What year was ADH published?
1879
What years were Ibsen’s life and death?
1829-1906
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Historical, theatrical, literary context and critical interpretation & reception
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What year was ADH published?
1879
What years were Ibsen’s life and death?
1829-1906
What was Ibsen’s background? (class, family)
Who was Laura Keeler? Significance?
How did Ibsen’s mother influence his work?
What was the position of women in Norway during Ibsen’s childhood (1830s-40)?
How did position of women change in Norway from 1854-1879
Role of Literature in Norwegian Feminism e.g. Camilla Collet
What was the Modern Breakthrough?
What influence did ADH have on the contemporary world?
19th century gender ideals
What new ideals emerged about women in 19th century? (Woman question, new woman)
Realism
Realism- theatrical movement that began in 19th century which sought to represent reality
What is a ‘Well Made Play’? Links to melodrama
Eugene Scribe Victorain drama style with clear structure with there being a complication and ultimate resolution
Ibsen’s characters also fit melodramatic character tropes initially but he imbues them with psychological realism which ultimately makes them not fit these tropes rigidly as they have more complex characters
Negative reception of ADH
Peterson & Michael Meyer AO5
Ibsen’s alternate ending AO5
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forced to create an alternate ending for German audiences after the actress playing Nora refused to perform if it wasn’t changed
Who was Francis Galton and what did he argue?
Darwin’s cousin in 1860s argued in Hereditary Genius that mental and physical ability and even morality was inherited
contributed to eugenics which was later disproven
What is Humanism?
Ibsen said ‘I don’t consider myself…’
Approach to life based on rationality and common humanity, recognising moral values are properly founded on human nature and experience alone
Ibsen ‘I don’t consider myself a feminist, I consider myself a humanist’
‘…perfectly…to us'…’
Tore Rem on the themes
AO5
The themes explored in ADH ‘are perfectly recognisable to us today’
‘…time…’
McBurney on the play
AO5
The play is described as ‘timeless’
‘…interested in the… and need for… self-… and self-…’
Belinda Jack on individualism
AO5
‘He was interested in the individual and the individuals need for self-knowledge and self-determination’
Did Ibsen consider ADH a feminist play?
‘denied… conscious…provide propaganda’
‘interested in human beings…’
Belinda Jack
AO5
‘Ibsen 'denied any conscious attempt to provide propaganda for the women’s rights movement’
as he was ‘interested in human beings, simply and dramatically’
Nevertheless contributed to the feminist movement
‘compelled to leave… so that she can…’
Belinda Jack
AO5
‘Nora feels compelled to leave so that she can grow into an independent adult being’
The play show ‘scrutiny… lives… classes’
Ledger on the plays main aim
AO5
The play shows ‘critical scrutiny of the lives and values of the bourgeois classes’
‘aware… personality… constructed’
Frances Gray on Nora’s personality
‘Nora is aware her personality has been largely constructed by others’
‘appearances…utmost’
Belinda Jack on Helmer
AO5
‘Appearances are of the utmost importance to Torvald’
‘the power structure… of domestic home… refects… prevail in wider world’
Bjorn Hemmer on power structures within walls
AO5
‘The power structure within the walls of the domestic home reflects the hierarchical power structure which prevail in the wider world’
‘participate… public life…’repressive
Bjorn Hemmer on male characters
AO5
‘But those who participate in the public life also encounter other repressive forces’
‘no binary of wicked… opressed'…’
Dinah Birch on binary of characters
AO5
‘There is no binary model of wicked oppressive man and virtuous oppressed woman’
‘individualised and…’
Author unknown on women characters
AO5
Ibsen’s female characters each had an ‘individualised and fully realised personality’
‘belittlement….’
On Helmer’s behaviour
AO5
‘belittlement covered by affection’
‘cannot be herself…with… by men… assess female… male standpoint’
Ibsen on women’s position in society
AO5
'‘a woman cannot be herself in modern society with laws made by men, with prosecutors and judges who asses female conduct from a male standpoint’