AP Language and Composition - Glossary of Literary and Rhetorical Devices

0.0(0)
studied byStudied by 0 people
learnLearn
examPractice Test
spaced repetitionSpaced Repetition
heart puzzleMatch
flashcardsFlashcards
Card Sorting

1/117

flashcard set

Earn XP

Description and Tags

Vocabulary flashcards from AP Language and Composition glossary of literary and rhetorical devices.

Study Analytics
Name
Mastery
Learn
Test
Matching
Spaced

No study sessions yet.

118 Terms

1
New cards

Active Voice

The subject of the sentence performs the action. This is a more direct and preferred style of writing in most cases.

2
New cards

Passive Voice

The subject of the sentence receives the action. Often overused, resulting in lifeless writing.

3
New cards

Allusion

An indirect reference to something (usually a literary text) with which the reader is supposed to be familiar.

4
New cards

Alter-ego

A character that is used by the author to speak the author’s own thoughts; when an author speaks directly to the audience through a character.

5
New cards

Anecdote

A brief recounting of a relevant episode. Often inserted into texts as a way of developing a point or injecting humor.

6
New cards

Antecedent

The word, phrase, or clause referred to by a pronoun.

7
New cards

Classicism

Art or literature characterized by a realistic view of people and the world; sticks to traditional themes and structures.

8
New cards

Romanticism

Art or literature characterized by an idealistic, perhaps unrealistic view of people and the world, and an emphasis on nature. Does not rely on traditional themes and structures

9
New cards

Comic relief

When a humorous scene is inserted into a serious story, in order to lighten the mood somewhat.

10
New cards

Diction

Word choice, particularly as an element of style. Different types of words have significant effects on meaning.

11
New cards

Colloquial

Ordinary or familiar type of conversation. A “colloquialism” is a common or familiar type of saying, similar to an adage or an aphorism.

12
New cards

Connotation

The associations suggested by a word. Implied meaning rather than literal meaning.

13
New cards

Denotation

The literal, explicit meaning of a word, without its connotations.

14
New cards

Jargon

The diction used by a group which practices a similar profession or activity.

15
New cards

Vernacular

  1. Language or dialect of a particular country. 2. Language or dialect of a regional clan or group. 3. Plain everyday speech
16
New cards

Didactic

A term used to describe fiction, nonfiction or poetry that teaches a specific lesson or moral or provides a model of correct behavior or thinking.

17
New cards

Adage

A folk saying with a lesson.

18
New cards

Allegory

A story, fictional or non fictional, in which characters, things, and events represent qualities or concepts. The interaction of these characters, things, and events is meant to reveal an abstraction or a truth.

19
New cards

Aphorism

A terse statement which expresses a general truth or moral principle. An aphorism can be a memorable summation of the author's point.

20
New cards

Ellipsis

The deliberate omission of a word or phrase from prose done for effect by the author.

21
New cards

Euphemism

A more agreeable or less offensive substitute for generally unpleasant words or concepts.

22
New cards

Figurative Language

Writing that is not meant to be taken literally.

23
New cards

Analogy

A comparison of one pair of variables to a parallel set of variables. The writer argues that the relationship between the first pair of variables is the same as the relationship between the second pair of variables.

24
New cards

Hyperbole

Exaggeration.

25
New cards

Idiom

A common, often used expression that doesn’t make sense if you take it literally.

26
New cards

Metaphor

Making an implied comparison, not using “like,” as,” or other such words.

27
New cards

Metonymy

Replacing an actual word or idea, with a related word or concept.

28
New cards

Synecdoche

A kind of metonymy when a whole is represented by naming one of its parts, or vice versa.

29
New cards

Simile

Using words such as “like” or “as” to make a direct comparison between two very different things.

30
New cards

Synesthesia

A description involving a “crossing of the senses.”

31
New cards

Personification

Giving human-like qualities to something that is not human.

32
New cards

Foreshadowing

When an author gives hints about what will occur later in a story.

33
New cards

Genre

The major category into which a literary work fits. The basic divisions of literature are prose, poetry, and drama.

34
New cards

Gothic

Writing characterized by gloom, mystery, fear and/or death.

35
New cards

Imagery

Word or words that create a picture in the reader's mind. Usually this involves the five senses.

36
New cards

Invective

A long, emotionally violent, attack using strong, abusive language.

37
New cards

Irony

When the opposite of what you expect to happen does.

38
New cards

Verbal irony

When you say something and mean the opposite/something different.

39
New cards

Dramatic irony

When the audience of a drama, play, movie, etc. knows something that the character doesn't and would be surprised to find out.

40
New cards

Situational irony

Found in the plot (or story line) of a book, story, or movie.

41
New cards

Juxtaposition

Placing things side by side for the purposes of comparison. Authors often use juxtaposition of ideas or examples in order to make a point.

42
New cards

Mood

The atmosphere created by the literature and accomplished through word choice (diction). Syntax is often a creator of mood.

43
New cards

Motif

A recurring idea in a piece of literature.

44
New cards

Oxymoron

When apparently contradictory terms are grouped together and suggest a paradox.

45
New cards

Pacing

The speed or tempo of an author’s writing. Writers can use a variety of devices (syntax, polysyndeton, anaphora, meter) to change the pacing of their words.

46
New cards

Paradox

A seemingly contradictory situation which is actually true.

47
New cards

Parallelism

Sentence construction which places equal grammatical constructions near each other, or repeats identical grammatical patterns. Parallelism is used to add emphasis, organization, or sometimes pacing to writing.

48
New cards

Anaphora

Repetition of a word, phrase, or clause at the beginning of two or more sentences or clauses in a row. This is a deliberate form of repetition and helps make the writer's point more coherent.

49
New cards

Chiasmus

When the same words are used twice in succession, but the second time, the order of the words is reversed.

50
New cards

Antithesis

Two opposite or contrasting words, phrases, or clauses, or even ideas, with parallel structure.

51
New cards

Zuegma (Syllepsis)

When a single word governs or modifies two or more other words, and the meaning of the first word must change for each of the other words it governs or modifies.

52
New cards

Parenthetical Idea

Parentheses are used to set off an idea from the rest of the sentence.

53
New cards

Parody

An exaggerated imitation of a serious work for humorous purposes. It borrows words or phrases from an original, and pokes fun at it. This is also a form of allusion, since it is referencing a previous text, event, etc.

54
New cards

Persona

The fictional mask or narrator that tells a story.

55
New cards

Poetic device

A device used in poetry to manipulate the sound of words, sentences or lines.

56
New cards

Alliteration

The repetition of the same consonant sound at the beginning of words.

57
New cards

Assonance

The repetition of identical or similar vowel sounds.

58
New cards

Consonance

The repetition of the same consonant sound at the end of words or within words.

59
New cards

Onomatopoeia

The use of a word which imitates or suggests the sound that the thing makes.

60
New cards

Internal rhyme

When a line of poetry contains a rhyme within a single line.

61
New cards

Slant rhyme

When a poet creates a rhyme, but the two words do not rhyme exactly – they are merely similar.

62
New cards

End rhyme

When the last word of two different lines of poetry rhyme.

63
New cards

Rhyme Scheme

The pattern of a poem’s end rhymes.

64
New cards

Meter

A regular pattern to the syllables in lines of poetry.

65
New cards

Free verse

Poetry that doesn’t have much meter or rhyme.

66
New cards

Iambic pentameter

Poetry that is written in lines of 10 syllables, alternating stressed and unstressed syllables.

67
New cards

Sonnet

A 14 line poem written in iambic pentameter. Usually divided into three quatrains and a couplet.

68
New cards

Polysyndeton

When a writer creates a list of items which are all separated by conjunctions. Normally, a conjunction is used only before the last item in a list.

69
New cards

Pun

When a word that has two or more meanings is used in a humorous way.

70
New cards

Rhetoric

The art of effective communication.

71
New cards

Rhetorical Question

Question not asked for information but for effect.

72
New cards

Sarcasm

A generally bitter comment that is ironically or satirically worded. However, not all satire and irony are sarcastic. It is the bitter, mocking tone that separates sarcasm from mere verbal irony or satire.

73
New cards

Satire

A work that reveals a critical attitude toward some element of life to a humorous effect. It targets human vices and follies, or social institutions and conventions.

74
New cards

Appositive

A word or group of words placed beside a noun or noun substitute to supplement its meaning.

75
New cards

Clause

A grammatical unit that contains both a subject and a verb.

76
New cards

Balanced sentence

A sentence in which two parallel elements are set off against each other like equal weights on a scale. Both parts are parallel grammatically.

77
New cards

Compound sentence

Contains at least two independent clauses but no dependent clauses.

78
New cards

Complex sentence

Contains only one independent clause and at least one dependent clause.

79
New cards

Cumulative sentence

When the writer begins with an independent clause, then adds subordinate elements.

80
New cards

Periodic sentence

When the main idea is not completed until the end of the sentence. The writer begins with subordinate elements and postpones the main clause.

81
New cards

Simple sentence

Contains only one independent clause.

82
New cards

Declarative sentence

States an idea. It does not give a command or request, nor does it ask a question.

83
New cards

Imperative sentence

Issues a command.

84
New cards

Interrogative sentence

Sentences incorporating interrogative pronouns (what, which, who, whom, and whose).

85
New cards

Style

The choices in diction, tone, and syntax that a writer makes. Style may be conscious or unconscious.

86
New cards

Symbol

Anything that represents or stands for something else. Usually a symbol is something concrete such as an object, actions, character…that represents something more abstract.

87
New cards

Syntax

Grammatical arrangement of words.

88
New cards

Theme

The central idea or message of a work. The theme may be directly stated in nonfiction works, although not necessarily. It is rarely stated directly in fiction.

89
New cards

Thesis

The sentence or groups of sentences that directly expresses the author's opinion, purpose, meaning, or proposition. It should be short and clear.

90
New cards

Tone

A writer's attitude toward his subject matter revealed through diction, figurative language and organization. To identify tone, consider how the piece would sound if read aloud (or how the author wanted it to sound aloud).

91
New cards

Understatement

The ironic minimizing of fact, understatement presents something as less significant than it is. The effect can frequently be humorous.

92
New cards

Litotes

A particular form of understatement, generated by denying the opposite of the statement which otherwise would be used.

93
New cards

Argument

A piece of reasoning with one or more premises and a conclusion.

94
New cards

Premises

Statements offered as reasons to support a conclusion.

95
New cards

Conclusion

The end result of the argument – the main point being made. In an argument one expects that the conclusion will be supported with reasons or premises.

96
New cards

Ethos

Being convinced by the credibility of the author. We tend to believe people whom we respect.

97
New cards

Pathos

Persuading by appealing to the reader's emotions.

98
New cards

Logos

Persuading by the use of reasoning, using true premises and valid arguments. This is generally considered the strongest form of persuasion.

99
New cards

Concession

Accepting at least part or all of an opposing viewpoint. Often used to make one’s own argument stronger by demonstrating that one is willing to accept what is obviously true and reasonable, even if it is presented by the opposition.

100
New cards

Conditional Statement

An if-then statement and consists of two parts, an antecedent and a consequent.