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Arpeggiated
A type of broken chord where the notes are played one after another,
either going up or down.
articulation
the manor in which the notes are played
legato
notes played smoothly
staccato
short and detached from the last and next
slur
curved line over a passage of music, indicating smooth playing
sforzando
sudden strong accent (sf, sfz or fz)
blue notes
notes altered/flattened in blues music, often the 3rd 5th or 7th
broken chords
where the notes of the chords are split and played sequentially
chromatic
using notes not in the scale, (eg black notes in c maj)
conjunct
notes moving mainly by step
diatonic
using only the seven tones of a standard scale
disjunct
notes moving mainly by leap
glissando/portamento/slide
sliding notes very fast
hook
short musical or lyrical phrase used to catch the ear of the listener
improvisation
the invention of new ideas on the spot during a performance using chord sequences key rhythms and melodic phrases
interval
the distance in pitch between two different notes
melisma
singing multiple notes in one movement, like a trombone slide or pitch bend)
motif
a short musical idea that repeats and is important to the piece of music to make it recognizable or give off themes from the music
ornamentation
small artistic touches used to make the extract more interesting
Acciaccatura:
played a tone or semitone above the melody note it is decorating
appoggiatura
written similar to an acciaccatura but without the line through it meaning its given its full value
ostinato
short rhythmic or melodic phrase or pattern which is repeated a number of times in succession
passing note
a note in the melody connecting two notes that are part of the harmony (c to e smoothed with d)
phrasing
the expressive shaping of music and relates to the shaping of notes in time, tone colour, dynamics and other variables
pitch bend
when a note pitch is raised or lowered slightly , often in guitar vocals and strings
riff
ostinato but modern word for it
scalic
notes that follow the order of the scale
scat
a vocal improvisation without words often with nonsense syllables and associated with
triadic
begins with the notes belonging to the triad often the tonic triad of the piece