Fashion Fabrics Exam #2

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The exam covers weaving and knitting sections of lecture, lab, and readings. It has multiple-choice and true and false questions, as well as visual and vocabulary matching sections.

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55 Terms

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What are warp yarns?

Run lengthwise to the grain

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What are weft yarns?

Run crosswise to the grain

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How do warp and weft yarns create a stable piece of fabric?

  • They interlace (go over and under each other) at right angles to create a piece of fabric

  • The more interlacements the stronger the fabric will be  

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What is the tool/machine called that is used to make woven fabric?

A loom

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Very Light/Sheer Weight

Sheer or Gauzy Fabrics

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Light/Top Weight

Blouses, Shirting, Light Dresses

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Medium Weight

Heavier Shirting or Lighter Bottoms

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Bottom Weight

Slacks, Suiting, Lighter Jackets

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Heavy Weight

Work Clothes, heavier coats, traditional denim

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How do weight and cover affect final fabric properties? And appropriate end uses?

Heavier The Weight The Thicker The Cover 

Lighter The Weight The Sheerer The Cover

  • More fiber 

  • Stiffer, more structured 

  • Better durability 

  • Potentially more opaque or thicker (cover) 

  • Good for work clothes, traditional denim, jackets 

  • Less fiber 

  • Softer drape 

  • Softer hand 

  • Potentially more sheer or thin (cover) 

  • Good for light tops or dresses or for overlays 

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What is thread count?

It is the number of yarns per square inch (density) and the total of both warp and weft directions (count).

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How does a high or low thread count affect end use and hand?

Thread Count 

(more threads per square inch)

Lower Thread Count

(less threads per square inch)

  • Smoother hand 

  • Softer drape

  • Better dimensional stability 

  • Opportunity for better cover

  • End use = more luxurious or formal/business attire 

  • Coarser hand 

  • More structure 

  • Less durable 

  • End use = more casual wear like t-shirts or light summer clothing

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What is the difference between balanced and unbalanced thread count? What texture do unbalanced plain weaves create in the fabric? How does it affect drape?

Balanced Thread Count

Unbalanced Thread Count 

  • Similar number of yarns/inch in each direction

  • Equal yarn density creates a more fluid Drape 

  • More yarns/inch in either warp or weft directions 

  • Create ribs 

  • Creates a more stiff/rigid drape 

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Which kinds of weaves are more likely to have higher thread count?

Satin Weaves

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How does yarn type affect thread count?

The thinner the yarn the more threads can be included creating a high thread count which allows for a smoother and high quality fabric while thicker yarns require a looser weave which creates a lower thread count. 

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Plain Weave: Construction differences and appropriate end uses? What are their ‘stand out’ properties? How could you identify one from the others?

  • Warp and weft yarns go over and under each other (fabric looks the same on both sides)

  • Varied End Uses 

  • Can be causal or “cotton-like” (gingham, chambray, challis) 

  • Can be formal or “silk-like” (China silk, organza, chiffon) 

  • Equal Yarns in Warp/Weft Directions 

  • Better Absorption 

  • Low Resiliency 

  • More structured

  • Poor Luster

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Twill Weave: Construction differences and appropriate end uses? What are their ‘stand out’ properties? How could you identify one from the others?

  • Yarn Floats over 2-3 yarns before interlacing under (looks like stairs or diagonal ridges) 

  • Hides and Sheds Stain better

  • Very Durable 

  • Better flexibility and resiliency 

  • Used for herringbone or houndstooth patterns 

  • Often used for bottom weight apparel or suitings (Denim or Chino)

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Satin Weave: Construction differences and appropriate end uses? What are their ‘stand out’ properties? How could you identify one from the others?

  • Yarn floats over 4 or more yarns before interlacing under 

  • Create smooth fabric face 

  • Fabric Face and Back have different appearances 

  • Better resiliency (often due to high thread count) 

  • Flexible/fluid drape 

  • Good-excellent luster 

  • Can unravel easily from cut edges 

  • Snags easily 

  • Often used for dresses, blouses. Linings, and lingerie

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Satin

  • Filament Yarns 

  • Typically Silk or Polyester 

  • Lustrous 

  • Typically more fluid (can depend on weight) 

  • Formal Wear

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Sateen

  • Spun Yarns 

  • Cotton or Cotton Blend 

  • More Subdued Luster 

  • More Structured 

  • Lightweight Blazers, Pants, and Dresses

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Dobby: What kinds of designs can be woven in? (i.e., how could you identify it?)

Small Repeating geometric designs can be woven in with floating yarns

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Dobby Flat Motif

Used for Lining (filament yarns)  or Shirting (spun yarns)

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Dobby Textured Motif

Used for Pique or Waffle cloth

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Jacquard Weave: How are they made?

Created on a jacquard loom to control each warp yarn individually. The yarns are only brought to the face of the fabric when they are needed to create a pattern.  

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What is the defining characteristic of a jacquard? (i.e., how could you identify it?)

It is a fabric with a larger scale, intricate, curving design woven in and many have long floating yarns on the face or back that can snag or unravel easily.

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Tapestry: Examples of jacquard weave fabrics and typical end uses?

  • It is a heavy weight fabric with more structure so it is typically used for coats and accessories

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Damask: Examples of jacquard weave fabrics and typical end uses?

  • Uses both filament and spun yarns 

  • Spun yarns are used in structured jackets, dresses, or coats 

  • Filament yarns are used in formal apparel or accessories

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Brocade: Examples of jacquard weave fabrics and typical end uses?

  • Always uses filament yarns 

  • Used in formal dresses, coats, vests, accessories, as well as trim or contrast fabrics

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Extra yarn weave (spot weave): When and why are they used? What do they provide?

They have an extra set of yarns (separated from the warp and weft) that are woven in specific areas to create a pattern that has a distinctive front and back. Common fabrics included Dotted Swiss and shirtings. 

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Pile weave: Cut

  • Fuzzy ends on surface 

  • Velvet

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Pile weave: Uncut

  • Loops on surface (can be both sides)

  • Terrycloth

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How does pile construction affect fabric properties?

Often bottom to heavy weight, warmer as it retains heat better with extra layers of yarns, softer hand, good resilience 

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Velvet: Examples of pile weave fabrics and typical end uses? What is the difference between velvet and velveteen fabrics?

  • Cut Warp (longer pile)

  • Filament Yarns 

  • Better Drape and luster 

  • Distinct Face and Back 

  • More Formal Apparel

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Velveteen: Examples of pile weave fabrics and typical end uses? What is the difference between velvet and velveteen fabrics?

  • Cut Weft (shorter pile) 

  • Spun yarns (typically cotton) 

  • More structured 

  • Distinct face and back 

  • More casual apparel and children’s wear

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Corduroy: Examples of pile weave fabrics and typical end uses? What is the difference between velvet and velveteen fabrics?

  • Bottom weight casual jackets, pants, and skirts

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Slack-tension weave (seersucker)

  • Two warp beams used: 1 set of warp is at regular tension and the other is under less tension 

  • They crinkle or buckle to form a puckered stripe in the warp direction 

  • Used for summer suiting, casual bottoms, dresses, and childrenswear

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How does knitting create a stable fabric? 

By using needles to interconnect one or more sets of yarns by looping them together 

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What is different about knit construction when compared to weaving?

Knit Construction 

Woven Construction 

  • Involves interlocking loops of yarn 

  • Creates a stretchy flexible fabric that is often more breathable and wrinkle-resistant 

  • Interlaces perpendicular threads 

  • Produces a more stable, rigid fabric with less inherent stretch 

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Courses

Crosswise Rows

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Wales

  • Lengthwise column 

  • “Whale Tails”

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Stitches

  • Knit Stitch - lengthwise column of V’s 

  • Purl Stitch - Crosswise rows of bumps or waves 

  • Tucks - create openwork areas in fabric (pointelle) 

  • Miss/Float - stitches float on back when not create a pattern on the front

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What is gauge and how does it affect end use?

The stitches per inch across the fabric. A higher gauge = finer loops (more firm, dense, structured fabric) and a lower gauge = coarser loops (softer, more flexible flowing fabric). 

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What are common properties or performance issues for knit fabrics? How do they differ from wovens in those areas?

Benefits

Drawbacks

  • Faster production than wovens 

  • Increased elasticity 

  • Drapes well and is likely more fluid or limp 

  • Better wrinkle recovery than wovens

  • Can insulate well

  • Can be distorted or pulled out of shape easily during care 

  • Can snag or pull more easily than wovens due to loops 

  • Can run or “ladder” more easily 

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How does looking at both face and back of fabric help in identifying certain types of knits?

Helps to get a better grasp on what kind of fabric you are actually looking at because a Jersey will have knit “V’s” on the front by bumpy purls on the back whereas a rib or interlock will look almost identical on the back and face allowing you to know when you’re looking at one knit fabric over another. 

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How are weft knits constructed differently than warp knits?

Weft knits are constructed using a single yarn that is looped horizontally across the fabric, creating a flexible and less stable material. Warp knits are made with multiple yarns running vertically, looping simultaneously in a zigzag pattern to create a more stable, less stretchy fabric. 

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Single Knit (Jersey)

  • Knit stitches on the face and purl on the back

  • Fluid or limp drape

  • T-shirts, underwear, light dresses, socks, sometimes a sweater 

  • Edges curl when cut 

  • Shape distorts easily 

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Double Knit (Rib, Interlock)

  • Made with two set/beds of needles

  • Many are reversible - knit stitches on face and back 

  • More stability and potential for structure 

  • Wide range of yarns, fabric weights, and end uses 

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Jacquard Knit

  • Pattern Knitted in with different color yarns

  • Can be a single or double knit

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Pointelle

  • Open work patterns made with tuck stitches 

  • Typically lighter weight

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Thermal/Waffle

  • Has thermal retention

  • Adds bulk through texture and extra yarn layers

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Pile Knits

Have thermal retention by adding bulk through texture and extra yarn layers. (Ex: fleece, knit velour, knit terry) 

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What are the typical properties, and therefore what are appropriate end uses of weft knits?

  • One yarn (or set of yarns) that feed across the fabric in courses  

  • Circular or flat production (single or double) 

  • Better elasticity than warp knits 

  • Susceptible to snags and runs 

  • T-shirts, sportswear, underwear, hosiery, and baby clothes 

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Tricot: What are the distinctive characteristics of each? How could you identify one vs. the other? What type of yarn is commonly used for tricot fabrics? What are common warp knit fabrics for apparel? Typical end uses?

  • Fastest knit production 

  • Finer (higher) gauge and more tightly knit 

  • Made with uniform filament yarns 

  • Knit stitches on face, and distinct horizontal floats on reverse created by underlaps 

  • Used in lingerie, sleepwear, swimwear, and activewear

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Raschel: What are the distinctive characteristics of each? How could you identify one vs. the other? What type of yarn is commonly used for tricot fabrics? What are common warp knit fabrics for apparel? Typical end uses? 

  • Greater variation in design and texture through knitted-in pattern and openwork 

  • Uses filament or spun yarns 

  • Makes machine made laces, crochets, nets, some sweaters, and power mech for lingerie or athletics 

  • It imitates traditional bobbin lace and hand crochet techniques 

  • Allow for less expensive alternatives 

  • Can have laid yarns interested to create more texture and pattern, including novelty yarns

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Recognize the difference between a design motif that is printed vs. woven or knitted into fabric.

Printed designs are applied to the surface of the fabric, while woven or knitted designs are an integral part of the fabric’s structure, created by interlacing or looping colored threads