AO5 gothic component

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14 Terms

1
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F. Botting (objectification of women under patriarchy, in Dracula)

… subordinates feminine sexuality to a masculine perspective in which women serve as objects of exchange and competition between men.'

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Griffin (repressed sexuality/breaking taboos)

'The worst horror [Victorian England] could imagine is … the released, transforming sexuality of the Good Woman.'

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Burton Hatlon - Dracula as the 'other’

"dracula is physically 'other'; the sexuality that Victorian England denied...

4
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Greg Buzwell on Stoker and the vampire

"Stoker uses the figure of the vampire as … a shorthand for many of the fears that haunted the Victorian fin de siècle"

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Andrew Green on Carter and boundaries

"Carter constantly challenges where the boundary lies".

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Jeff Vandermeer on Carter's female characters

"[Carter's] characters are forever escaping, socially, mentally or physically, the traps laid by men"

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Robert Stevenson Brown on Carter and Symbols

"updating the symbolic order so that it reflects the modern social order"

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Mary Wollstonecraft, 1792

"[Women are] confined then in their cages like the feathered race"

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Cluely

"[Dracula is] the ultimate patriarchal fantasy"

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Carter about Marquis

“[Marquis] would not be the enemy of women“

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genre, Botting, too much

“the genre is about excess” (imagery, rhetoric, narrative).

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Botting - what dominates the genre

“Uncertainties about the nature of power, law, family and sexuality dominate gothic function”

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Punter about ghosts

“ghosts and haunting are figures arising from our psychological past, figures of fear”

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Cristina Bacchilega about heroes and villains

"One of them must die in order for the other to continue existing."