Othello Quotes/Notes

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Racial stereotypes - bestial imagery

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1

Racial stereotypes - bestial imagery

Old black ram is tupping your white ewe A1S1

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2

Insecurity about age

“I am declined in

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3

Insecure about being an outsider/being black

Rude am I in my speech

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4

Othello’s fear of losing desdemona’s love - sexual jealousy

Why did I marry?

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5

He believes in his ‘infidelity’ - he’s out for revenge. Black imagery

Arise, black vengeance, from thy hollow cell

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6

He realises his regret at the els - anagnorisis

O fool, fool, fool!

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7

Iago planting the seeds of Othello’s hamartia - jealousy. bestial imagery

Beware, my lord, of jealousy. It is the green eyes monster which doth mock the meat it feeds on

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8

He starts seeing deception where there is none - roman allusion, dirty imagery

Her name, that was as fresh as Dian’s visage, is now begrimed and black as mine own face

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9

He’s incoherent and desperate - he hits her, he’s got violent urges

I will chop her into messes! Cuckold me!

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10

othello is initially respected - tragic hero

Valiant Othello, Noble Moor

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11

Peripeteia - iago’s manipulations start it.

I’ll pour this pestilence into his ear

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12

Anagnorisis - his critical discovery of what happened. he recognises his flaws

One not easily jealous, One that loved not wisely but too well

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13

Catharsis - audience feels pity for his situation

I kissed thee ere I killed thee

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14

He’s not a tragic hero - he never had true virtue

She’s gone. I am abused, and my relief must be to loathe her

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15

not a tragic hero - no anagnorisis -he calls Iago a devil, blaming him not himself

If that thou be’st a devil, I cannot kill thee

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16

It’s Iago’s fault - the handkerchief plot - othello has jealous confirmation

Trifles light as air are to the jealous confirmations strong

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17

Racist imagery - fair vs black, he’s an insider and an outsider

Far more fair than black

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18

Othello is an outsider- he corrupts desdemona

Corrupted by spells and medicines

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19

Othello’s disjointed speech about the handkerchief

Handkerchief - confessions - handkerchief!

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20

He recognises his position as both insider and outsider

I have done the state some service, and they know’t

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21

He’s eloquent

Most potent, grave, and reverend signiors

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22

Venetian women are whores

In Venice, they do let God see the pranks they dare not show their husbands

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23

othello believes dessy to fit the stereotype of promiscuous women - she’s a whore

I took you for that cunning whore of Venice

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24

Desdemona’s worth is tied to her virginity - her moral corruption is tied to her loss of chastity

Thou weed, who art so lovely fair

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25

Othello’s misogynistic justification for killing her based on her supposed loss of virginity

Yet she must die, else she’ll betray more men

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26

Desdemona breaks social boundaries/gender roles in marrying othello

So much I challenge due to the Moor my lord

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27

Iago betrays traditional loyalties, he only gaf abt himself not othello

I follow him to serve my turn upon him

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28

Emilia challenges gender roels - speaks out

It is their husbands’ faults if wives do fall

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