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alliteration
the repetition of consonant sounds that occur at the beginning of words or the beginning of syllables that appear close together. (ex. “descending dew drops”)
allusion
an indirect or implied reference to a person, place, or prior text.
topical allusion
a reference to a specific real event.
personal allusion
a reference to circumstances in the author’s life.
metaphorical allusion
a reference to prior works, that inserted into the new work, endow the latter with another layer of significance.
imitative allusion
a reference to another work by imitating its rhetoric, genre, or phrases.
anaphora
the exact repetition of words or phrases at the beginning of successive lines or sentences (a type of parallelism)
assonance
a repetition of similar internal vowel sounds followed by different consonant sounds in words that are close together, usually in stressed syllables (ex. “asleep under a tree” or “each evening”)
cacophony
discordant or harsh sounds that are often introduced for poetic effect or mirror the meaning of the object to which it refers.
caesura
the pause that occurs in the middle of a line due to punctuation often used for a rhythmic effect.
connotation
the subjective, cultural, and emotional definition of a word.
consonance
the repetition of internal or final consonant sounds preceded by different vowel sounds; a type of approximate/slant rhyme (ex. “home” and “same; “worth” & “breath”).
diction
a writer’s or speaker’s choice of words. can be evaluated by its meaning, reference, occasion, rhetorical purpose, and social status.
concrete diction
refers to what we immediately perceive with our senses.
abstract diction
words that express general ideas or concepts.
high diction
latinate, multisyllabic words.
middle diction
the language one hears in casual & polite conversation.
low diction
casual slang/street language.
poetic diction
uses flowery vocabulary that substitutes fanciful epithets and inverted syntax for simple names and direct word order.
end rhyme
rhyme that occurs at the end of lines.
end stopped line
end of the line is marked with punctuation.
enjambment
line runs on to the next line without a mark of punctuation; often tugs at the meaning and creates tension. (ex. “I live in a doorway/between two rooms”).
euphony
language that has both a melodious sound and harmonious relation to meaning, so that the words please and comfort the ears and mind.
extended metaphor
a metaphor that continues for more than one sentence (ex. “all the world’s a stage, and the men and women merely players. they have their exits and their entrances, and one man in his time plays many parts.”).
hyperbole
an exaggerated statement that adds emphasis.
imagery
the use of words to create sensory impressions including sight, sound, smell, taste, or touch.
internal rhyme
rhyme that occurs within the lines of a poem.
juxtaposition
placement of two opposing ideas, characters, or objects nearly side by side for a heightened effect.
line
a sequence of words printed as a separate entity on a page, in a poem.
metaphor
a compare between two seemingly unlike things without using the connective words “like”, “as”, “than”, or “resembles”; a direct comparison.
parallelism/parallel structure.
the repetition of words or phrases that have similar grammatical structures.
personification
a figure of speech that applies human characteristics to nonhuman objects. allows the author to dramatize the nonhuman world in human terms.
shift/volta/turn
a turn of thought or argument in a poem.
sibilance
repetition of s or sh sounds, as in “sash”.
simile
a comparison between two seemingly unlike things using the words “like”, “as”, “than”, or “resembles”.
speaker
voice used by the poet or author to tell a poem or story; often a created identity that is not automatically equated with the poet or author.
stanza
a section of a poem, marked by extra line spacing before and after, that often has a single pattern of meter and/or rhyme.
couplet
a pair of consecutive rhyming lines.
quatrain
a stanza consisting of four lines.
sestet
a stanza consisting of six lines.
octet
a stanza consisting of eight lines.
tone
the attitude a writer takes toward a subject as expressed by choice of words and details.