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Chapter 5 – States of Consciousness 1. Consciousness is the awareness of internal and external events being experienced at a given moment. 2. Waking consciousness: Normal awareness of yourself and your surroundings. Altered states: Changes in awareness, such as dreaming, meditation, hypnosis, or drug effects. 3. Altered states occur through: Sleep and dreaming Meditation and hypnosis Psychoactive drugs Sensory deprivation Fatigue 4. Stages of sleep: NREM 1: Light sleep; easily awakened. NREM 2: Deeper sleep; heart rate and body temperature decrease. NREM 3: Deep sleep; body restoration. REM: Vivid dreams, active brain, temporary muscle paralysis. 5. About how long does a complete cycle of sleep take? 90 minutes 6. Sleep deprivation results in permanent negative effects. False. Many effects improve with adequate sleep, although prolonged sleep deprivation can cause serious problems. 7. Forgetting is an important human function. True. It helps prevent information overload. 8. Night terrors happen during deep sleep and are often not remembered; nightmares are frightening dreams that are usually remembered. 9. Staying up all night studying is a good idea. False. Sleep helps memory and learning. 10. Why do humans sleep? To restore the body, conserve energy, support brain function, and strengthen memories. 11. Three main theories of dreaming: Wish-fulfillment theory Information-processing theory Physiological-function theory 12. Latent content; manifest content. 13. Insomnia 14. Sleep apnea 15. Circadian rhythms 16. Meditation is a learned technique for relaxation and focused attention that brings about an altered state of consciousness. Long-term practice can improve health. 17. Drug categories: Psychoactive drugs: Drugs that affect consciousness, mood, perception, or behavior. Addictive drugs: Drugs that can lead to compulsive use. Stimulants: Drugs that increase nervous system activity. Depressants: Drugs that slow nervous system activity. Narcotics: Drugs, especially opioids, that relieve pain. Hallucinogens: Drugs that alter perception and sensory experiences. 18. Alcohol is safer than other drugs. False 19. Drug dependence is best explained by personality and willpower. False 20. Psychedelic drugs. Chapter 6 – Learning 1. Learning is a relatively permanent change in behavior brought about by experience. 2. Two types of conditioning: Classical conditioning — Ivan Pavlov: Learning by associating two stimuli. Operant conditioning — B. F. Skinner: Learning through consequences. 3. Matching: D — A once-neutral stimulus paired with an unconditioned stimulus. B — Naturally brings about a response. A — A stimulus that initially does not bring about the response. E — A response that follows a previously neutral stimulus after conditioning. C — A reflexive response that needs no training. 4. Conditioned = learned Unconditioned = unlearned or natural 5. Previously neutral stimulus becomes the conditioned stimulus. 6. Pavlov’s experiment: Pavlov rang a bell before giving dogs food. After repeated pairings, the dogs salivated at the sound of the bell alone. 7. Variables: Before conditioning Neutral stimulus: Bell → Neutral response: No salivation Unconditioned stimulus: Food → Unconditioned response: Salivation During conditioning - Neutral stimulus: Bell + Unconditioned stimulus: Food → Unconditioned response: Salivation After conditioning - Conditioned stimulus: Bell → Conditioned response: Salivation 8. Extinction 9. Spontaneous recovery 10. Generalization vs. discrimination: Generalization: Responding similarly to similar stimuli; example: salivating to similar tones. Discrimination: Responding differently to distinct stimuli; example: salivating only to the specific tone associated with food. 11. Dopamine 12. Classical or operant: Voluntary behaviors: Operant Involuntary behaviors: Classical Ivan Pavlov: Classical B. F. Skinner: Operant Dogs salivating at a bell: Classical Rats pressing a lever for food: Operant 13. In operant conditioning, learning happens when a voluntary response is reinforced or punished by its consequences. 14. An organism’s behavior and its environment. 15. True or False: True — Responses leading to satisfying consequences are more likely to be repeated. False — Environment has little influence on behavior. False — Conditioning cannot be applied to humans. False — Positive and negative mean good and bad. 16. Thorndike’s law of effect. 17. Matching: Positive: Addition of a stimulus Negative: Removal of a stimulus Reinforcement: Leads to an increase in behavior Punishment: Leads to a decrease in behavior 18. Definitions and examples: Positive reinforcement: Adding something desirable to increase behavior; getting paid for working. Negative reinforcement: Removing something unpleasant to increase behavior; buckling a seat belt to stop a warning beep. Positive punishment: Adding something unpleasant to decrease behavior; receiving extra chores for breaking a rule. Negative punishment: Removing something desirable to decrease behavior; losing video game privileges. 19. Reinforcement schedules: D — Reinforcer delivered every 5 minutes. B — Reinforcer after every 5 responses. E — Reinforcer after an unknown or changing amount of time. C — Reinforcer after an unknown or changing number of responses. A — Reinforcer every time the behavior occurs. 20. Ratio schedules depend on: Number of responses 21. Interval schedules depend on: Amount of time 22. Fixed vs. variable: Fixed schedules are predictable; variable schedules change. 23. Shaping Example: Teaching a dog to roll over by rewarding each step toward the behavior. 24. Cognitive learning theory. 25. Latent learning; a new behavior is not demonstrated until there is a reason or motivation to use what was learned. 26. Cognitive map 27. A mental map of my school, home, and familiar roads. 28. Observing; observational learning; Bobo doll experiment. 29. Mirror neurons Chapter 7 – Memory 1. Memory is the process by which we encode, store, and retrieve information. 2. Three basic memory processes: Encoding: Taking in information. Storage: Keeping information over time. Retrieval: Accessing stored information. 3. Sensory memory → Short-term memory → Long-term memory. 4. Matching: C — Holds information while actively manipulating or rehearsing it. A — Briefly holds incoming sensory information. B — Holds information for around 15–25 seconds. D — Stores information relatively permanently. 5. Rehearsal keeps information active and helps it enter long-term memory. Elaborative rehearsal connects information to meaning and prior knowledge, while simple rehearsal repeats it. 6. Types of long-term memory: Lafayette is in Louisiana: Semantic First week of college: Episodic Riding a bicycle: Procedural 7. Explicit (declarative) memory. 8. Retrieval failure 9. Recall vs. recognition: Recall: Remembering an answer without choices, such as a fill-in-the-blank question. Recognition: Identifying an answer among choices, such as a multiple-choice question. Chapter 8 – Cognition and Language 1. Cognition 2. Concepts; a prototype is the most typical example of a concept. 3. Category: Furniture. Prototype: Chair Less typical member: Beanbag chair 4. Deductive reasoning moves from general principles to specific conclusions. Inductive reasoning moves from specific observations to general conclusions. Examples: Deductive: All humans need sleep. I am human, so I need sleep. Inductive: Several students who study regularly earn good grades, so studying may help students earn good grades. 5. Matching: A — A strategy that guarantees a solution. B — A mental shortcut that can lead to errors. C — Judging likelihood by how easily examples come to mind. D — Preferring an option because it is familiar. E — Giving more weight to outcomes closer to the present. 6. Confirmation bias 7. Problem-solving steps: Identify and define the problem. Develop and evaluate possible solutions. Implement a solution and evaluate the results. 8. Well-defined vs. ill-defined: Well-defined: Clear goal and rules; example: solving a math equation. Ill-defined: Unclear goal or multiple solutions; example: choosing a career. 9. Subgoaling 10. Functional fixedness 11. Convergent thinking narrows ideas to one correct answer. Divergent thinking generates many possible ideas. 12. Example of insight: Realizing you can stand on a chair to reach a high shelf. It depends on reorganizing your understanding of a problem. 13. Language is communication through symbols arranged according to systematic rules. 14. Nativist approach; language acquisition device (LAD). 15. Interactionist approach; biological predispositions and environmental circumstances. Final reflection These last answers are personal, so change them if they don't describe you. How prepared do you feel? 3 Three concepts most confident in: Classical conditioning Types of memory Reinforcement and punishment Three concepts least confident in: Stages of sleep Reinforcement schedules Reasoning and problem solving How will you strengthen your understanding? I plan to review my study guide, practice questions, and spend more time on the concepts I don't understand.
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AP U.S. Government Midterm Study Guide UNIT 1: FOUNDATIONS OF AMERICAN DEMOCRACY Topic 1.1: Ideals of Democracy Required Foundational Document: Declaration of Independence 1. Enlightenment Philosophical Foundations John Locke (Second Treatise of Civil Government): Natural law dictates that all individuals are born free and equal with natural rights (life, liberty, property). Government authority derives solely from the consent of the governed. If a government breaks the social contract or violates natural rights, citizens are obligated to alter or abolish it. Thomas Hobbes (Leviathan): Believed human nature in a state of nature is "solitary, poor, nasty, brutish, and short," resulting in anarchy. People surrender freedoms in a social contract to an absolute sovereign (Leviathan) in exchange for peace and social order. Jean-Jacques Rousseau (The Social Contract): Envisioned popular sovereignty—the people as the ultimate ruling authority—where free individuals abandon certain natural freedoms to form a body politic committed to the general good. Baron de Montesquieu (The Spirit of the Laws): Championed a republican government with defined, limited powers and advocated for the separation of powers into executive, legislative, and judicial branches to prevent tyranny. 2. Core Democratic Ideals & Foundational Documents Key Ideals: Natural rights, popular sovereignty, social contract, republicanism (electing representatives for a limited term to make laws in the public interest), and limited government (government restricted by law, checks, and balances). Declaration of Independence (1776): Authored primarily by Thomas Jefferson. Drafted by a committee of five (Jefferson, Adams, Franklin, Sherman, Livingston). Provided a moral and legal justification for rebellion against King George III by arguing that abusive taxation and British tyranny violated natural rights and the social contract. U.S. Constitution (1787): Codified ideals of self-government, checks and balances, separation of powers, and majority rule balanced with minority rights into a functional blueprint for a representative republic. Topic 1.2: Types of Democracy Model of Democracy Core Definition & Characteristics Historical & Contemporary Examples Participatory Democracy Emphasizes broad, direct participation of citizens in politics and civil society. Citizens vote directly on laws rather than relying exclusively on elected representatives. Town hall meetings, state/local ballot initiatives (citizens place measures on ballot), referendums (citizens vote to approve/defeat legislative acts). Pluralist Democracy Non-governmental interest groups activate to compete for political influence in a "marketplace of ideas." Policymaking is a result of bargaining, negotiation, and compromise among diverse interest groups. Interest groups testifying at congressional hearings, filing lawsuits, lobbying (e.g., NRA, NAACP, NOW, AFL-CIO, environmental groups). Elite Democracy Elected representatives act as trustees for voters; power is concentrated among educated, wealthy, or well-resourced individuals who possess the expertise to govern wisely. The Electoral College choosing the President, lifetime appointments of federal judges, original election of U.S. Senators by state legislatures. Topic 1.3: Government Power and Individual Rights Required Foundational Documents: Federalist No. 10, Brutus No. 1 1. Federalist vs. Anti-Federalist Debate Federalists (Hamilton, Madison, Jay): Supported ratifying the 1787 Constitution. Favored a strong central national government to maintain order, national security, and economic stability. Argued that a large, extended republic would protect individual rights by taming factions. Anti-Federalists (Patrick Henry, George Mason, Robert Yates): Opposed the new Constitution. Feared a strong national executive would replicate a British monarch and warned that the "Necessary and Proper" and "Supremacy" clauses gave the national government unchecked power, threatening state sovereignty and individual rights. Demanded a Bill of Rights. 2. Required Document Comparison Feature Federalist No. 10 (James Madison) Brutus No. 1 (Anti-Federalist Pseudonym) Central Argument A large, diverse representative republic is the best mechanism to control the "mischiefs of faction." A large, extended republic will destroy state sovereignty, erode individual liberty, and result in tyranny. View on Factions Factions are inevitable due to human nature. They cannot be eliminated without destroying liberty. Therefore, their effects must be controlled through a large republic where competing interest groups neutralize one another. In a large country, citizens' interests are too diverse ("clashing of opinions"), leading to constant legislative gridlock or government overreach to maintain order. Representation A large pool of voters ensures qualified, virtuous leaders are elected as representatives (trustees), insulating government from rash popular passion. Representatives in a large nation will be distant, unacquainted with local constituent needs, unaccountable, and prone to abuse their elevated power. Topic 1.4: Challenges of the Articles of Confederation Required Foundational Document: Articles of Confederation 1. Structure of Government Under the Articles (1781–1789) Unicameral Confederation Congress; each state possessed exactly one vote regardless of size or population. No executive branch to enforce national laws; no national judicial system to resolve disputes between states. Passing national legislation required approval by 9 of 13 states; amending the Articles required unanimous consent (13 of 13 states). 2. Key Weaknesses & Consequences Provision / Limitation Systemic Weakness & Impact No Direct Power to Tax Congress could only request funds from states. The national government faced immense Revolutionary War debt and could not pay foreign creditors or military veterans. No Power to Raise/Maintain a Standing Army The federal government relied on state militias and could not effectively secure national borders or suppress internal civil unrest. Inability to Regulate Interstate Commerce States imposed tariffs on goods from other states, issued conflicting paper currencies, and engaged in economic trade wars, paralyzing economic growth. Unanimity Amendment Requirement A single state (e.g., Rhode Island) could veto necessary tax reforms or constitutional adjustments, creating legislative paralysis. 3. Catalyst for Change: Shays' Rebellion (1786–1787) Impoverished Revolutionary War veteran Daniel Shays led an armed insurrection of Massachusetts farmers facing mortgage foreclosures and high state taxes. The insurgents forcibly closed debt courts and attacked the Springfield federal arsenal. Because the national government lacked funds and an army, Massachusetts had to rely on a privately funded militia to suppress the rebellion. Significance: Exposed the dangerous weakness of the central government under the Articles of Confederation, convincing national leaders (such as Washington, Madison, and Hamilton) to convene the Philadelphia Convention in May 1787. Topic 1.5: Ratification of the U.S. Constitution Required Foundational Document: The Constitution of the United States 1. Constitutional Compromises Virginia Plan vs. New Jersey Plan: Virginia Plan (James Madison): Bicameral legislature with representation in both houses based on population; favored large states. New Jersey Plan (William Paterson): Unicameral legislature with equal representation (one state, one vote); preserved state sovereignty for small states. Great (Connecticut) Compromise: Authored by Roger Sherman. Created a bicameral Congress consisting of: House of Representatives: Apportioned by state population (appeased large states); directly elected by voters. Senate: Equal representation (2 senators per state, appeased small states); originally chosen by state legislatures. Three-Fifths Compromise: Agreed that three out of every five enslaved persons would count toward a state's total population for House representation and federal direct tax assessments. Slave Trade Compromise: Prohibited Congress from banning the international slave trade for 20 years after ratification (until 1808) and included a fugitive slave extradition clause. Electoral College Compromise: Reconciled debates over whether Congress or direct popular vote should select the president. Each state chooses electors equal to its total congressional representation (House + Senate) to elect the executive. Commerce Compromise: Allowed Congress to regulate interstate and foreign commerce and levy tariffs on imports, but prohibited taxing exports. 2. The Constitutional Framework (Articles I–VII) Article I: Legislative Branch (Structure, Enumerated Powers, Necessary & Proper Clause). Article II: Executive Branch (Qualifications, Commander-in-Chief, Executive Duties). Article III: Judicial Branch (Supreme Court and Inferior Federal Courts). Article IV: Relations Among States (Full Faith and Credit, Privileges and Immunities, Extradition). Article V: Amendment Process (Two-stage process requiring 2/3 vote in Congress/Conventions to propose, 3/4 state legislatures/conventions to ratify). Article VI: National Supremacy Clause (Constitution and federal laws are supreme law of the land). Article VII: Ratification procedure (Required approval by 9 of 13 state conventions). 3. Modern Policy Debates Over Central Power Individual Rights vs. National Security: USA PATRIOT Act (2001) expanded executive surveillance authority after 9/11, sparking Fourth Amendment privacy concerns. The USA FREEDOM Act (2015) curtailed bulk phone metadata collection. Education Policy: Federal legislation such as No Child Left Behind (2002) and Every Student Succeeds Act (2015) reflect ongoing tension between federal standard-setting and state control under the 10th Amendment. Topic 1.6: Principles of American Government Required Foundational Document: Federalist No. 51 1. Foundational Theory: Federalist No. 51 (James Madison) "Ambition must be made to counteract ambition": Human nature is prone to self-interest. To prevent tyranny, government authority must be divided among distinct branches, giving each branch the constitutional means and motives to check the others. Division of Legislative Power: Because legislative power naturally predominates in a republic, Madison argued for dividing Congress into two branches (House and Senate) with different election modes and responsibilities. Double Security of Federalism: Power is first divided between two distinct governments (federal and state) and then subdivided among three branches within each, providing multiple layers of protection for individual rights. 2. Practical Checks and Balances System Branch Possessing Power Constitutional Check Over Legislative Constitutional Check Over Executive Constitutional Check Over Judicial Legislative (Congress) Bicameralism (House and Senate check each other). Overriding vetoes (2/3 vote), power of the purse, impeachment (House) and trial/removal (Senate), Senate advice and consent on appointments/treaties. Senate confirmation of judges, impeachment/removal of federal judges, altering court size/jurisdiction, proposing constitutional amendments. Executive (President) Vetoing legislation, calling special sessions, pocket vetoes. Internal administrative oversight. Nominating federal judges, power to grant pardons and reprieves. Judicial (Courts) Declaring laws passed by Congress unconstitutional (Judicial Review). Declaring executive actions or orders unconstitutional (Judicial Review). Chief Justice presides over presidential impeachment trials in the Senate. Topic 1.7: Relationship Between the States and Federal Government 1. Constitutional Allocation of Powers Exclusive (Delegated/Expressed) Powers: Granted solely to the federal government (e.g., declaring war, coining money, regulating interstate commerce, conducting foreign diplomacy, defining naturalization). Reserved Powers (10th Amendment): Powers not delegated to the federal government nor prohibited to the states are reserved to the states or the people (e.g., police powers—regulating health, safety, welfare, morals; operating schools; issuing licenses). Concurrent Powers: Powers shared by both national and state governments (e.g., levying taxes, enforcing laws, establishing court systems, borrowing money). 2. Fiscal Federalism & Financial Intergovernmental Relations Categorical Grants: Federal grants given to states for specific, narrowly defined purposes with strict requirements ("strings attached"). Gives the federal government significant leverage over state policy (e.g., National Minimum Drinking Age Act of 1984 tied highway funding to raising drinking age to 21, upheld in South Dakota v. Dole). Block Grants: Federal funds provided to states for broadly defined policy areas (e.g., community development, social services) with minimal federal conditions, granting states significant discretion (advocated during Devolution). Federal Mandates: Directives issued by the federal government requiring states to comply with national standards: Funded Mandates: Accompanied by federal financial aid. Unfunded Mandates: Requirements imposed without federal funding, forcing states to absorb compliance costs (e.g., Americans with Disabilities Act [ADA] of 1990, Clean Air Act Amendments). Devolution: The political movement to transfer power and administration from the federal government back to state and local governments (popularized during the Reagan administration and the 104th Congress, leading to the Personal Responsibility and Work Opportunity Reconciliation Act of 1996). Topic 1.8: Constitutional Interpretations of Federalism Required Supreme Court Cases: McCulloch v. Maryland (1819), United States v. Lopez (1995) Required SCOTUS Cases Comparison Case Name McCulloch v. Maryland (1819) United States v. Lopez (1995) Constitutional Issue Necessary and Proper Clause (Art. I, Sec. 8); Supremacy Clause (Art. VI). Commerce Clause (Art. I, Sec. 8); 10th Amendment Reserved Powers. Essential Facts Congress chartered the Second Bank of the U.S. The state of Maryland levied a tax on the bank to drive it out of state. Cashier James McCulloch refused to pay. Alfonso Lopez carried a concealed firearm into a Texas high school and was charged under the federal Gun-Free School Zones Act of 1990. Holding / Decision Unanimous (6–0) for McCulloch. Congress has the authority to charter a bank; states cannot tax federal institutions. Majority (5–4) for Lopez. The Gun-Free School Zones Act is unconstitutional because gun possession in a school zone does not substantially affect interstate commerce. Constitutional Impact Established national supremacy and solidified implied powers under the Necessary and Proper Clause ("The power to tax involves the power to destroy"). Expanded federal authority. Marked a major shift toward Devolution and state rights. Restricted Congress's reliance on the Commerce Clause, re-establishing limits on federal power over local policing/education. Topic 1.9: Federalism in Action 1. Impact on Policymaking Multiple Access Points: Stakeholders, interest groups, and citizens can influence policy across multiple levels (local, state, national) and branches (executive, legislative, judicial). If a group fails at the federal level, it can pursue initiatives at the state level. Laboratories of Democracy: States can experiment with novel social and economic policies without risking the entire nation (e.g., marijuana legalization, environmental regulations, healthcare reform models). 2. Federal-State Policy Conflicts Environmental Policy: Federal laws like the Clean Air Act and international agreements (e.g., Paris Agreement) face friction when federal rules conflict with state industrial standards or state-led cap-and-trade initiatives. Marijuana Legalization: While cannabis remains a Schedule I illegal drug under federal law (Controlled Substances Act of 1970, upheld in Gonzales v. Raich), numerous states have legalized medical and recreational marijuana through direct ballot initiatives. Federal enforcement relies heavily on executive department discretion. UNIT 2: INTERACTIONS AMONG BRANCHES (CONGRESSIONAL BRANCH) Topic 2.1: Congress: Senate and House of Representatives Required Foundational Document: U.S. Constitution (Article I) Institutional Differences Between Houses Feature / Institutional Metric House of Representatives U.S. Senate Membership Size 435 members (apportioned by population via Reapportionment Act of 1929). 100 members (2 per state). Term Length & Cycles 2-year terms; entire House up for election every 2 years. 6-year terms; staggered elections (1/3 of Senate up every 2 years; continuous body). Constituency Local single-member congressional districts (~700,000+ constituents). State at-large voters (broad, diverse constituency). Qualifications At least 25 years old, U.S. citizen for 7 years, resident of state represented. At least 30 years old, U.S. citizen for 9 years, resident of state represented. Exclusive Powers Originates all revenue/tax bills, initiates impeachment charges, selects President if Electoral College ties. Advice and consent on presidential nominations and foreign treaties (2/3 vote), conducts impeachment trials (2/3 vote to convict/remove). Debate & Debate Structure Highly structured, formal, centralized. Strict time limits on debate controlled by the Rules Committee. Less formal, decentralized. Unlimited debate permitted (filibusters allowed unless stopped by cloture). Constitutional Amendment Impact 14th Amendment protection; original popular election preserved. 17th Amendment (1913): Shifted election of Senators from state legislatures to direct popular vote. Powers of Congress (Article I, Section 8) Power of the Purse: Authority to levy taxes, collect revenue, coin money, and pass statutory appropriations funding federal programs. Regulating Commerce: Power to regulate international and interstate trade (Commerce Clause). Foreign & Military Powers: Exclusive power to declare war, raise and fund armies/navies, regulate military draft, and pass the War Powers Act of 1973 (requiring president to notify Congress within 48 hours of deploying troops and withdraw after 60 days unless authorized). Implied Powers: Authority grounded in the Necessary and Proper Clause to enact laws and execute delegated powers. Topic 2.2: Structures, Powers, and Functions of Congress 1. Congressional Leadership System Speaker of the House: Only House leadership position mandated by Constitution. Elected by majority party; presides over House, assigns bills to committees, recognizes speakers, and influences legislative agenda. Floor Leaders (Majority/Minority Leaders): Lead debate for their respective parties, guide strategy, and serve as national party spokespersons. Whips (Majority/Minority Whips): Enforce party discipline, tally prospective votes, and persuade members to vote along party lines. President of the Senate: The Vice President of the U.S.; non-voting presiding officer except to break tie votes. President Pro Tempore: Senior member of Senate majority party; presides over Senate in VP's absence. Senate Majority Leader: Most powerful figure in the Senate. Sets legislative calendar, controls floor debate, and determines which bills reach the floor. 2. The Committee System Committee Type Primary Role & Function Standing Committees Permanent panels handling specific policy areas (e.g., House Ways and Means, Senate Judiciary, Armed Services). Conduct hearings, mark up bills, and perform legislative oversight. Select / Special Committees Temporary committees established for a specific, limited investigation or study (e.g., Select Committee on Benghazi, Watergate). Joint Committees Panels containing members from both House and Senate to coordinate routine administrative issues or long-term studies (e.g., Joint Committee on Taxation). Conference Committees Temporary compromise panels formed to reconcile differing versions of House and Senate bills into a single, identical draft before sending to the president. 3. Chamber-Specific Rules & Procedures House Rules Committee: Acts as the "traffic cop" of the House. Determines rules for floor debate (time limits, open vs. closed amendment rules) and schedules bills. Committee of the Whole (House): Procedure designed to relax House rules, speed up debate, and require a reduced quorum of only 100 members. Discharge Petition (House): A petition signed by a simple majority (218 members) that forces a stalled bill out of a reluctant committee onto the House floor for a vote. Filibuster & Cloture (Senate): Tactical delay weapon using unlimited debate to block action on a bill or nomination. Stopped only by a Cloture Motion (Rule 22) requiring a 3/5 supermajority (60 votes). Holds & Unanimous Consent (Senate): Hold: An informal request by a senator to delay or prevent a bill or nomination from reaching the floor. Unanimous Consent Agreement: Set procedure rules to speed up Senate business by bypassing formal rules with unanimous approval. 4. The Federal Budgetary Process Mandatory Spending: Spending required by existing law for entitlement programs (e.g., Social Security, Medicare, Medicaid). Consumes over 60% of federal budget. Discretionary Spending: Spending that congressional committees debate and alter annually (e.g., defense spending, education, transportation). Deficit & National Debt: A budget deficit occurs when federal expenditures exceed federal tax revenue in a fiscal year. Accumulated annual deficits constitute the overall National Debt. Pork-Barrel Spending & Earmarks: Congressional add-ons to bills that direct federal funding to specific local projects in a member's district. Often attached to broader Omnibus ("Christmas Tree") Bills. Logrolling: The practice of trading votes among members of Congress to secure passage of individual legislative priorities. Topic 2.3: Congressional Behavior Required Supreme Court Cases: Baker v. Carr (1962), Shaw v. Reno (1993) 1. Member Voting Models Delegate Model: Lawmakers vote strictly according to the expressed desires of their constituents. Trustee Model: Lawmakers use their independent judgment, expertise, and moral conscience to make policy decisions, even if it contradicts constituent desires. Politico Model: A hybrid approach where lawmakers vote as delegates on high-profile issues with clear constituent consensus, but act as trustees on complex, low-visibility issues. 2. Gerrymandering & Redistricting Dynamics Reapportionment & Redistricting: Every 10 years following the U.S. Census, seats in the House are reapportioned. State legislatures redraw congressional district boundaries. Partisan Gerrymandering: Drawing district lines to give one political party an unfair advantage, creating a large number of "safe seats" (districts where a party consistently wins by 55%+). This practice leads to increased political polarization, as members fear primary challenges from ideologically extreme opponents ("getting primaried"). 3. Required SCOTUS Redistricting Cases Case Name Baker v. Carr (1962) Shaw v. Reno (1993) Constitutional Issue 14th Amendment Equal Protection Clause (Urban vs. Rural Apportionment). 14th Amendment Equal Protection Clause (Racial Gerrymandering). Essential Facts Tennessee failed to redraw its state legislative districts for over 60 years. Population growth in urban areas created massive population disparities between rural and urban districts, diluting urban votes. North Carolina created a wildly irregular, 160-mile majority-black district ("I-85 District") to comply with Justice Department demands for additional minority representation. White voters challenged the map. Holding / Decision 6–2 for Baker. Apportionment and redistricting claims are justiciable in federal court (not merely political questions). 5–4 for Shaw. Redistricting plans that cannot be explained on grounds other than race are subject to strict scrutiny under the Equal Protection Clause. Constitutional Impact Established the landmark "One Person, One Vote" principle, requiring legislative districts within a state to contain roughly equal populations. Prohibited race from being the predominant factor in drawing district lines, restricting racial gerrymandering even if intended to benefit minority representation. 4. Divided Government & Institutional Gridlock Divided Government: Occurs when one political party controls the White House and the opposing party controls one or both houses of Congress. Impacts: Causes policy gridlock, increases legislative stalemates, slows down statutory confirmation of presidential appointments, and heightens conflict during Supreme Court judicial nominations (e.g., blocking "lame duck" judicial nominees).
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GESTION DU BÂTIMENT/ CHANGEMENT CLIMATIQUE Partie 1 Information du client sur les incidences du changement climatique sur le patrimoine immobilier Chapitre 1 : enjeux sociétaux et environnementaux du changement climatique 1. Le changement climatique 1.1 l’importance du changement climatique A. Évolution rapide du climat Au cours des deux derniers millions d’années, le climat de notre planète a connu des changements climatique (CC). Ils s’effectuer sur des millions d’années, ce qui permettaient à l’environnement de s’adapter lentement. Un réchauffement climatique globale est observé depuis le 19ème siècle. Ce changement climatique se produit bien plus rapidement que ce étudier pour les 10 000 dernières années et les périodes des grandes déglaçations. Cette rapidité pose des problèmes d’adaptations à l’environnement. (mettre la frise envoyé sur doc pronote) demander à tatiana chaque photo quand on s’ennuie avant novembre 1972 premier sommet de la terre stockolm 1987 rapport de brundtland 1992 sommet de rio et convention des cadres des nations unis sur les CC agenda 21 décision futur 1997 protocole de kyoto 2015 accord de Paris 2026 rio B. La prise de conscience de la spécificité du changement climatique actuel Depuis que la communauté scientifique a prit conscience de l’empleurs du réchauffement et de son rythme, elle alerte sur les risques que cela engendre. l’origine humaine du changement climatique fait désormais consensus. GIEC = groupe international d’expert climatique C. Aténuer le changement Compte tenu de l’inertie climatique, l’augmentation des températures au niveau mondiale est devenue inéductable. Cependant cette augmentation sera plus au moins importante selon l’évolution des comportements humains. Les modes de production et plus généralement les modes de vie ont un impact sur le réchauffement climatique. En fonction des politique mise en oeuvre et de l’évolution des comportement, le réchauffement climatique sera plus au moins important. Les experts du GIEC estiment que chaque demi degrés compte. Les pays signataires de l’accord de Parie en 2015 lors de la Cop21 se sont donnés pour objectif de limiter le réchauffement climatique à 2 degrés maximum par rapport à l’air pré industriel, car ils ont jugés qu’au de-las les effets pourraient être dévastateurs. 1.2 les causes du changement climatique A. l’équilibre des énergies (image principe de effet de serre pronote aussi) Le changement climatique global est le résultat d’une perturbation de l’équilibre entre le rayonnement solaire absorbé par la terre et l’énergie thermique qu’elle résitue dans l’espace. l’augmentation de la concentration atmophsérique de gaz à effet de serre (GES) lié aux émissions humaines entraine ce déséquilibre et provoque l’élévation de la température de la terre en surface. B. l’usage des énergies fossiles Depuis le début de la révolution industrielle au 19eme siècle homme utilise massivement les énergies fossiles (charbon, pétrole, gaz naturel) ce qui a considérablement augmenter les émissions de GES.(gaz à effet de serre) L’usage de machine a profondemment transformé des modes de productions et des modes de vie. Les mécalisations de la production agricole, développement de l’industrie, augmentation de la productivité, développement des moyens de transports, internationalisation des échanges... ont été rendu possible par l’usage mssif d’énergie principalement fossiles. Hors l’utilisation des combustibles fossiles a un impact sur le climat car il émettent des gaz à effet de serre GES. C. Les différentes activités humaines et la place de l’immobilier dans les causes du changement climatique Pronote (batiment construction dans empreinte carbone et l’autre schéma Les modes de vies actuels sont très consommateurs d’énergie surtout dans les pays développés. l’industrie, le transport, l’énergie, la mode, l’agriculture intensive, l’immobilier sont autant de secteurs qui nuisent à l’équilibre inmatique car ils consomment beaucoup d’énergie, sont polluant et émettent des gaz à effet de serre qui ont un impact sur le climat L’immobilier constitue un axe stratégique pour les politiques de lutte contre le changement climatique et la transition énergétique. L’artificialisation des sols au détriment des espaces naturels, agricoles et forestiers, a un impact sur le réchauffement car un sol artificialisé n’absorbe plus le CO2. Les conséquences sont aussi négatives pour la biodiversité, la capacité des terres agricoles à nourrir la population, les risques d’inondation et toutes les conséquences liées à l’étalement urbain. Le changement climatique entraine des conséquences importantes sur les équilibres écologiques (dérèglement météorologique, hausse du niveau et acidification des océans, menace pour la biodiversité…) et sur nos sociétés (rendement agricole, risque de pandémie, de conflits, de déplacement de populations…). 2. Les risques du C.C dans l’immobilier Le changement climatique va entrainer d’avantages de phénomènes climatique extremes : des vagues de chaleur, des précipitations et sécheresses Les logements, les villes, l’aménagement des territoires, ne sont pas toujours adaptés, ce qui créer des risques. 2.1 des logements inadaptés au CC A. Performances énergétiques des logements et précarité énergétiques mettre imagi 2.a Le parc résidentiel Français est ancien. Environ un quart des résidences principales ont été construites avant 1948 et la moitié avant 1974 : année de la première réglementation thermique (RT) pour les bâtiments neuf en France l’enjeux du plan de rénovation énergétique est de faire baissé la facture d’énergie des ménages tout en améliorant l’état du parc résidentiel. Plusieurs aides national sont disponibles pour financer des projets de rénovation Des aides spécifiques sont destinés aux rénovation permettant d’atteindre le niveau basse consommation (étiquette énergétique A ou B) ou qui permettent de sortir du statut de passoire thermique (F ou G) photo B. le confort d’été/ hiver Les règlementations se sont longtemps concentrer sur le confort d’hiver et la manière de concevoir les bâtiments afin de conserver la chaleur. Le réchauffement climatique et la multiplications de canicule et de période de fortes chaleur d’été font émerger la question du confort d’été des logements Le confort d’été correspond au faites de maintenir des températures intérieur agréable, même lors des vagues de chaleur et sans avoir recours à la climatisation, très consommatrice d’énergie et émétrice de GES C. Les ilots de chaleur urbain (ICU) Photo En France plus du quart de la population vit actuellement en zone urbaine. Les banlieux et les couronnes péri-urbaines se sont développer dans de grandes proportion En milieu urbain on observe des températures plus importantes que dans la campagnes environnante : c’est le phénomène d’ilot de chaleur urbain (ICU) Cette différence de température est particulièrement marqué la nuit, au moment ou les matériaux urbains (béton, asphalte, bitume, ciment...) libère la chaleur qu’ils ont stockés durant la journée Cette chaleur est en quelques sortes absorbée du fait de la configuration urbaine et s’échappe moins facilement qu’a la campagne. Avec le changement climatique, les températures moyennes en été et les vagues de chaleur vont augmenter et les risque aussi Les risques de l’ICU : > conditions de vie dégradé > problèmes de santé > consommation d’eau accru > problème de qualité de l’air > concentration ozone > baisse de la productivité des personnes > consommation d’énergie accru avec la climatisation La climatisation le faux bon ami : > utilise de l’énergie et amplifie le réchauffement climatique > rejette de l’air chaud à l’extérieur et amplifie la température ambiante à l’extérieur 2.2 des risques naturels lié au contexte de CC A . le risque d’inondation Le CC se traduira selon les territoires par une augmentation des précipitations extrêmes avec comme conséquences une augmentation du risques d’inondation pour des communes situé près des cours d’eau fortement influencé par des précipitations. B. Les risques près des littoraux; érosion et submersion de l’eau INSÉRER PHOTO Parmi les effets du réchauffement climatique, son impact sur le littoral, les ports et les estuaires sera particulièrement visible il se traduira avant tout par une montée du niveau de la mer Les communes des zones basses littoral vont devoirs s’adapter à cette probable submersion l’érosion côtiere provoque un recul du trait de côte; ce phénomène naturel et accélérer par le CC; la montée du niveau de la mer et une urbanisation inadaptée sur certains littoraux. 1/5 du littoral Français est concerné ainsi que 50 000 habitations d’ici 2100. La loi climat et résilience 2021 prévoie des mesures pour les zones les plus à risques C. Les risques liés au retrait gonflement des sols argileux (RGA) Photo des3 maisons Certains sous sol sont argileux, environ 10 millions de maison sont construites sur ce type de sol, soit une maison sur deux. Au grès de l’humidité et des précipitations, le sol va se gonfler d’eau, en cas de fortes pluie, et se contracter avec l’évaporation en cas de sécheresse c’est ce qu’on appel le (retrait gonflement des sols argileux) ou RGA. Avec les canicules de plus en plus nombreuses, les périodes de sécheresse, le retrait d’argile devient de plus en plus fréquent et peut provoquer des dégâts importants : fissures, les ardes, effondrement, rupture de canalisation, dislocation de dallage, distorsion de porte, de fenêtres... La reconnaissance de l’état de catastrophe naturel sur le secteur, avec publication d’un arrêté au journal officiel est souvent nécessaires pour la prise en compte du sinistre par les assurances D. Les risques liés au sécheresses l’augmentation des températures, la fréquence accru des vagues de chaleur et des sécheresses vont amplifier les risques d’incendie. Les sécheresses assèche aussi les nappes phréatiques et peuvent entrainer une pénurie d’eau potable Les politiques publiques sont mises en place pour atténuer le CC et ‘adapter à ses conséquences Lutter contre les atténuation des causes sont des politiques public Lutter contre les adaptations des conséquences sont aussi des politiques public Chapitre 2. Adaptations des territoires et de l’immobilier au C.C Pour atténuer les effets du C.C, réduire la vulnérabilité des territoires et favoriser leurs adaptations, les pouvoirs politiques mettent en place des réglementations 1. l’aménagement des territoires 1.1 limiter l’étalement urbain et l’artificialisation des sols Les causes : > attractivité des grandes villes, dynamisme économique emploi et services > insuffisance d’offre des logements par rapport à la demande, prix élevé des logements, et gout pour les maisons individuelles > aménagement du territoire, division de l’espace en grande fonction (habitat, zone industrielles et commerciale) qui implique des déplacements permis par l’usage de l’automobile Photo carte de france avec points rouge pronote l’étalement urbain désigne une augmentation de la superficie des villes lié à une extension des zones construites à leur périphérie. Cet étalement urbain est lié à l’attractivité des villes et à l’aménagement du territoire Les conséquences : > la pollution et gaz à serre > déplacement en voiture > engorgement des axes routiers > augmentation du temps consacré au déplacement > dépense en énergie > artificialisation des sols : baisse de la biodiversité, baisse de l’absorbion du co2 > imperméabilisation des sols : augmentation des risques d’inondation > grinotage des espaces naturels, agricoles et forestiers : conflits d’usage Chaque année la France perd 20 000 à 30 000 hectares d’espace naturel, agricoles et forestiers sous la pression des activités humaines. La lutte contre l’artificialisation des sols représente aujourd’hui un enjeu majeur pour limiter le réchauffement climatique, un sol artificialiser n’absorbant plus de co2 Pour lutter contre l’étalement urbain et l’artificialisation des sols : > favoriser le renouvellement urbain, c’est à dire reconstruire la ville sur elle même, recycler les friches urbaines (ce sont des espaces qui n’ont plus de fonction) réhabiliter plutôt que de démolir, et transformer les bureaux en logement, et convertir les biens à un usage réversible Artificialisation net des sols : objectifs 0, la loi climat et résilience du 22 aout 2021 a fixé un double objectif : > divisé par 2 le rythme d’artfitialisation jusqu’en 2030 (par rapport à la décènie précédente) et atteindre d’ici 2050 zéro artificialisation net c’est à dire au moins autant de surface renaturé que de surface artificialiser. Cependant cette règlementation est contester par certains élu locaux qui y voient un obstacle au développement de leurs territoires. 1.2 revitaliser et équilibré les territoires Phénomène de métropolisation et urbanisation 55% de la population mondiale vit en zone urbaine 80% pour la France La concentration de la population entraine des difficultés de logement et un étalement urbain néfaste pour l’environnement. Le rééquilibrage de l’attractivité des territoires permettrait une organisation de l’espace plus écologique et une amélioration des conditions de logement des ménages Aménager le territoire de façon plus équilibré en re-dynamisant les petites villes et les villes moyennes exemple du plan national (action coeur de ville) Le plan d’actions coeur de ville mis en place en 2018 à pour objectif de re-dynamiser les villes moyennes. Ce plan prolongé de 2023 à 2026 sous le nom (action coeur de ville) pour la transition écologique, est doté de 5 millards d’euros afin de financer des actions pour : > accompagner les villes dans leur transitions écologiques (mobilité douce; végétalisation) > conforter les services et les emploies des villes moyennes > revitaliser le centre ville en y relogeant des habitants La re-dynamisation des petites villes et villes moyennes a aussi l’avantage de remettre sur le marché résidentiel des logements vacants, et en augmenter l’attractivité du secteur de rééquilibré le marché du logement. La demande en logement des zones tendus peut se réorienter vers ces villes revitaliser ou les ménages peuvent retrouver emploi et habitation plus facilement 2. Les zones urbaines face au C.C L’atténuation du C.C et l’adaptation à ces évolutions sont deux objectifs à intégrer dans les opérations d’aménagement ou de rénovation urbaine. Quelques grands principes sont à considérer : Favoriser le rafraichissement > la végétalisation en plus d’améliorer le cadre de vie à des atouts pour diminuer l’intensité des ilôts de chaleur urbains pour atteintre cet objectif, les infrastructures urbaines peuvent aussi être repensé : choix du pavé, zone de rafraichissement accessible à toutes, actions sur la mophologie urbaine pour favoriser la ventilation urbaine Réorganiser l’espace > revoir l’organisation de la ville en intégrant une mixité des usages, en limitant l’étalement urbain permettant de diminuer les déplacements en voiture, d’améliorer la qualité de vie et de réduire les GES Film urbanisme dans la ville de colver Repenser les moyens de se déplacer en limitant l’usage des voitures, et en favorisant les transports en commun et les circulation bourses (voie piétonne, piste cyclable), on agit contre la pollution et les îlots de chaleur urbain (ICU) Le code général des collectivités territorial impose l’instauration d’une zone à faible émission (ZFE) dans les territoires en dépassement des valeurs limite de la qualité de l’air Le ZFE est une zone comportant des voix routière ou la circulation des véhicule les plus polluant est restreinte, selon des modalités spécifiques définie par la collectivité Les éco-quartiers, projet d’aménagement durable 3 Photoooooo 13 nov Le label éco-quartiers valorisent les projets d’aménagement qui intègre les enjeux et les principes du développement durable à l’échelle de la ville. Ainsi, les trois piliers du développement durable (environnemental, social et économique) se retrouvent dans les principes de l’éco-quartiers Créer en 2012 Le référenciel de labelisation a été mit a jour pour intégrer les nouvelles priorité des politiques publiques, d’ou l’objectif (0 artificialisation net) des sols, et la réglementation environnementale 2020 (RE 2020). 3 les normes de constructions prennent en compte le C.C Des normes environnementales sont mises en places dans l’immobilier neuf, celles ci concernent aussi bien les bâtiments résidentiel que tertiaires. 3.1 des réglementations thermiques (RT) au réglementations environnementales (RE) Photo 20 nov La première RT a vu le jour en 1974, à la suite du choc pétrolier, avec pour objectif de fixer des limites de consommation énergétiques pour les bâtiments résidentiel neuf. Avec le temps, ces réglementations sont devenues plus exigeante et ont couvert des champs de plus en plus vaste : > chauffage, surface vitrée, ventilation ou encore isolation « la RT 2012 » s’occupe de ça Un bâtiment à énergie positives produit plus d’énergie qu’il en consomme. c’est ce type de bâtiment qui est visé dans la réglementation 2020 (RE 2020) La RE 2020 ne contrôle plus seulement la consommation des bâtiments neufs, mais aussi leurs bilans carbone, en incluant l’analyse du cycle de vie des matériaux employés. Le confort d’été des bâtiments est également prie en compte dans cette réglementation. La RE 2020 sera progressivement de plus en plus exigeante avec 3 étapes prévues en 2024, 2027, et 2030. Les objectifs de la RE 2020 : > concevoir des bâtiments qui consomment moins et qui utilisent des énergies moins carboner (réduction des besoins en énergies, sortie des énergies fossiles et recours à des énergies renouvelables) > stimuler des constructions bas carbone qui utilisent le bois et des matériaux bio-sourcés (bois, lin, bambou, paille, liège fibre de coco...) l’analyse est faite sur l’ensemble du cycle de vie du bâtiment. > produire des bâtiments confortable en cas de fortes chaleurs Les réglementations sont des normes qui s’impose aux constructeurs 3.2 la mise en place de labels de certification Un label est une mention à poser sur un produit qui garantie son origine, sa qualité, ou le resté d’un cahier de charges. Un organisme indépendant doit vérifier le respect des conditions d’attribution du label pour que l’entreprise puisse s’en prévaloir. Même si ce n’est pas obligatoire, certains promoteur s’engage volontairement dans les démarches de certification ou de labelisation afin de mettre en évidence les qualités des programmes construit Photo 3.2 du 20 nov Chapitre 3 informations et orientation du client vers des solutions d’adaptation de son bien au CC 1 Des diagnostics obligatoire pour mieux diffuser l’information 1.1 le contenu global du dossier diagnostic technique (DDT) Le propriétaire vendeur ou bailleur doit fournir lors d’une transaction une série de diagnostic réunie dans un DDT. Le DDT est annexé au bail pour une location ou à la promesse de vente puis à l’acte définitif lors de la session d’un bien DPE Pour tous les biens Audit énergétique Si le bien est classé F ou G sur le DPE Constat de risque exposition au plomb Tous les logements construit avant 1949 Etat de l’installation électricité et gaz Si l’installation a plus de 15 ans Etat des risques Si le logement est situé en zone concerné par un risque naturel technologique ou minier Diagnostic bruit Si le bien est situé dans une zone exposition au bruit Amiante Si le permis de construire est antérieur 1997 Termites insectes Si le bien est situé dans une zone déclarée par arrêté préfectoral Diagnostic Obligations Le carnet d’information du logement CIL (date de construction, style, travaux...) centralise les informations sur les caractéristiques du logement et sur les travaux passé et accompagné les travaux d’amélioration de la performance énergétique du logement Ce carnet concerne les logements neufs dont le permis de construire ou la déclaration préalable a été déposer depuis le 1er janvier 2023 ainsi que les logements existant faisant l’objet de travaux de rénovation ayant une incidence direct sur leurs performances énergétique Le CIL est remit par le propriétaire vendeur à l’acquéreur au plus tard lors de la signature de l’acte authentique de vente 1.2 les diagnostics énergétiques DPE ET audit énergétique DPE Les annonces immobilières de vente ou de location qu’elles soient diffuser par des professionnels de l’immobilier ou des particulier, doivent faire figurer les informations suivantes : > les classement énergétiques et climatique du logement sur un échelle de A à G > si le logement est classé F ou G l’annonce doit comporter « logement à consommation énergétique excessive » > le montant des dépenses énergétiques annuel du logement pour un usage standard En cas d’absence de ce DPE sur l’annonce risque d’amende 3000€ pour une personne physique et 15 000€ pour une personne moral. Le DPE est obligatoire lors des ventes (annexé à l’avant contrat puis au contrat définitif) (et des locations annexé au bail sauf si le logement est habité moins de 4 mois par an) Programme neuf un DPE neuf est remit à l’acquéreur au plus tard le jour de la livraison du logement Depuis le 1er juillet 2021 le DPE n’est plus simplement informatif mais opposable, l’acheteur ou le locataire peut engager la responsabilité du vendeur ou du bailleur s’il constate une irrégularité à conditions que ça lui pose préjudice Etablit par un diagnostiqueur professionnel sur la base des caractéristiques physique du logement (bâti, qualité de l’isolation, type de fenêtre, système de chauffage) diagnostiqueur non certifié risque amende 1500€ Contenu du DPE : > caractéristiques du logement et ses équipements > quantité annuel d’énergie consommées ou estimées ( et dépenses de consommation) > étiquette énergie > les recommandations pour améliorer les performances énergétiques, l’évaluation de leur coût et efficacité Depuis le 1er janvier 2023 les logements dont la consommation d’énergie dépasse 450 kwh au M2 par an d’énergie final ne peuvent plus être proposés à la location ( critères de decence) cette interdiction des biens les plus énergivores sur le marché locatif concernera à terme les logements classé G à compter de 2025 les logements classé F à compter 2026 et classé E 2034 La loi climat et résilience du 22 août 2021 interdit toutes augmentation de loyer des logements du parc privé classé F et G au titre du DPE Le diagnostiqueur doit transmettre les résultats du DPE à l’agence de la transition écologique (ADEM) Il est possible de retrouver un DPE et de contrôler sa validité en se rendant sur le site de l’observatoire des DPE (mit en place par l’ademe) et en saisissant le numéro du diagnostic dans le moteur de recherche Audit énergétique Depuis le 1er avril 2023 un audit énergétique doit être réalisé en cas de vente d’un bien appartenant aux classes énergétiques F ou G l’audit énergétique est une version plus poussé du DPE le volet travaux d’opération de la performance énergétique et climatique est notamment enrichie Un autre audit est possible : audit avant travaux il permet d’avoir encore plus de précisions sur les travaux envisageable et leurs coûts mais est plus cher que l’audit énergétique 1.3 état des risques Les obligations d’information des acquéreurs et les locataires l’information des locataires et acquéreurs est obligatoire lorsque le bien est loué ou vendu et est exposé à un risque naturel, minié, technologique ou au recul du trait de côte Un ER (état des risques) doit figurer dans le DDT (dossier de diagnostic technique) annexé à la promesse ou contrat de vente/location Contrairement à d’autres diagnostics immobilier obligatoire l’IAL (information acquéreur locataire) ne nécessite pas de recourir à un professionnel agréer Le propriétaire peut remplir lui même son état des risques, des formulaires disponible en ligne Zoom sur le recul du trait de côte Impact sur les biens immobilier : Le changement climatique accentue le trait de côte la mer avance progressivement sur ls terres un quart du littoral français est concerné, la loi climat et résilience 2021 prévoit d’adapter les territoires littoraux les plus exposés à ce risque Les communes particulièrement menacées (lister par décrêt) doivent intégrer dans leurs PLU (plan local urbanisme) et PLUI (plan local urbanisme inter) une carte des zones exposées au recul du trait de côte ( ZERTC) à l’échéance de 30 et 100ans Les conséquences sur les biens qui se trouvent dans ces zones sont importantes Depuis le 1er janvier 2023 les agents immobilier doivent indiquer si le logement est situé dans une zone exposé au recul du trait de côte dans leur annonce de vente et location A peine de nulité toutes promesses de ventes tout contrat de vente ou location pourtant sur des constructions localisée dans une zone menacée doivent mentionner Un droit de préambtion s’applique sur l’intégralité sur la zone du recul de trait de côte toutes ventes est subordonnée à peine de nulité à une déclaration préalable adresser par le propriétaire à la commune ou est situé le bien. La commune peut mettre en place un bail réel d’adaptation à l’errosion au tiers pour gérer temporairement des biens acquis dans les zone menacés par le recul du trait de côte Zoom sur le RGA lorsqu’un sol est argileux il se rétracte en période sèche (retrait) et il gonfle en période pluvieuse. Ces variations de volume dans le sol créer des désordres sur les fondations comme en surface (fissure, tassement...), pouvant dans les cas les plus graves rendre la maison inhabitable pour que le propriétaire soit indemnisé par l’assurance il faut qu’un arrêté interministériel de catastrophe naturel soit rendu sur la commune concerné et que le RGA (retrait gonflement argileux) soit reconnu comme la cause déterminante du dommage. Dans l’effet les indemnisations peuvent être difficile à obtenir En cas de vente d’un terrain non bâti constructible : Une étude géo technique doit être fourni par le vendeur. De plus le projet de construction doit suivre les réglementations d’un étude géo technique de conception zone moyenne ou forte RGA « attestation RGA » obligatoire pour tous les bâtiment ne comportant pas plus de deux logement construit ou rénové suivant un permis de construire déposé après le 1er janvier 2024. l’attestation annexé au titre de propriété du bien suit ces mutations successives. Permet de bénéficier de la garantie CATNAT retrait gonflement des sols pendant 10ans à compter de la réception des travaux. À défaut, les biens seront exclu du droit à la garantie sécheresse pendant 10 ans 1.4 les diagnostics au niveau des copropriété PPPT/PPT (projet plan pluriannuel travaux/ plan pluriannuel travaux) : le PPPT propose plusieurs PPT répondant aux besoins de la copropriété travaux à réalisé pendant les 10 prochaines années,pour les copropriété de plus de 15ans obligatoire selon un calendrier qui dépend du nb de lot PPT pour les : Plus de 200 lots à partir 01/01/2023 De 51 à 800 à partir 01/01/2024 Moins de 51 lots à partir du 01/01/2025 DPE collectif : évalue la performance énergétique de l’ensemble de l’immeuble, pour une approche global et efficace, permet de planifier le PPT. Obligatoire pour les copropriété construite avant 2013 selon un calendrier qui dépend du nombre de lot Obligatoire pour les lots de : Plus de 200 et les monopropriétés à partir de 01/01/2024 De 51 à 200 à partir de 01/01/2025 Et moins de 51 à partir de 01/01/2026 DTG (diagnostic technique global) : rapport pluridisciplinaire (architecture, thermique et ingénierie financière) qui établie des scénarios hierarchisé de travaux économie d’énergie ainsi que les aides financières mobilisable. Permet un accompagnement de la copropriété dans sa démarche vers les travaux de rénovation. Obligation pour la mise en copropriété d’un immeuble de plus de 10ans ou un immeuble insalubre, sinon non obligatoire 2 l’orientation du client vers des solutions d’adaptation de son bien immobilier au CC 2.1 les interlocuteurs Pour être efficace et améliorer les performances énergétiques d’un bien, les travaux doivent être envisagés de manière global. Le plus souvent ces travaux portent sur l’isolation, la ventilation, l’optimisation du système de chauffage, remplacement des menuiseries ( fenêtre, porte) Accompagnement du client lors des opérations de travaux Chapitre 4 identification des besoins en travaux de l’immeuble Dans l’évolution actuelle des pratiques immobilières l’identification précisent des besoin en travaux d’un immeuble constitue une étape incontournable pour répondre au défi posé par le changement climatique et pour aligner les opérations immobilières avec les normes de durabilité et d’efficacité énergétique I Le diagnostic de l’état général de bâtiment C’est une démarche essentielle qui sert de fondation à tout opération de travaux Cette étape implique une inspection minutieuse de toutes les parties structurelle et non structurelles du bâtiment, de la cave au grenier on recherchera la présence d’amiante ou de plomb dans la construction Présentation générale du bâtiment : - Type de construction - Année de construction - Historique du bâtiment Structure : - Les éléments porteur verticaux (murs porteurs, pilier) - Structures porteuse ( plancher, escaliers) Équipements et finitions : - Isolation thermique et acoustique - Installation eau gaz électricité et télécommunication - Menuiseries extérieur et intérieur - Revêtement des sols - Circuit de ventilation (vmc) Il est conseillé de documenter chaque anomalies par des description précises et des supports visuel le diagnostic doit également tenir compte de la réglementation en vigueur notamment en matière de sécurité et accessibilité En vigueur - La RT 2012 pour les bâtiments existant faisant l’objet de travaux importants et toutes les constructions neuves qui visent à limiter les consommations énergétiques - La loi élan 2018 portant sur l’évolution du logement, de l’aménagement et du numérique, cette loi établi les règles sur l’amélioration de la performance énergétique et l’accessibilité ainsi que des mesures sur l’adaptation des logements à la perte d’autonomie - l’arrêté 2017 modifiant l’arrêté de 2007, relative aux caractéristiques thermiques et à la performance énergétiques des bâtiments existants, il impose que lorsqu’un maître d’ouvrage décide de remplacer, d’installer un élément d’isolation, un équipement de chauffage, de production d’eau chaude, de refroidissement, de ventilation il doit installer des produits de performances supérieurs aux caractéristiques minimale mentionné dans l’arrêter - RE 2020 concerne les constructions neuves en visant une net réduction de l’empreinte carbone et une amélioration significatives de la capacité énergétiques, cette normes encourage l’utilisation faible impact écologique et production énergie renouvelable dans le but d’atteindre les objectifs de développement durable et de répondre aux enjeux climatiques actuels II Analyse des pathologies élémentaires du bâtiment L’identification des origines et la déterminations des solutions adaptes pour les structures affecte par des désordres Fissures du a un tassement différenciel Humidité Effritement mur peinture Infiltration d’eau par la toiture Défaut étancheiter ça peut être des fissures structurelle ou superficielle III interprétation des plans du bâtiments u
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ART APPRECIATION: HUMANITIES, ASSUMPTIONS, AND THE NATURE OF ARTS Art Appreciation helps us understand the meaning, purpose, and value of art. It explores the relationship between the humanities and the arts, the common beliefs people have about art, and the different ways art can be understood and interpreted. I. Humanities and Their Relationship to the Arts A. What Are the Humanities? Humanities are fields of study that focus on human beings, experiences, ideas, values, beliefs, creativity, and culture. The word humanities is associated with the Latin term humanitas, which refers to qualities and learning related to being human. The humanities help us understand human life by exploring questions such as: What does it mean to be human? Why do people create? What do people consider beautiful? How do people express their emotions and beliefs? How does culture influence people’s thinking? How have human ideas changed throughout history? The word humanus means “human” and is associated with being refined, cultured, and worthy of dignity. The humanities are also connected to the philosophical idea expressed by the Greek thinker Protagoras: “Man is the measure of all things.” This emphasizes the role of human beings in understanding and interpreting the world. According to the Webster Dictionary, the humanities include fields such as philosophy, literature, language, and art, excluding theology and the natural and social sciences in the traditional classification. The study of the humanities includes the appreciation of art, which can deepen our understanding of life, reality, and human experiences. B. What Is Art? The word art comes from the Latin word ars, which means skill or ability. Art is a form of human expression through which people communicate their thoughts, emotions, experiences, imagination, beliefs, and perspectives. Art is not limited to beauty. It can also express sadness, anger, humor, social issues, personal experiences, and different views of the world. Art can be understood as a way of grasping the world, particularly human society and spiritual experiences, rather than focusing only on the physical world. Art can take many forms, including the following fine arts: Painting Sculpture Architecture Literature Dance Music Film Works of art can also be classified as verbal or non-verbal. Verbal art uses words to express ideas and emotions. Example: Poems, novels, and plays. Non-verbal art communicates through images, sounds, movements, or forms without relying primarily on words. Example: Paintings, instrumental music, and dance. Art is also influenced by how an artist uses a medium, applies techniques, and expresses the content of an artwork. C. What Is Art? Art is a way for people to share how they experience and understand the world. It can communicate personal feelings, cultural beliefs, social issues, and human experiences. An artwork can be beautiful, emotional, meaningful, thought-provoking, disturbing, humorous, symbolic, or intentionally ordinary. Therefore, art is not limited to objects that people consider beautiful. Its meaning also depends on the artist’s purpose, the methods used, the context, and the viewer’s interpretation. D. Relationship Between Humanities and the Arts The humanities and the arts are closely connected because both explore and communicate human experiences, ideas, emotions, and culture. The humanities help us understand human experiences, while the arts provide ways to express and interpret those experiences. For example, consider a painting depicting poverty. Art communicates the experience of poverty through images, colors, and composition. History explains the social conditions during the period represented. Philosophy encourages us to think about justice and human dignity. Literature presents stories about people experiencing poverty. Sociology helps explain the social relationships and circumstances connected to poverty. This shows that appreciating art involves more than deciding whether an artwork is beautiful. It also requires understanding the artist, society, culture, history, ideas, and emotions behind the work. E. Differences Between Humanities and Art Arts focus more on the creative and expressive aspects of human culture. They involve creating works that communicate ideas, emotions, and experiences. Humanities focus more on studying, analyzing, and interpreting human experiences and cultural works. Arts often emphasize the form, style, techniques, and materials used to create an artwork. Humanities often emphasize the content, meaning, values, and historical or cultural context of a work. Art can be personal and subjective because people may interpret an artwork differently. The humanities use analysis and interpretation to understand human experiences, although interpretations may also vary. F. Importance of Arts and Humanities Arts and humanities help students become well-rounded individuals who can: Become adaptable by understanding different situations and perspectives. Think creatively by developing original ideas and solutions. Develop critical thinking by analyzing and interpreting information. Become responsible citizens by understanding society, culture, and human differences. Improve communication by learning different ways to express ideas and emotions. Understand others by recognizing different experiences, beliefs, and values. II. Why Do We Study Art? Art Appreciation develops our ability to observe, interpret, analyze, and evaluate works of art. 1. Art Develops Creativity Art encourages people to think beyond ordinary ideas and explore different possibilities. Example: Creating a sculpture using clay allows an artist to experiment with different shapes and forms. 2. Art Communicates Emotions Art allows people to express feelings that may be difficult to communicate through ordinary language. Example: Music can communicate sadness, excitement, peace, or nostalgia. 3. Art Reflects Culture Art shows the traditions, beliefs, lifestyles, and values of a particular community. Example: Traditional Filipino weaving, dances, architecture, and music provide insights into Filipino culture. 4. Art Records History Artworks can provide evidence of past events, traditions, people, and ways of life. Example: Historical paintings can show how people dressed and how important events were represented in the past. 5. Art Develops Empathy Art allows us to understand experiences and perspectives that may be different from our own. Example: A film about poverty can help viewers understand the struggles of people living in difficult conditions. 6. Art Encourages Critical Thinking Art encourages viewers to examine and question what they see rather than simply accepting an artwork at face value. When appreciating art, ask: Why did the artist create this? What does the artwork mean? What message is being communicated? Why did the artist use these materials? How does the artwork make me feel? Does the artwork reflect the society in which it was created? These questions help us understand an artwork beyond its physical appearance. COMMON ASSUMPTIONS ABOUT ARTS An important part of Art Appreciation is examining our assumptions. People often have preconceived ideas about what art should be. Assumption 1: "Art must be beautiful." Assumption 2: "I can't appreciate art because I am not talented." Assumption 3: "Art is only for talented people." Assumption 4: "Art must look realistic." Assumption 5: "Expensive art is automatically good art." Assumption 6: "Art has no practical purpose." CLASSIFICATIONS OF ARTS Art can be classified in different ways. One common approach is to group it according to the medium or form used. Visual Arts Performing Arts Literary Arts Applied Arts Traditional and Contemporary Art The Nature of Art Functions and Theories of Arts Art has existed in virtually every human society. Across time and cultures, people have created artworks not only for beauty but also for communication, worship, political expression, social identity, education, remembrance, and personal expression. Understanding the functions of art helps explain why art is made, while studying art theories provides different ways of interpreting and evaluating artworks. Lesson 2. I. Functions of Art The function of art refers to the purpose, role, or use that an artwork serves for an individual, a community, or society. A single artwork can perform several functions at the same time. 1. Personal Function Art can serve the personal needs of the artist or viewer. Artists often create art to express emotions, experiences, beliefs, dreams, memories, or personal identity. Personal functions may include: expressing emotions and feelings; exploring personal experiences; relieving stress or emotional tension; developing creativity; expressing identity and individuality; communicating ideas that may be difficult to express through words. For example, a painter may create an artwork after experiencing sadness, happiness, fear, or loss. The resulting work becomes a visual representation of the artist's emotional experience. Art can also affect viewers personally. A song, painting, sculpture, or film may inspire someone, remind them of an experience, or help them understand their own feelings. Example: Vincent van Gogh's The Starry Night is often discussed in relation to emotion and personal experience. Its swirling sky, intense movement, and expressive colors contribute to its emotional impact. 2. Aesthetic Function The aesthetic function of art focuses on beauty, visual pleasure, harmony, creativity, and appreciation of form. Art may be created simply because people enjoy looking at beautiful or interesting things. Artists achieve aesthetic qualities through elements such as: color; line; shape; texture; balance; proportion; rhythm; harmony; contrast; composition. Aesthetic value does not necessarily mean that an artwork must be traditionally beautiful. Some works may be strange, unsettling, or unconventional yet still provide a powerful aesthetic experience. Example: Decorative patterns found in textiles, pottery, architecture, and jewelry often serve both practical and aesthetic purposes. 3. Social Function Art performs a social function when it influences, reflects, or addresses relationships among people and communities. Art can help strengthen: community identity; cultural traditions; shared values; social relationships; collective memory. It can also draw attention to social problems such as: discrimination; poverty; inequality; violence; environmental destruction; human-rights concerns. Murals, films, posters, songs, photography, and public performances are commonly used to communicate social messages. Example: Community murals may depict local history, important personalities, cultural traditions, or social struggles. 4. Political Function Art has long been used to influence political thought and public opinion. Political art may: support governments or leaders; criticize political systems; encourage nationalism; promote revolution or reform; protest injustice; expose corruption; defend human rights. Throughout history, governments have also commissioned art to demonstrate political power. Statues, monuments, portraits, architecture, posters, and propaganda are examples of artworks that may have political functions. Example: Political cartoons often use humor, exaggeration, symbolism, and satire to comment on government policies or public officials. 5. Religious and Spiritual Function Religion has been one of the most important influences on art throughout history. Art has been used to: represent gods, saints, ancestors, or spiritual beings; tell religious stories; decorate sacred spaces; support prayer or meditation; communicate religious teachings; strengthen faith; perform rituals. Examples include: church paintings; religious icons; Buddhist sculptures; Islamic calligraphy; Hindu temple sculptures; Indigenous ritual objects. Many great works of architecture were created primarily for religious purposes, including churches, mosques, temples, shrines, and cathedrals. 6. Cultural Function Art preserves and expresses the culture of a society. Through art, communities communicate their: beliefs; customs; traditions; values; historical experiences; symbols; languages; ways of life. Traditional dances, textiles, music, pottery, architecture, festivals, and crafts preserve cultural identity from one generation to another. Philippine example: Indigenous weaving traditions such as T'nalak, Inabel, and other regional textiles demonstrate local craftsmanship, cultural identity, symbolism, and community traditions. 7. Historical Function Art can act as a visual record of history. Paintings, sculptures, architecture, photographs, monuments, and other works may reveal information about: clothing; technology; social classes; occupations; beliefs; political events; wars; ceremonies; daily life. Although an artwork should not always be treated as a completely objective historical record, it can provide valuable evidence about how people understood their world. Example: Historical paintings may portray important national events and help preserve collective memory. 8. Educational Function Art can teach people ideas, values, skills, or information. Before widespread literacy, paintings, sculptures, and stained-glass windows often communicated religious or historical stories to people who could not read. Today, art continues to educate through: posters; illustrations; films; documentaries; infographics; cartoons; theater; murals; educational videos. Art can make complicated ideas easier to understand because it combines information with visual or emotional experience. 9. Economic Function Art also contributes to economic activity. Artists and creative professionals work in industries such as: painting; sculpture; architecture; fashion; advertising; graphic design; photography; filmmaking; animation; music; theater; game design; crafts. Museums, galleries, concerts, cultural festivals, tourism, and art markets also generate employment and income. Art therefore has both cultural and economic value. 10. Practical or Utilitarian Function Some artworks combine beauty with practical use. Examples include: pottery; furniture; clothing; architecture; jewelry; baskets; textiles; household decorations. A chair, for example, has the practical function of providing a place to sit. However, its design may also demonstrate artistic creativity. This connection is especially visible in applied arts, crafts, architecture, and industrial design. 11. Commemorative Function Art can preserve the memory of important people, places, or events. Examples include: monuments; statues; memorials; portraits; historical markers. Commemorative artworks allow societies to remember historical achievements, tragedies, sacrifices, and national heroes. 12. Entertainment Function Art can also provide enjoyment and recreation. Examples include: movies; theater; music; dance; animation; comics; digital games. Although entertainment may seem simple, it can also communicate important cultural, moral, social, or political ideas. II. Functions of Art Across History and Cultures The functions of art change depending on historical and cultural context. Prehistoric Societies Prehistoric art includes cave paintings, carvings, small sculptures, and ritual objects. Possible functions included: communication; ritual practices; storytelling; hunting-related beliefs; spiritual expression; recording community life. For example, cave paintings depicting animals may have been connected to rituals, teaching, or beliefs about hunting. Ancient Civilizations In ancient societies such as Egypt, Greece, Rome, Mesopotamia, India, and China, art often supported religion, government, and social hierarchy. In Ancient Egypt, art was closely connected with religion and beliefs concerning the afterlife. In Ancient Greece, artists emphasized idealized human bodies, proportion, balance, and harmony. Ancient Roman art often celebrated military victories, political leaders, and imperial authority. l Medieval Period European medieval art was strongly influenced by Christianity. Art commonly appeared in: churches; manuscripts; mosaics; sculptures; stained-glass windows. Its primary purpose was often religious education and worship. Renaissance During the Renaissance, artists increasingly studied: anatomy; perspective; nature; mathematics; humanism. Art still performed religious functions, but there was greater emphasis on humanity, individuality, intellectual achievement, and realistic representation. Modern Period Modern artists experimented with new ideas and rejected many traditional artistic rules. Art increasingly became a way to: express individuality; explore emotions; question society; experiment with color and form; challenge artistic conventions. Movements such as Impressionism, Expressionism, Cubism, Surrealism, and Abstract Expressionism introduced radically different approaches to creating art. Contemporary Period Contemporary art may address issues such as: identity; gender; globalization; migration; technology; consumerism; climate change; inequality; politics; human rights. Contemporary artists frequently work with photography, installation, performance, video, digital art, and mixed media in addition to traditional painting and sculpture. III. Major Theories of Art An art theory is a perspective or framework used to understand what makes something art and how an artwork should be interpreted or evaluated. Several theories can be applied to the same artwork. Three major approaches are Formalism, Expressionism, and Social Commentary. 1. Formalism Formalism focuses primarily on the visual or structural qualities of an artwork. Instead of concentrating on the artist's biography or political message, formalists analyze how the artwork is organized. Formal analysis examines the elements of art, including: line; shape; form; color; value; texture; space. It also examines the principles of design, including: balance; contrast; emphasis; movement; pattern; rhythm; proportion; unity; variety. Main Question of Formalism How is the artwork visually constructed? A formalist might ask: What colors dominate the artwork? How are shapes arranged? Is the composition balanced? Where does the viewer's eye move? How do lines create movement? How does texture affect the work? How are contrast and emphasis created? Example When analyzing The Starry Night formally, a student may discuss: swirling curved lines; strong contrast between the bright stars and dark landscape; movement created by the sky; exaggerated color; visual balance between the village and the sky. The analysis concentrates on what is visually present rather than the artist's biography. 2. Expressionism or Expressive Theory Expressive theory views art as a means of communicating the emotions, experiences, imagination, or inner life of the artist. The value of the artwork is often connected to its ability to communicate feelings effectively. Main Question What emotion or personal experience does the artwork communicate? Students might ask: What emotion seems to dominate the artwork? How do colors communicate emotion? How does the artist's brushwork affect the mood? What personal experience may have influenced the artwork? How does the artwork make the viewer feel? Example Edvard Munch's The Scream may be interpreted through expressive theory. The distorted figure, dramatic sky, curving lines, and intense colors may communicate feelings such as: anxiety; fear; isolation; emotional distress. From an expressive perspective, the emotional effect of the artwork is particularly important. 3. Social Commentary Theory Social commentary views art as a way of examining, criticizing, or communicating ideas about society. Artists may address issues such as: injustice; poverty; war; oppression; inequality; discrimination; corruption; environmental problems; political power. Main Question What does the artwork say about society? Other questions include: What social problem does the artist address? Who is represented in the artwork? What social groups or institutions are being criticized? What message does the artwork communicate? Does the artist encourage social change? Example Pablo Picasso's Guernica can be interpreted as a powerful response to the suffering caused by war. The distorted figures, chaotic arrangement, and dramatic imagery communicate destruction and human suffering. Through social commentary, the artwork can be understood as an anti-war statement. IV. Additional Art Theories Although formalism, expressionism, and social commentary are important, students can also understand several additional theories. 4. Representational or Imitational Theory This theory emphasizes an artwork's ability to represent or imitate reality. The idea is historically associated with the concept of mimesis, meaning imitation. Questions include: How accurately does the artwork represent reality? Are the human figures realistic? Are perspective, proportion, and anatomy convincing? Does the artwork resemble its subject? Realistic portraits and landscapes are often analyzed through this approach. However, artistic value does not depend entirely on realism because many important artworks are abstract or highly stylized. 5. Institutional Theory Institutional theory argues that something may become recognized as art partly because it is accepted within the art world. The art world may include: artists; critics; museums; galleries; curators; collectors; art historians. This theory becomes useful when discussing modern and contemporary works that may not resemble traditional art. For example, an ordinary object placed in a museum may lead viewers to question: What makes something an artwork? 6. Functional Theory Functional theories emphasize what art does. An artwork may be valuable because it: teaches; communicates; decorates; inspires; entertains; supports rituals; encourages reflection. Under this perspective, the purpose and effect of the artwork are important. 7. Contextual Theory Contextual approaches emphasize the historical, cultural, religious, political, or economic circumstances surrounding an artwork. Questions include: When was the artwork created? Where was it created? What was happening in society at the time? Who commissioned the artwork? What beliefs influenced the artist? Who was the intended audience? Context can dramatically affect interpretation. V. Comparison of Major Art Theories Theory Primary Focus Central Question Formalism Elements and principles of art How is the artwork visually organized? Expressionism Emotion and personal experience What feelings does the artwork communicate? Social Commentary Social and political meaning What does the artwork say about society? Representational Theory Realistic representation How successfully does the work represent reality? Functional Theory Purpose of the artwork What function does the artwork perform? Contextual Theory Historical and cultural background How does context influence the artwork's meaning? Institutional Theory Recognition by the art world Why is this considered art? The important point is that no single theory must completely explain an artwork. Theories provide different perspectives. For example, one painting can be analyzed formally because of its colors and composition, expressively because of its emotional intensity, and socially because it addresses injustice. VI. Applying Art Theories to Specific Artworks Students can use a simple four-step process: Step 1: Describe Identify exactly what can be observed. Questions: What do you see? What colors are present? What people, objects, or symbols appear? What materials were used? Avoid interpretation at this stage. Step 2: Analyze Examine how the elements of art are organized. Consider: line; color; texture; shape; balance; contrast; emphasis; movement. Step 3: Interpret Determine possible meanings. Ask: What message does the artwork communicate? What emotions does it express? What symbols are present? What cultural or social ideas are represented? Step 4: Evaluate Make a reasoned judgment. Ask: Is the artwork effective? What makes it important? Does it successfully communicate its message? Which art theory best helps explain it? VII. Sample Applications Artwork 1: Vincent van Gogh's The Starry Night Formalist Perspective A formalist may focus on the painting's: curved lines; swirling movement; contrasting colors; strong visual rhythm; exaggerated shapes. The night sky dominates the composition and creates energetic movement. Expressionist Perspective An expressive interpretation may emphasize the intense emotional quality of the painting. The exaggerated sky and dramatic colors may suggest powerful emotions, imagination, or inner experience. Social Commentary Perspective Social commentary is less central to this particular artwork because it does not primarily address a specific political or social problem. This demonstrates an important principle: Not every theory is equally useful for every artwork. Artwork 2: Pablo Picasso's Guernica Formalist Analysis Students may observe: fragmented shapes; distorted figures; dramatic contrasts; crowded composition; strong movement; limited color palette. These formal qualities create tension and disorder. Expressionist Analysis The distorted human and animal figures communicate: fear; suffering; panic; grief. The emotional intensity contributes strongly to the artwork's impact. Social Commentary Analysis This is especially important. The artwork is associated with the destruction and suffering caused by war. It may therefore be interpreted as a powerful criticism of violence and conflict. Thus, Guernica demonstrates how one artwork can be studied using several theories. Artwork 3: Juan Luna's Spoliarium The Spoliarium is particularly important when discussing Philippine art. Formalist Perspective Students can examine: dramatic lighting; contrast; composition; scale; human figures; movement; use of color. The arrangement directs attention toward the fallen figures. Expressionist Perspective The artwork may communicate: tragedy; suffering; exhaustion; loss; human vulnerability. Social and Historical Perspective Because of its historical context and later associations with Philippine nationalism, the work may also invite broader interpretations relating to power, oppression, dignity, and historical experience. VIII. Functions and Theories Are Different Students sometimes confuse functions of art with theories of art. A simple distinction is: Function asks: Why was the artwork created or what does it do? Theory asks: How can we understand, interpret, or evaluate the artwork? For example, a political mural may have the social function of raising awareness. However, we can analyze the same mural using: formalism to examine its colors and composition; expressionism to examine emotion; social commentary to interpret its political message. IX. Relationship Between Artist, Artwork, Audience, and Society Art can be understood through four interconnected components: Artist → Artwork → Audience → Society The artist produces the work. The artwork contains visual forms, symbols, ideas, and materials. The audience interprets the artwork based on personal knowledge and experiences. Society and culture influence both the artist and the audience. Because people come from different backgrounds, the same artwork can produce different interpretations. WEEK 3 1. Broad Chronological Development of Art History Art history charts how humanity expresses beliefs, values, and environments over time through visual mediums: Prehistoric & Ancient Art (c. 40,000 BCE – 400 CE): Begins with cave paintings (e.g., Lascaux) and fertility artifacts, evolving into formal artistic conventions in Ancient Egypt, Greece, and Rome that focused on mythology, idealism, human proportion, and architectural grandeur. Medieval Art (c. 500 – 1400): Dominated by religion in Western art (Byzantine, Romanesque, Gothic), prioritizing spiritual symbolism and devotional function over naturalism. Renaissance & Baroque (c. 1400 – 1750): Marked by a "rebirth" of classical values, perspective, anatomical realism, and humanism (Da Vinci, Michelangelo), transitioning into the dramatic lighting, emotional intensity, and dynamic motion of the Baroque period. Modern Art (c. 1860s – 1970s): Key movements—including Impressionism, Cubism, Surrealism, and Abstract Expressionism—broke away from traditional representation, questioning the very definition and purpose of visual art. Contemporary Art (c. 1970s – Present): Focuses on concepts, diversity, digital mediums, and global issues rather than unified styles, inviting viewer participation and critique. 2. Primary and Secondary Sources in Art History Art historical research relies on evaluating both direct artifacts and academic interpretations: Primary Sources: Direct, firsthand evidence from the time period or artist being studied. The Artwork Itself: The physical object (paintings, sculptures, architecture, textiles) revealing material, medium, brushwork, and condition. Historical Artifacts: Letters, artist diaries, sketchbooks, manifests, contract documents, or contemporary reviews written at the time of creation. Secondary Sources: Analyses, interpretations, or reviews created after the event by non-eyewitnesses. Academic Works: Art history textbooks, peer-reviewed journal articles, biography monographs, and museum exhibition catalogs that analyze primary materials. 3. Art in Its Social, Political, and Economic Contexts Art does not exist in a vacuum; it functions as a mirror and driver of its environment: Social Context: Reflects cultural values, religious doctrines, gender roles, and community identity. For example, medieval stained-glass windows served a educational social function for an illiterate public. Political Context: Serves as propaganda, power projection, or resistance. Rulers throughout history commissioned monumental architecture and portraits to assert legitimacy, while modern artists often use art to protest state policies or social injustices. Economic Context: Driven by patronage, trade, and market systems. The rise of a wealthy merchant class in 17th-century Holland shifted art production away from church altarpieces toward portraits, landscapes, and still lifes bought on an open market. History of Art and Sources of Art In Art Appreciation, the study of the History of Art and Sources of Art helps us understand not only how artworks changed through time, but also why they were created and what they tell us about society. 1. Broad Chronological Development of Art History Art developed alongside human civilization. A simplified chronological view is: Prehistoric Art – cave paintings, carvings, and sculptures created to express beliefs, experiences, and daily life. Ancient Art – Egyptian, Greek, Roman, and other civilizations produced art connected with religion, rulers, mythology, and society. Medieval Art – art was strongly influenced by Christianity and religious institutions. Renaissance Art – renewed interest in classical ideas, humanism, science, and realistic representation. Baroque and Rococo Art – emphasized drama, emotion, movement, decoration, and religious or royal power. Modern Art – artists experimented with new styles, ideas, materials, and ways of representing reality. Contemporary Art – reflects current social issues, technology, culture, identity, politics, and everyday experiences. 2. Primary and Secondary Sources in Art History Primary sources are original materials or direct evidence from the period being studied. Examples include: Original paintings, sculptures, buildings, and photographs Artists' letters, journals, and sketches Historical documents and inscriptions Objects and artifacts Secondary sources are materials created later that analyze, interpret, or discuss primary sources. Examples include: Art history books Scholarly articles Museum catalogs Biographies and documentaries Critical studies of artists and artworks Simple distinction: Primary = direct/original evidence Secondary = interpretation or analysis of evidence 3. Art and Its Social, Political, and Economic Contexts Art does not exist separately from society. The social, political, and economic conditions of a particular period can influence what artists create, what subjects they choose, and how their works are received. Social context – Art can reflect traditions, beliefs, customs, identity, and everyday life. Political context – Art may represent rulers, national identity, political events, or social concerns. Economic context – Wealth, trade, patronage, and access to materials can influence the production and development of art. Key Idea: Art is both a product of its time and a record of human experience. By studying an artwork's history, sources, and context, we can better understand the artwork, the artist, and the society that produced it. WEEK 4 1. The Creative Process in Art The creative process maps the journey from an abstract concept to a finished artwork or craft: Idea / Conceptualization: Sparked by observation, emotion, social issues, or personal experience. The artist or artisan brainstorms, sketches, and researches to refine the core vision. Preparation & Materials Selection: The creator plans the composition and gathers the physical media, tools, and technical equipment required for the project. Execution & Production: The physical transformation phase where skill meets medium. This involves drafting, sculpting, weaving, or painting, often marked by trial, error, and dynamic problem-solving. Refinement & Completion: Final adjustments, detailing, surface finishing, or polishing to ensure the work matches the intended aesthetic and functional standards. Exhibition & Reflection: Presenting the finished product to an audience, allowing viewer feedback, critique, and personal reflection to complete the artistic cycle. 2. Art Mediums, Techniques, and Materials Medium: The primary substance or material used to create an artwork (e.g., oil paint, clay, bronze, digital pixels, watercolor, wood). Technique: The specific manner, method, or technical skill an artist applies to manipulate the medium (e.g., chiaroscuro in painting, coiling in pottery, carving vs. casting in sculpture, cross-hatching in drawing). Materials & Tools: The physical instruments used alongside the medium, such as brushes, chisels, kilns, canvases, palettes, or digital tablets. Artist vs. Artisan: An artist primarily focuses on creating works for aesthetic, emotional, or conceptual expression (fine arts), whereas an artisan is a skilled craftsperson who creates functional or decorative objects (e.g., pottery, woodworking, textiles) using master-level traditional craftsmanship. 3. The Role of the Curator The curator acts as the storyteller, bridge, and custodian between the artwork, the artist, and the public: Selection & Acquisition: Researching, selecting, and collecting artworks or artifacts that align with an exhibition theme or institutional mission. Spatial Design & Presentation: Strategically arranging works in a gallery—considering lighting, sightlines, color schemes, and sequencing—to guide the visitor's physical and emotional experience. Interpretation & Contextualization: Writing wall texts, catalogs, and educational guides that provide historical, cultural, or philosophical context, shaping how the public understands and values the art. Preservation & Stewardship: Ensuring optimal environmental conditions (humidity, lighting, handling) to preserve artworks for future generations. Art and Artisan: Process, Medium, Technique, and Curation In Art Appreciation, understanding how art is made and presented helps us appreciate not only the finished artwork but also the artist's creativity, skills, choices, and purpose. 1. Creative Process in Making Art The creative process refers to the steps an artist goes through in developing an artwork. It may include: Idea or Inspiration – identifying a subject, message, or concept. Planning – deciding the composition, materials, colors, and techniques. Creation – transforming the idea into an actual artwork. Revision – making adjustments or improvements. Finalization – completing and preparing the artwork for presentation. The process may differ from one artist to another. Creativity can involve experimentation, imagination, problem-solving, and personal expression. 2. Art Mediums, Techniques, and Materials Medium refers to the material or form used to create an artwork. Examples include: Medium Examples Painting Oil, acrylic, watercolor Drawing Pencil, charcoal, ink Sculpture Clay, wood, stone, metal Printmaking Woodcut, engraving, lithography Photography Digital or film photography Digital Art Computer-generated images and digital illustrations Technique refers to the method or way an artist uses a medium. For example, a painter may use blending, layering, or brushwork, while a sculptor may use carving, modeling, or casting. The choice of medium, material, and technique affects the appearance, texture, meaning, and overall effect of an artwork. 3. Role of the Curator A curator is a professional who selects, organizes, researches, and presents artworks in a museum, gallery, or exhibition. The curator helps shape how audiences experience and understand art by: Selecting artworks for an exhibition Organizing artworks according to a theme or concept Providing labels, descriptions, and historical information Designing the arrangement and flow of the exhibition Connecting artworks to their cultural and historical contexts Therefore, curation influences how viewers see, interpret, and appreciate artworks. Key Idea Art is more than the finished product. It involves the artist's creative process, the choice of medium and technique, and the curation and presentation of the artwork. Understanding these elements allows us to appreciate both the skill of the artisan and the meaning of the art.
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