Ibsen/Rossetti Critic Quotes

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<p><strong>(R)</strong> <strong><em>Rossetti</em></strong> - “I feel…”</p>

(R) Rossetti - “I feel…”

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1
<p><strong>(R)</strong> <strong><em>Rossetti</em></strong> - “I feel…”</p>

(R) Rossetti - “I feel…”

I feel at home among anxieties and depression.

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2
<p><strong>(R)</strong> <strong><em>Rosenblum </em></strong>- “A woman…”</p>

(R) Rosenblum - “A woman…”

“A woman inevitably experiences herself as object and other

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3
<p><strong>(R)</strong> <strong><em>Woolf</em></strong> - “starved…”</p>

(R) Woolf - “starved…”

Starved herself of love, which meant also life.”

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4
<p><strong>(R)</strong> <strong><em>Woolf</em> </strong>- “A God…”</p>

(R) Woolf - “A God…”

“A God who decreed that all pleasures of the world were hateful to him […] Everything in Christina’s life radiated from that knot of agony and intensity at the center.”

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5
<p><strong>(R) <em>Morden</em></strong> - “Goblin Market…”</p>

(R) Morden - “Goblin Market…”

“Goblin Market is a literary banquet.”

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6
<p><strong>(R) <em>Morden</em></strong> - “Rossetti…”</p>

(R) Morden - “Rossetti…”

“Rossetti cannot be characterised as languid and depressed.”

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7
<p><strong>(R) <em>Wilson</em></strong> - “Writing…”</p>

(R) Wilson - “Writing…”

“Writing as a creature of her time.”

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8
<p><strong>(R) <em>Wilson</em></strong> - “Are…”</p>

(R) Wilson - “Are…”

“Are speaking between thresholds.”

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9
<p><strong>(R) <em>Wilson</em></strong> - “The poet…”</p>

(R) Wilson - “The poet…”

“The poet of the failure of language.”

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10
<p><strong>(R) <em>Flowers</em></strong> - “Explores…” </p>

(R) Flowers - “Explores…”

“Explores the Victorian Cult of Love.”

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11
<p><strong>(I) <em>Ibsen</em></strong> - “My task…”</p>

(I) Ibsen - “My task…”

“My task has been to portray human beings.

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12
<p><strong>(I) <em>Ibsen</em></strong> - “A…”</p>

(I) Ibsen - “A…”

“A tragedy of modern times.”

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13
<p><strong>(I) <em>Ibsen</em></strong> - “It is…”</p>

(I) Ibsen - “It is…”

“It is an exclusively male society, with laws made by men […] who assess feminine conduct from a masculine standpoint.

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14
<p><strong>(I) <em>Ledger</em></strong> - “Linde…”</p>

(I) Ledger - “Linde…”

“Linde acts as a catalyst for Nora’s rebellion.”

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15
<p><strong>(I) <em>Ledger</em></strong> - “A critical…”</p>

(I) Ledger - “A critical…”

“A critical scrutiny of the lives and values of the bourgeois class.”

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16
<p><strong>(I) <em>Ledger</em></strong> - “The…”</p>

(I) Ledger - “The…”

“The role-playing stops here.” [Nora removes her costume]

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17
<p><strong>(I) <em>Worral </em></strong>- “Torvald’s…”</p>

(I) Worral - “Torvald’s…”

“Torvald’s subservience to petty social values which are more important to him than his feelings towards his wife.”

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18
<p><strong>(I) <em>Worral </em></strong>- “[The stove]…”</p>

(I) Worral - “[The stove]…”

“[The stove represents] the security she so urgently craves.”

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19
<p><strong>(I) <em>Lee </em></strong>- “Nora…”</p>

(I) Lee - “Nora…”

“Nora herself performs the miracle that sets her free.”

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20
<p><strong>(I) <em>Lee </em></strong>- “Dr Rank…”</p>

(I) Lee - “Dr Rank…”

“Dr Rank’s syphilis acts as a brutal and physical reminder of the consequences of sin.”

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21
<p><strong>(I) <em>McNamara </em></strong>- “[ADH] demonstrates…”</p>

(I) McNamara - “[ADH] demonstrates…”

“[ADH] demonstrates the perils resulting from such self-deception.”

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22
<p><strong>(I) <em>Unwin </em></strong>- “Krogstad…”</p>

(I) Unwin - “Krogstad…”

“Krogstad is a mere pawn of the plot.”

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23
<p><strong>(I) <em>Long </em></strong>- “Nora is…”</p>

(I) Long - “Nora is…”

“Nora is a monster and an unnatural woman.”

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24
<p><strong>(I) <em>Meyers </em></strong>- “Explores…”</p>

(I) Meyers - “Explores…”

“Explores romantic love as an illusion.”

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25
<p><strong>(I) <em>Shaw </em></strong>- “Nora is…”</p>

(I) Shaw - “Nora is…”

“Nora is shut out of the serious business of the world.”

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26
<p><strong>(I) <em>Shaw </em></strong>- “The ideal…”</p>

(I) Shaw - “The ideal…”

“The ideal wife is one who does everything her ideal husband likes and nothing else.”

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27
<p><strong>(I) <em>Wright </em></strong>- “Marriage…”</p>

(I) Wright - “Marriage…”

“Marriage is the facade of domestic bliss.”

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28
<p><strong>(I) <em>Johnston </em></strong>- “Torvald’s…”</p>

(I) Johnston - “Torvald’s…”

“Torvald’s moral code is entirely derived from society’s expectations.”

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29
<p><strong>(I) <em>Thomas </em></strong>- “Torvald is…”</p>

(I) Thomas - “Torvald is…”

“Torvald is as much a victim as Nora is.”

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30
<p><strong>(I) <em>Teale </em></strong>- “All the men…”</p>

(I) Teale - “All the men…”

“All the men in the play have a strong association with death, beneath a male facade of power lies a fragility, concern for collapse.”

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31
<p><strong>(I) <em>Woods </em></strong>- “Ibsen…”</p>

(I) Woods - “Ibsen…”

“Ibsen criticises society rather than individuals.”

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32
<p><strong>(I) <em>Templeton </em></strong>- “The every…”</p>

(I) Templeton - “The every…”

“The everywoman’s struggle with the everyman.”

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33
<p><strong>(I) <em>Templeton </em></strong>- “[Nora is]”</p>

(I) Templeton - “[Nora is]”

“The demon in the house.” [Angel in the house - Patmore 1854]

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34
<p><strong>(I) <em>Duncan </em></strong>- “A…”</p>

(I) Duncan - “A…”

A social problem play.”

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35
<p><strong>(I) <em>Duncan </em></strong>- “Nora puts…”</p>

(I) Duncan - “Nora puts…”

“Nora puts love over legality.

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