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43 Terms
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theatre’s typical understanding of a “play,” means
one discrete performance of a single text.
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In the theatre, we use “play” to mean both
The performance event and the text that is performed
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(we might think of the performed play as the basic unit of modern theatre)
*event* of the play And the play as a *text*.
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a performance, a doing that happens in time and at a specific place, and is, to some extent, ephemeral.
play-event
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movie
endlessly proliferated through digital means and is virtually the same in each copy, the play-event is reenacted over and over again, resulting in a one-time event each time, no matter how almost-the-same the appearance might be.
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unrepeatability
key aspect of going to a play.
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many other types of live events happen that are not called *plays* or *theatre*
they might be thought of as various types of *performanc*
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Drama
a type of literature usually written in dialogue that functions as both a “recipe” and a “receipt” for an enactment with bodies in physical space.
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It is a recipe because
provides a plan for creating a play in the future
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A receipt because
it can be a recording of an event that has already happened.
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word “drama”
etymologically derived from the Greek word *dran*
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Dran
“something done.”
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recipe
document in and of itself And in some sense incomplete without being executed and made real through carrying out the actions contained in its text.
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archaic form of the English word “recipe”
receipt
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about half the plays of William Shakespeare
were never published during their author’s lifetime—rather, eighteen of his plays were first typeset and published seven years after his death with the cooperation of Shakespeare’s old colleagues, fellow actors, and producers.
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How many play titles known from ancient Athens survived
thirty-two complete tragedies and eleven complete comedies
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most of these play titles known from anthens survived in textbooks of
ancient Greek writings in northern Africa and in Islamic centers of learning in the Near East and Spain before being “rediscovered” by late-medieval and Renaissance-era Europeans.
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Many of our older play texts may therefore be more akin to *receipts,*
documenting the textual and physical aspects of the performed play, rather than what developed after Shakespeare’s age
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a system wherein a playwright writes a detailed recipe text in expectation of its being “brought to life” or realized on a stage in place and time.
Shakespeare’s age
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that play-texts are not the same as play-performances
that play-texts are not the same as play-performances
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part of the way the play-text is different from the play-performance is based on
temporality (Time)
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A play is action, but it is
*patterned* action.
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Dramaturgy means
the art and science of creating meaningful patterns in stage action.
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Dramaturgy is
created from two Greek words: *drama and ergos,* which means “worker.”
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Dramaturgy
is the work of compiling or creating drama.
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One way that play-events can be categorized is according to
*conventions*
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Conventions Are
the repeated elements of a play (or other repeated texts and performances) that come to define our experience of the play, text, performance, or indeed all kinds of cultural encounters
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Drama
* Dramatic literature or the play * Only one small part of the Theatrical performance: the blueprint * The script text and words