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what is coverture?
legal doctrine whereby, upon marriage, a woman’s legal rights and obligations were subsumed by those of her husband
how would coverture have been viewed in brontë’s time?
would have been viewed as increasingly archaic/unjust - times were changing
when was the matrimonial causes act and what did it say?
1857 → reformed the law on divorce (widened its availability)
what is the significance of the brontë’s publishing their novels before the matrimonial causes act?
they can be said to have helped prepare the way for this/subsequent laws by exposing the british public to stories of men and especially women unjustly trapped in oppressive legal unions
what is primogeniture?
common law (in the period of the novel) that the eldest male child inherited
in the nineteenth century, how did laws regarding domestic violence and rights of women change?
provided more protection + granted greater rights to both women and children
what were the corn laws?
an attempt to prevent foreign exports from challenging UK agriculture → backfired as prices at home remained high + countries didn’t trade w/ britain in protest
what was the significance of the corn laws in revealing?
the impact of industrialisation and the attitudes of new middle class industrial owners who often felt no responsibility to their working class employees (a newfound complacency)
what would the conservative brontë’s opinions have been on revolutionary spirit in britain?
they would have sympathised with the workers, but were firmly on the side of tradition and were not advocates of reform
what is heathcliff metaphorical of societally and what is this a critique of?
capitalism → stripping the linton’s of their inherited property rights and amassing wealth and land for himself
critique of the new economic ideology and the destruction it causes to rural communities in particular
how is calvinism different from methodism?
calvinism → belief that god pre-ordains who is to be offered salvation before birth
methodism → sees salvation as possible to all
why did the brontë’s write under pseudonyms?
to prevent unfair criticism of their work, revealing society’s beliefs around women’s intellectual inferiority + unsuitability of women’s entry into the public sphere
how do the brontë’s align with Romanticism in their writing?
importance of childhood experience determinign adult life = very wordsworthian
relying on self-knowledge as opposed to blind conformity and orthodoxy = key tenet of Romantic thinking → Romantics were often viewed as radicals
how do the brontë’s diverge from Romanticism in their writing?
depiction of nature is never soft or nurturing, typical of the Romantics (apart from Ruskin’s pathetic fallacy, depicting it as raw and uncaring)
which Romantic poet was a great influence for the brontë’s?
lord byron
what is psychological realism?
the events/emotions (although extreme) being viewed as an attempt at the realistic depiction of the minds of humans
describe the byronic hero.
descending from milton’s satan
possesses a fatal charm to women
demonic ruthlessness and drive for power
fallen, satanic outcast, yet morbidly fascinating
what was emily' brontë’s last known poem - published posthumously by her sister - called, and what was it about?
‘no coward soul is mine’
scorn felt towards doctrinal debates - no mention of redemption through christ
affirms god’s presence in all aspects of the universe → individual connection to the universe (Romantic notion)
what is discordant narration?
a sense of discordance arises when the narrator’s normative views seem to clash in some manner with the story he or she tells
who is a discordant narrator in WH?
nelly