ART HISTORY MIDTERM 2

Nuremberg map of Tenochtitlán, based on the maps of Hernán Cortés,

1524 (Colonial Period)

Cover of the Codex Mendoza, with painting by Aztec artists of the Aztec capital of Tenochtitlán, 1541 (Colonial Period)

Coyolxauhqui Stone, from the Templo Mayor, Tenochtitlán, c. 1469 (Pre Columbian Period)

Monastery Church of San Agustín, Acolman,

1540-1560 (Colonial Period)

Jan Mostaert, Landscape with an Episode from the Conquest of America, 1535 (Baroque)

Peter Paul Rubens, The Miracles of St. Francis Xavier, 1618 (Baroque)

Frans Hals, Officers of the Haarlem Militia, 1627

(Baroque)

Rembrandt van Rijn, The Night Watch, 1642

(Baroque)

Rembrandt van Rijn, The Anatomy Lesson of Nicolaes

Tulp, 1632 (Baroque)

Johannes Vermeer, Woman Holding a

Balance,1664 (Baroque)

Johannes Vermeer, View of Delft, 1662 (Baroque)

Jacob van Ruisdael, View of Haarlem with

Bleaching Fields, 1670 (Baroque)

Jules Mansart and Charles Le Brun, Hall of Mirrors, Palace of

Versailles, 1678–84 (Late Baroque)

Hyacinthe Rigaud, Louis XIV, 1701

(Late Baroque)

Charles Le Brun, The King Governs Alone,

ceiling painting from the Hall of Mirrors at

Versailles, 1678–84 (Late Baroque)

Francois Boucher, Madame de Pompadour

1756 (Rococo)

Honoré Fragonard, The Swing, 1768

(Rococo)

Elisabeth Vigée Le Brun, Marie Antoinette

and Her Children, 1787 (Neoclassical)

Jacques-Louis David, The Oath of the Horatii, 1784 (Neoclassical)

Jacques-Louis David, The Death of

Marat, 1793 (Neoclassical)

Jacques-Louis David, Napoleon

Crossing the Alps 1801 (Neoclassical)

Jean-Auguste-Dominique Ingres, The Large Odalisque, 1814 (Neoclassical)

Antonio Canova, Cupid Awakening Psyche, 1787–93

(Neoclassical)

Thomas Jefferson, Monticello, 1768–1809 (Neoclassical)

Francisco Goya, Third of May, 1808, painted 1814

(Romanticism)

Francisco Goya, Bury Them and Keep Quiet, Etching

from the series Disasters of War, 1810 (Romanticism)

Théodore Géricault, Wounded Cavalry

Soldier, 1814 (Romanticism)

Théodore Géricault, Raft of the Medusa, 1819 (Romanticism)

Eugène Delacroix, Liberty Leading the People,

1830 (Romanticism)

Edmonia Lewis, Forever Free, 1867

(Romanticism)

Honoré Daumier, Lithograph Caricature of Louis

Philippe, 1831 (Realism)

Honoré Daumier, Third Class Carriage, 1862 (Realism)

Jean-Francois Millet, The Gleaners, 1857 (Realism)

Gustave Courbet, Burial at Ornans, 1849 (Realism)

Edouard Manet, Olympia, 1863 (Realism)

Edouard Manet, The Bar at the Folies-Bergère,

1882 (Realism)

Louis Daguerre, daguerreotype showing a view from

Daguerre’s studio to the Boulevard du Temple, Paris,

1838 (Photography)

J. P. Ball, daguerreotype portrait of

Alexander S. Thomas, late 1850s

(this image not discussed in class,

but textbook p. 997) (Photograph

Mathew Brady, carte de visite

photograph of Abraham Lincoln,

1860 (Photography)

Matthew Brady, photograph of the 21st Michigan (Union) Infantry, c. 1861 (Photography)

Timothy O’Sullivan and Alexander Gardner, A Harvest of

Death, Gettysburg, Pennsylvania 1863 (Photography)

Alexander Gardner’s Photographic Sketch Book of the War, containing photographs by Gardner and Sullivan, 1866 (Photography)