Ibsen/Rossetti Critic Quotes

0.0(0)
studied byStudied by 0 people
learnLearn
examPractice Test
spaced repetitionSpaced Repetition
heart puzzleMatch
flashcardsFlashcards
Card Sorting

1/42

flashcard set

Earn XP

Description and Tags

I'm a visual learner - I added some pictures to help with memorising...hope it's helpful!

Study Analytics
Name
Mastery
Learn
Test
Matching
Spaced

No study sessions yet.

43 Terms

1
New cards
<p><strong>(R)</strong> <strong><em>Rossetti</em></strong> - “I feel…”</p>

(R) Rossetti - “I feel…”

I feel at home among anxieties and depression.

2
New cards
<p><strong>(R)</strong> <strong><em>Burlison </em></strong>- "[shows a] profound…</p>

(R) Burlison - "[shows a] profound…

“a profound resistance to patriarchal views and sexual double standards”

3
New cards
<p><strong>(R)</strong> <strong><em>Gill </em></strong>- “a dark…”</p>

(R) Gill - “a dark…”

“a dark assessment of the female lot”

4
New cards
<p><strong>(R)</strong> <strong><em>Rosenblum </em></strong>- “A woman…”</p>

(R) Rosenblum - “A woman…”

“A woman inevitably experiences herself as object and other

5
New cards
<p><strong>(R)</strong> <strong><em>Morden </em></strong>- “A consummate…”</p>

(R) Morden - “A consummate…”

“A consummate technician.” (extremely skilled)

6
New cards
<p><strong>(R)</strong> <strong><em>West </em></strong>- “There is much more…”</p>

(R) West - “There is much more…”

“There is much more to Rossetti’s poetry than the artless outpourings of a lovelorn heart or the distress cries of a lonely woman.” … “She uses deflection, denial and constraint as the very things which give her power to speak.”

7
New cards
<p><strong>(R)</strong> <strong><em>Woolf</em></strong> - “starved…”</p>

(R) Woolf - “starved…”

Starved herself of love, which meant also life.”

8
New cards
<p><strong>(R)</strong> <strong><em>Woolf</em> </strong>- “A God…”</p>

(R) Woolf - “A God…”

“A God who decreed that all pleasures of the world were hateful to him […] Everything in Christina’s life radiated from that knot of agony and intensity at the center.”

9
New cards
<p><strong>(R)</strong> <strong><em>West </em></strong>- "women poets had to tread…”</p>

(R) West - "women poets had to tread…”

"women poets had to tread a careful path in order to depict female sexuality and desire”

10
New cards
<p><strong>(R) <em>Morden</em></strong> - “Goblin Market…”</p>

(R) Morden - “Goblin Market…”

“Goblin Market is a literary banquet.”

11
New cards
<p><strong>(R) <em>Morden</em></strong> - “Rossetti…”</p>

(R) Morden - “Rossetti…”

“Rossetti cannot be characterised as languid and depressed.”

12
New cards
<p><strong>(R) <em>Wilson</em></strong> - “Writing…”</p>

(R) Wilson - “Writing…”

“Writing as a creature of her time.”

13
New cards

(R) Wallner - “express the…”

“express the pain of love and nothing else”

14
New cards

(R) Bocher - “An emotional…”

“An emotional love not a sexualised love”

15
New cards
<p><strong>(R) <em>Wilson</em></strong> - “Are…”</p>

(R) Wilson - “Are…”

“Are speaking between thresholds.”

16
New cards
<p><strong>(R) <em>Wilson</em></strong> - “The poet…”</p>

(R) Wilson - “The poet…”

“The poet of the failure of language.”

17
New cards
<p><strong>(R) <em>Flowers</em></strong> - “Explores…” </p>

(R) Flowers - “Explores…”

“Explores the Victorian Cult of Love.”

18
New cards
<p><strong>(I) <em>Ibsen</em></strong> - “My task…”</p>

(I) Ibsen - “My task…”

“My task has been to portray human beings.

19
New cards
<p><strong>(I) <em>Ibsen</em></strong> - “A…”</p>

(I) Ibsen - “A…”

“A tragedy of modern times.”

20
New cards
<p><strong>(I) <em>Ibsen</em></strong> - “It is…”</p>

(I) Ibsen - “It is…”

“It is an exclusively male society, with laws made by men […] who assess feminine conduct from a masculine standpoint.

21
New cards
<p><strong>(I) <em>Ledger</em></strong> - “Linde…”</p>

(I) Ledger - “Linde…”

“Linde acts as a catalyst for Nora’s rebellion.”

22
New cards
<p><strong>(I) <em>Ledger</em></strong> - “A critical…”</p>

(I) Ledger - “A critical…”

“A critical scrutiny of the lives and values of the bourgeois class.”

23
New cards
<p><strong>(I) <em>Ledger</em></strong> - “The…”</p>

(I) Ledger - “The…”

“The role-playing stops here.” [Nora removes her costume]

24
New cards
<p><strong>(I) <em>Worral </em></strong>- “Torvald’s…”</p>

(I) Worral - “Torvald’s…”

“Torvald’s subservience to petty social values which are more important to him than his feelings towards his wife.”

25
New cards
<p><strong>(I) <em>Worral </em></strong>- “[The stove]…”</p>

(I) Worral - “[The stove]…”

“[The stove represents] the security she so urgently craves.”

26
New cards
<p><strong>(I) <em>Lee </em></strong>- “Nora…”</p>

(I) Lee - “Nora…”

“Nora herself performs the miracle that sets her free.”

27
New cards
<p><strong>(I) <em>Lee </em></strong>- “Dr Rank…”</p>

(I) Lee - “Dr Rank…”

“Dr Rank’s syphilis acts as a brutal and physical reminder of the consequences of sin.”

28
New cards
<p><strong>(I) <em>McNamara </em></strong>- “[ADH] demonstrates…”</p>

(I) McNamara - “[ADH] demonstrates…”

“[ADH] demonstrates the perils resulting from such self-deception.”

29
New cards
<p><strong>(I) <em>Unwin </em></strong>- “Krogstad…”</p>

(I) Unwin - “Krogstad…”

“Krogstad is a mere pawn of the plot.”

30
New cards
<p><strong>(I) <em>Long </em></strong>- “Nora is…”</p>

(I) Long - “Nora is…”

“Nora is a monster and an unnatural woman.”

31
New cards
<p><strong>(I) <em>Meyers </em></strong>- “Explores…”</p>

(I) Meyers - “Explores…”

“Explores romantic love as an illusion.”

32
New cards
<p><strong>(I) <em>Shaw </em></strong>- “Nora is…”</p>

(I) Shaw - “Nora is…”

“Nora is shut out of the serious business of the world.”

33
New cards
<p><strong>(I) <em>Shaw </em></strong>- “The ideal…”</p>

(I) Shaw - “The ideal…”

“The ideal wife is one who does everything her ideal husband likes and nothing else.”

34
New cards
<p><strong>(I) <em>Wright </em></strong>- “Marriage…”</p>

(I) Wright - “Marriage…”

“Marriage is the facade of domestic bliss.”

35
New cards
<p><strong>(I) <em>Johnston </em></strong>- “Torvald’s…”</p>

(I) Johnston - “Torvald’s…”

“Torvald’s moral code is entirely derived from society’s expectations.”

36
New cards
<p><strong>(I) <em>Thomas </em></strong>- “Torvald is…”</p>

(I) Thomas - “Torvald is…”

“Torvald is as much a victim as Nora is.”

37
New cards
<p><strong>(I) <em>Teale </em></strong>- “All the men…”</p>

(I) Teale - “All the men…”

“All the men in the play have a strong association with death, beneath a male facade of power lies a fragility, concern for collapse.”

38
New cards
<p><strong>(I) <em>Woods </em></strong>- “Ibsen…”</p>

(I) Woods - “Ibsen…”

“Ibsen criticises society rather than individuals.”

39
New cards
<p><strong>(I) <em>Templeton </em></strong>- “The every…”</p>

(I) Templeton - “The every…”

“The everywoman’s struggle with the everyman.”

40
New cards
<p><strong>(I) <em>Templeton </em></strong>- “[Nora is]”</p>

(I) Templeton - “[Nora is]”

“The demon in the house.” [Angel in the house - Patmore 1854]

41
New cards
<p><strong>(I) <em>Duncan </em></strong>- “A…”</p>

(I) Duncan - “A…”

A social problem play.”

42
New cards
<p><strong>(I) <em>Duncan </em></strong>- “Nora puts…”</p>

(I) Duncan - “Nora puts…”

“Nora puts love over legality.

43
New cards

(I) Meyers - “shows…”

“shows romantic love to be an illusion”