SHART HISTORY EXAM
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80 Terms
Chiaroscuro
an effect of contrasted light and shadow created by light falling unevenly or from a particular direction on something.
Sfumato
In painting, the application of subtle layers of translucent paint so that there is no visible transition between colors, tones, and often objects.
Italian High Renaissance Characteristics
Mastered Linear Perspective
Artists as Geniuses: Highly rewarded, highly sought-after celebrities
Rich Colors
Cohesive Designs - Complex, but ordered relationship of parts in a whole
Humanistic Ideals
Oil Painting Replaces Tempera
Increase in Private Commissions
Mannerism characteristics
Academic movement, pursuing beauty for its own sake
Random (esoteric) subjects
Irrational spatial environments
Elongated subjects, (long necks & small heads)
Enigmatic gestures
Dreamy Expressions
Displays of extraordinary technical virtuosity
Quoted from ancient and modern literary works
Glowing, High-keyed colors
Androgynous figures
Weightless figures
Linear bodies twisting around one another
Contrived compositions
Little empty space
What was art like during The Counter-Reformation?
Art was to be strictly religious, created for the purpose of glorifying God and Catholic traditions.
Explain The Counter-Reformation?
The period of Catholic revival beginning with the Council of Trent (1545–1563) and ending at the close of the Thirty Years’ War (1648); sometimes considered a response to the Protestant Reformation.
Mannerism
A style of art developed at the end of the High Renaissance, characterized by the deliberate distortion and exaggeration of perspective, especially the elongation of figures
Sfumato (“to tone down” or “smoke”)
To create an atmospheric effect of haze and distance.
Title
The Virgin of the Rocks
Who
Leonardo da Vinci
When
1400 (The Virgin of the Rocks)
Title
The Last Supper
Who
Leonardo da Vinci
When
1400 (The Last Supper)
Title
The Small Cowper Madonna
Who
Raphael
When
1400 (Raphael)
Title
School of Athens
Who
Raphael
When
1500 (Raphael)
Title
The Tempest
Who
Giorgione
When
1500 (Giorgione)
Title
Pesaro Madonna
Who
Titian
When
1500 (Titian)
Title
“Venus” of Urbino
Who
Titian
When
1500 (Titian)
Title
Entombment
Who
Pontormo
When
1500 (Pontormo)
Title
Madonna with the Long Neck
Who
Parmigianino
When
1500 (Parmigianino)
Title
Allegory with Venus and Cupid
Who
Bronzino
When
1500 (Bronzino)
Title
Last Judgment, Sistine Chapel
Who
Michelangelo
When
1500 (Michelangelo)
Title
Feast in the House of Levi
Who
Veronese
When
1500 (Veronese)
Title
The Last Supper
Who
Tintoretto
When
1500 (Tintoretto)
Title
Altarpiece of the Holy Blood
Who
Tilman Riemenschneider
Date
1500 (Tilman Riemenschneider)
Title
Isenheim Altarpiece (Closed)
Who
Matthias Grünewald
When
1500 (Matthias Grünewald)
Title
Self-Portrait as Christ
Who
Albrecht Dürer
Date
1500 (Albrecht Dürer)
Title
Adam and Eve
Who
Albrecht Dürer
When
1500 (Albrecht Dürer)
Title
Burial of Count Orgaz
Who
El Greco
When
1500 (El Greco)
Title
Garden of Earthly Delights (Open)
Who
Hieronymus Bosch
Date
1500 (Hieronymus Bosch)
Title
Danube Landscape
Who
Albrecht Altdorfer
Date
1500 (Albrecht Altdorfer)
Title
Return of the Hunters
Who
Pieter Bruegel the Elder
