Examples of Italian Renaissance Architecture

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1
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<p>Quattrocento Architecture, Florence<br><strong>The Dome of the Duomo</strong></p>

Quattrocento Architecture, Florence
The Dome of the Duomo

Florence Cathedral (Santa Maria del Fiore / Duomo)

  • Designed by Arnolfo di Cambio

  • Dome completed later by Filippo Brunelleschi

  • Gothic cathedral + Renaissance dome

  • Octagonal plan; no flying buttresses

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<p>Quattrocento Architecture, Florence<br>Brunelleschi’s Dome</p>

Quattrocento Architecture, Florence
Brunelleschi’s Dome

  • Double-shell brick construction

  • Herringbone brick pattern for stability

  • Supported by interlocking rings of stone and wood

  • Largest brick dome ever built

  • Added exedras and lantern to reduce outward thrust

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<p>Quattrocento Architecture (Florence)<br><span><strong><span>Ospedale degli Innocenti (Hospital of the Innocents)</span></strong></span></p>

Quattrocento Architecture (Florence)
Ospedale degli Innocenti (Hospital of the Innocents)

  • By Brunelleschi

  • First Renaissance building in Florence

  • Loggia with semicircular arches + Composite columns

  • Grey pietra serena against white walls

  • Modules used → each bay forms a cube

  • Glazed blue tondi in spandrels (Andrea della Robbia)

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<p>Quattrocento Architecture (Florence)<br><strong>Palazzo Medici Riccardi</strong></p>

Quattrocento Architecture (Florence)
Palazzo Medici Riccardi

  • By Michelozzo di Bartolomeo

  • Strong, fortress-like rusticated base

  • String courses divide stories

  • Piano nobile on second level

  • Cortile inside

  • Massive cornice crowns façade

  • Kneeling windows by Michelangelo

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<p>Quattrocento Architecture (Florence)<br>Palazzo Rucellai</p>

Quattrocento Architecture (Florence)
Palazzo Rucellai

  • By Leon Battista Alberti

  • First façade to apply classical orders correctly:

    1. Tuscan (base)

    2. Ionic (middle)

    3. Corinthian (top)

  • Pilasters + entablatures in perfect proportion

  • Ground = business / 2nd = piano nobile / 3rd = bedrooms / hidden attic = servants

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Tuscan

base

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Ionic

middle

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Corinthian

top

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  • Ground

  • Business

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  • 2nd

  • piano nobile

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  • 3rd

  • bedrooms

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  • hidden attic

  • servants

13
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<p>Cinquecento Architecture (Rome)</p><p>Tempietto di San Pietro in Montorio </p><p></p><p></p>

Cinquecento Architecture (Rome)

Tempietto di San Pietro in Montorio

  • By Donato Bramante

  • Symbolic spot of St. Peter’s martyrdom

  • Perfect centralized plan

  • Tuscan order peristyle on stepped base

  • Hemispherical dome over drum

  • Contrasts of light/shadow with deep niches

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<p>Cinquecento Architecture (Rome)<br>Renovation of St. Peter’s Basilica</p>

Cinquecento Architecture (Rome)
Renovation of St. Peter’s Basilica

  • Commission by Pope Julius II

  • Bramante’s original: Greek cross plan + dome like Pantheon

  • Many architects altered design over time (Raphael, Sangallo, Peruzzi, Michelangelo)

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<p>Cinquecento Architecture (Rome)<br>Michelangelo’s Dome of St. Peter’s </p>

Cinquecento Architecture (Rome)
Michelangelo’s Dome of St. Peter’s

  • Double-shell, like Brunelleschi’s concept

  • Ovoid outer dome, hemispheric inner dome

  • High drum with pedimented windows

  • Tall lantern inspired by Tempietto

  • Tallest dome in the world today

  • Based on Bramante's designs

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<p>Cinquecento Architecture (Rome)</p><p><span><strong><span>Renovation of the Piazza del Campidoglio</span></strong></span></p>

Cinquecento Architecture (Rome)

Renovation of the Piazza del Campidoglio

  • Redesigned by Michelangelo

  • Symbol of Rome as caput mundi (center of the world)

  • Reflects both church + civic power

  • Monumental public square with geometric harmony

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Mannerist Architecture

  • Reaction against High Renaissance classical perfection

  • Features:

    • Visual trickery

    • Unusual proportions

    • Broken classical rules

    • Surprises and contradiction

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Mannerist Architecture

Laurentian Library Vestibule

  • By Michelangelo

  • Bold, dramatic, sculptural interior

  • Grey pietra serena on white walls

  • Famous dynamic staircase:

    • Central convex steps

    • Side rectangular steps

    • Bottom elliptical steps

  • Showcases Mannerist creativity

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Mannerist Architecture

Palazzo del Té, Mantua

  • By Giulio Romano

  • Leisure villa with central court

  • Classical-looking but full of intentional “errors”:

    • Misaligned pediments

    • Slipped triglyphs

    • Odd rhythms

  • Playful, surprising, humorous architecture

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