 1886, Realism: Generation of 1870
naturalism
realism
the Salon
French academy show for art
John Ruskin
realistic
femme fatale
Jane Burden Morris
Morris and Company (1861)
Art for Art's Sake
Japonisme
orientalism
Academic Naturalism
Baron Haussmann
made the plans for new paris
Flaneur
someone who just walks around
"The Painter of Modern Life"