quotes n notes and fun stuff!
Racial stereotypes - bestial imagery
Old black ram is tupping your white ewe A1S1
Insecurity about age
“I am declined in
Insecure about being an outsider/being black
Rude am I in my speech
Othello’s fear of losing desdemona’s love - sexual jealousy
Why did I marry?
He believes in his ‘infidelity’ - he’s out for revenge. Black imagery
Arise, black vengeance, from thy hollow cell
He realises his regret at the els - anagnorisis
O fool, fool, fool!
Iago planting the seeds of Othello’s hamartia - jealousy. bestial imagery
Beware, my lord, of jealousy. It is the green eyes monster which doth mock the meat it feeds on
He starts seeing deception where there is none - roman allusion, dirty imagery
Her name, that was as fresh as Dian’s visage, is now begrimed and black as mine own face
He’s incoherent and desperate - he hits her, he’s got violent urges
I will chop her into messes! Cuckold me!
othello is initially respected - tragic hero
Valiant Othello, Noble Moor
Peripeteia - iago’s manipulations start it.
I’ll pour this pestilence into his ear
Anagnorisis - his critical discovery of what happened. he recognises his flaws
One not easily jealous, One that loved not wisely but too well
Catharsis - audience feels pity for his situation
I kissed thee ere I killed thee
He’s not a tragic hero - he never had true virtue
She’s gone. I am abused, and my relief must be to loathe her
not a tragic hero - no anagnorisis -he calls Iago a devil, blaming him not himself
If that thou be’st a devil, I cannot kill thee
It’s Iago’s fault - the handkerchief plot - othello has jealous confirmation
Trifles light as air are to the jealous confirmations strong
Racist imagery - fair vs black, he’s an insider and an outsider
Far more fair than black
Othello is an outsider- he corrupts desdemona
Corrupted by spells and medicines
Othello’s disjointed speech about the handkerchief
Handkerchief - confessions - handkerchief!
He recognises his position as both insider and outsider
I have done the state some service, and they know’t
He’s eloquent
Most potent, grave, and reverend signiors
Venetian women are whores
In Venice, they do let God see the pranks they dare not show their husbands
othello believes dessy to fit the stereotype of promiscuous women - she’s a whore
I took you for that cunning whore of Venice
Desdemona’s worth is tied to her virginity - her moral corruption is tied to her loss of chastity
Thou weed, who art so lovely fair
Othello’s misogynistic justification for killing her based on her supposed loss of virginity
Yet she must die, else she’ll betray more men
Desdemona breaks social boundaries/gender roles in marrying othello
So much I challenge due to the Moor my lord
Iago betrays traditional loyalties, he only gaf abt himself not othello
I follow him to serve my turn upon him
Emilia challenges gender roels - speaks out
It is their husbands’ faults if wives do fall