allegory
a story/visual image with a second distinct meaning partially hidden behind its literal or visible meaning
alliteration
repetition of the same sounds -- usually initial consonants of words or stressed syllables
analogy
illustration of an idea by means of a more familiar idea that is similar or parallel
anaphora
repetition of the same word or phrase (usually at the beginning) of successive lines, clauses, or sentences
anecdote
a short narrative of an interesting, amusing, or biographical incident
antithesis
a contrast or opposition (the “anti” to your thesis!)
allusion
an indirect or passing reference to some event, person, place, or artistic work
apostrophe
a rhetorical figure in which the speaker addresses a dead/absent person
blank verse
unrhymed lines of iambic pentameter
colloquialism
the use of informal expressions appropriate to everyday speech (not formal prose)
diction
the choice of words in a literary work
elegy
an elaborately formal lyric poem lamenting a death or reflecting on a serious subject
epigram
a short and witty saying in either poetry or prose
epiphany
a sudden realization or revelation (originally a religious revelation)
euphemism
the substitution of an agreeable or inoffensive expression for one that might offend or upset (“passed away” or “kicked the bucket” vs. “died”)
expository
characterized by systematic explanation of or argument about any subject
genre
a recognized and established category of written work (drama, poetry, satire)
hyperbole
exaggeration for the sake of emphasis
melodrama
emotionally exaggerated or sensationalist dramas (pure maidens vs. scheming villains, for example)
metaphor
the implied comparison between two things, ideas, or actions
meter
the patterns of measured sound units recurring in verse, such as pentameter
mixed metaphor
an illogical or ridiculous combination of two metaphors (“those vipers stabbed us in the back”)
motif
a situation/incident/idea/image/character type that carries throughout a work or several works; generalized as a theme
omniscient
“all-knowing,” usually in reference to a third-person narrator
onomatopoeia
words that imitate the sounds to which they refer (crash, buzz, etc)
oxymoron
contradictory words used together (jumbo shrimp, bittersweet, etc)
panegyric
a public speech or written composition offering prolonged and effusive praise
paradox
self-contradictory statements or expressions (“Everything I say is a lie”)
parallelism
the arrangement of similarly constructed clauses, sentences, or verse lines to show correspondence
parody
a mocking imitation of the style of a work
pastoral
a highly conventional description of rural, innocent shepards and shepardesses
peripatheia
a sudden reversal of a character’s circumstances and fortunes
personification
practice of assigning human characteristics to inanimate objects
point of view
the vantage point from which stories are told (first-, second-, or third-person)
polemic
the thorough written attack on some opinion or policy
rhetoric
the deliberate exploitation of eloquence for the most persuasive effect in public speaking or in writing -- it can include such strategies as appealing to an authority, restating or challenging a thesis, drawing a connection between two disparate entities, moving from a general statement to a specific example, or presenting a misconception to be corrected
rhetorical question
a question asked for the sake of persuasive effect, not for the actual answer
satire
a mode of writing that exposes the failings of individuals, institutions, or societies to ridicule -- it can range from tolerant amusement to bitter scorn
simile
an explicit comparison between two different things, actions, or feelings using the words “like” or “as”
syllogism
a form of logical argument that derives a conclusion from two propositions (All BB&N students are Red Sox fans; Mike is a BB&N student; therefore, Mike is a Red Sox fan.)
syntax
the way words and clauses are ordered and connected to form sentences
understatement
the representation of a thing as less than it actually is, also called meiosis
active voice
the subject of the sentence performs the action (direct and preferred over passive voice)