Studied by 24 people
Historical, theatrical, literary context and critical interpretation & reception
What year was ADH published?
1879
What years were Ibsen’s life and death?
1829-1906
What was Ibsen’s background? (class, family)
came from an affluent merchant family in Skien, Norway both his parents belonged to the elites
father was a respected merchant but became essentially bankrupt in 1836 → family reputation suffers
forced to sell house in Skien and move to summer house outside of the city
Father’s financial ruin → strong influence on ADH as it mirrors his parents own financial struggles and his works often deal with issues of financial difficult
Who was Laura Keeler? Significance?
wrote to Ibsen about his plays and he became her literary motivations
the primary motivation to write ADH was due to Keeler
Laura's husband got tuberculosis and she had to forge a cheque for the money to cure her husband
when he found out he was furious, divorced her, and sent her to an asylum
whilst in the asylum, Ibsen was moved to write the play
parallels with Nora and Laura’s life but main point of divergence is Nora is able to command agency and leave marriage
How did Ibsen’s mother influence his work?
After financial ruin his father became a family tyrant reliant on alcohol
Feminist critics say ‘Ibsen’s sympathy with women came from his understanding of their powerlessness, and his education began at home’
as he saw his father intimidate and bully his mother
this experience echoes through unremitting portrayals of suffering women eg. ADH Nora’s struggle in marriage with Helmer (not to the extent of Ibsen’s parents)
What was the position of women in Norway during Ibsen’s childhood (1830s-40)?
Completely dependent on male permission to do anything eg. Nora’s dependence on Helmer
Norwegian women’s status made them incapable to do anything independently eg. finances (debts, enter agreements, control their own money)
Did not have right to vote (1913 so many years later)
Not expected to work as they depended on their husband, single women had to request employment under supervision of a guardian
Marriage- living under authority of father → authority of husband
How did position of women change in Norway from 1854-1879
Time of change for women’s rights
Formal equality of men and women enacted over this period
Legislative changes eg. equal inheritance for both sexes, right to work
Age of majority (legally an adult) for women same as for men
However these changes were still met with backlash and resistance
still not right to vote until 1913
Role of Literature in Norwegian Feminism e.g. Camilla Collet
Main medium for women to express themselves
Camilla Collet- one of the first writers who did so and went outside the bounds
created the first wave of feminism in Norway and was an inspiration for many writers who…
spoke for the cause of women and defend oppressed people against societal expectations eg. the wife
What was the Modern Breakthrough?
Ibsen was partly an author considered to be part of this movement
name for strong movement of naturalism & debating literature in Scandinavia
replaced romanticism
characterised by authors who revolted against traditional cultural themes
adopted more liberal views on sexuality & religion and expressed more interest in scientific breakthroughs instead
What influence did ADH have on the contemporary world?
significant influence on feminist movement
translated into several language and performed widely across Europe
19th century gender ideals
Men were primary financial providers for family while women were domestic providers (raising children, cooking etc.)
Middle-class status enhanced by having a wife who remained at home
Pressures for men to keep steady flow of income and stable job eg. Torvald & Krogstad
Separate Spheres doctrine- men (public) women (domestic, private) they were fundamentally meant for different things in society
What new ideals emerged about women in 19th century? (Woman question, new woman)
Woman Question-referred to various debates surrounding women’s place in society
Ibsen may have been influenced by ideas emerging from these debates
New Woman- feminist ideal emerged in late 19th century which pushed limits set by male-dominated society
eg. Nora to certain extent exemplfies a ‘New Woman’
Realism
Realism- theatrical movement that began in 19th century which sought to represent reality
Uses realist/ naturalist techniques to expose social reality
Ibsen portrays a very recognisable Norwegian middle-class setting on stage
difference between naturalism and realism is naturalism also focused on scientific/ biological aspects that would create present reality (almost extension of realism as it was developed in later 19th century)
What is a ‘Well Made Play’? Links to melodrama
Eugene Scribe Victorain drama style with clear structure with there being a complication and ultimate resolution
ADH shows limits of a ‘well made play’ even while keeping its basic structure
the resolution is not the one a contemporary audience would be expecting so he ultimately diverts from this structure
Ibsen’s characters also fit melodramatic character tropes initially but he imbues them with psychological realism which ultimately makes them not fit these tropes rigidly as they have more complex characters
subvert genre to critique these stereotypical tropes offers no patriarchal hero figure
this fulfills naturalist aims for the play
Negative reception of ADH
Peterson & Michael Meyer AO5
Upset many contemporaries who often criticised the ending in particular
Peterson said lack of reconciliation was a major flaw calling the play ‘ugly’ and ‘distressing’ 1880
Michael Meyer called the ending ‘illogical’ and ‘immoral’ 1985
Ibsen’s alternate ending AO5
forced to create an alternate ending for German audiences after the actress playing Nora refused to perform if it wasn’t changed
Alternate ending removed Nora’s agency as it ends with her seeing her children falling to the ground and never leaving the house, redirecting sympathy towards Helmer
Ibsen called the ending as a ‘barbaric act of violence’
Who was Francis Galton and what did he argue?
Darwin’s cousin in 1860s argued in Hereditary Genius that mental and physical ability and even morality was inherited
contributed to eugenics which was later disproven
What is Humanism?
Ibsen said ‘I don’t consider myself…’
Approach to life based on rationality and common humanity, recognising moral values are properly founded on human nature and experience alone
importance on human rather than divine matters- self-discovery and self-determination
the idea of introspection and looking within you to act as a moral guide rather than law or religion dictating it
Ibsen ‘I don’t consider myself a feminist, I consider myself a humanist’
‘…perfectly…to us'…’
Tore Rem on the themes
AO5
The themes explored in ADH ‘are perfectly recognisable to us today’
‘…time…’
McBurney on the play
AO5
The play is described as ‘timeless’
‘…interested in the… and need for… self-… and self-…’
Belinda Jack on individualism
AO5
‘He was interested in the individual and the individuals need for self-knowledge and self-determination’
Did Ibsen consider ADH a feminist play?
‘denied… conscious…provide propaganda’
‘interested in human beings…’
Belinda Jack
AO5
‘Ibsen 'denied any conscious attempt to provide propaganda for the women’s rights movement’
as he was ‘interested in human beings, simply and dramatically’
Nevertheless contributed to the feminist movement
‘compelled to leave… so that she can…’
Belinda Jack
AO5
‘Nora feels compelled to leave so that she can grow into an independent adult being’
The play show ‘scrutiny… lives… classes’
Ledger on the plays main aim
AO5
The play shows ‘critical scrutiny of the lives and values of the bourgeois classes’
‘aware… personality… constructed’
Frances Gray on Nora’s personality
‘Nora is aware her personality has been largely constructed by others’
‘appearances…utmost’
Belinda Jack on Helmer
AO5
‘Appearances are of the utmost importance to Torvald’
‘the power structure… of domestic home… refects… prevail in wider world’
Bjorn Hemmer on power structures within walls
AO5
‘The power structure within the walls of the domestic home reflects the hierarchical power structure which prevail in the wider world’
‘participate… public life…’repressive
Bjorn Hemmer on male characters
AO5
‘But those who participate in the public life also encounter other repressive forces’
‘no binary of wicked… opressed'…’
Dinah Birch on binary of characters
AO5
‘There is no binary model of wicked oppressive man and virtuous oppressed woman’
‘individualised and…’
Author unknown on women characters
AO5
Ibsen’s female characters each had an ‘individualised and fully realised personality’
‘belittlement….’
On Helmer’s behaviour
AO5
‘belittlement covered by affection’
‘cannot be herself…with… by men… assess female… male standpoint’
Ibsen on women’s position in society
AO5
'‘a woman cannot be herself in modern society with laws made by men, with prosecutors and judges who asses female conduct from a male standpoint’
Note 
Flashcard (39)