Early Cinema: Edison, Dixon, Lumière, and the Birth of Motion Pictures

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Vocabulary flashcards covering key people, devices, and concepts from the lecture notes on the origins of motion pictures (Edison, Dixon, Lumière, kinetoscope, cinematograph, and early viewing contexts).

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14 Terms

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kinetoscope

A single-viewer device (patented by Edison) that shows moving pictures from a loop of photographs; operated by a penny and pulleys; no screen or electricity required.

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W.K.L. Dixon

William Kennedy Laurie Dickson; early filmmaker/inventor who developed motion-picture camera tech and innovations for Edison; later undervalued in history, moved to Scotland.

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Black Maria

Edison's first movie studio: a circular, movable studio with a retractable roof, lit by sunlight, rotatable to chase the sun for consistent lighting.

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American Biograph Company (ABC)

Edison's first movie company; produced early films and existed as a major studio until 1928.

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Lumière brothers

Auguste and Louis Lumière; French pioneers who created the cinematograph and popularized cinema with early public screenings and short films.

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cinematograph

A Lumière device capable of filming, developing, and projecting motion pictures; enabled public projection of moving images.

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sprocket holes

Perforations along the edges of film stock that engage gears to advance the film; introduced by the Lumière brothers to streamline projection.

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Arrival of a Train at La Ciotat

Iconic early Lumière short (about a minute) showing a train pulling into a station; famous for illustrating cinema’s realism to audiences.

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arcade screenings

People watched short motion-picture clips in public arcades (like shopping arcades) by inserting a penny; usually silent and shown one film at a time.

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silent film

Motion pictures produced without synchronized sound; music or live accompaniment often added separately.

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films under a minute (57 seconds)

Early motion pictures were very short, typically lasting less than a minute (often around 57 seconds).

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frame rate irregularity

Early films often had non-standard, inconsistent frame rates, producing movement that could be choppy or uneven.

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three-dimensional still photography

Early stereoscopic work by Dixon showing depth by capturing two offset images, an early form of 3D photography.

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Edison’s lack of foreign patents

Edison did not patent his movie camera outside the US, allowing foreign inventors to copy the device without paying him royalties.