Civs II - Lit Terms Task 1-2

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50 Terms

1

Adage

a short, pointed, and memorable saying that is based on facts, and which is considered a truth by the majority of people.

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2

Allegory

A story that can stand on its own merits but also illustrating an idea or a moral principle in which objects and/or characters take on symbolic meanings

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3

Alliteration

The use in close succession of repeated (two or more) initial consonant sounds, creating a literary effect, such as mood, foreshadowing, or imagery

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4

Allusion

A reference, explicit or implicit, to something in literature or history; the author expects the reader will know the reference

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5

Antithesis

The rhetorical juxtaposition of two opposing elements through the parallel grammatical structure; both can be argued as true

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6

Apostrophe

A poetic phrase or speech made by a character that is addressed to a subject that is not literally present in the literary work

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7

Archetype

In a literary context, characters (and sometimes images, symbols, for themes) that symbolically embody the universal meanings and basic human experiences, independent of time or place, can be classified by this term

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8

Aside

A short comment or speech that a character delivers directly to the audience, or to himself, while other actors on the stage appear not to hear. Only the audience knows that the character has said something to them

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9

Blank verse

Unrhymed iambic pentameter

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10

Cacophony

Harsh, discordant, unpleasant-sounding choice and arrangement of sounds

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11

Characterization

The process by which the writer creates and reveals the unique characteristics of each character

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12

Direct Characterization

The information about a character that the author reveals in a straightforward manner; uses another character, narrator, or the protagonist himself to tell the readers or audience about the character

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13

Indirect Characterization

Information about a character that the audience must deduce or infer for themselves by observing the character’s thought process, behavior, speech, way of talking, appearance, and manner of communication with other characters, as well as by discerning the response of other characters towards the character

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14

Round Character

Exhibits layers of personality; writers describe these physically and mentally; audiences can sympathize, associate with, or relate to this kind of character, as they seem real 

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15

Flat Character

Does not change much from the start of the narrative to its end; often said not to have any emotional depth

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16

Dynamic Characters

 Face trials and learn (CHANGE) from experiences; often also round

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17

Static Characters

 Do not undergo inner changes, or undergo little change

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18

Protagonist

 The central character or leading figure; sometimes a hero to the audience or readers; a dynamic character; drives and interacts with the (central) conflict most

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19

Antagonist

 A character, or a group of characters, which stands in opposition to the protagonist; the word itself means rival or opponent; often called the villain; often a foil to the protagonist; often the source of the central conflict

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20

Conceit

An extended metaphor or simile that is complicated and imaginative, comparing  comparing something physical with something abstract; this type of comparison is often observed in metaphysical poetry

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21

End-stopped Line

A poetic device that creates in a line of poetry a pause at the end of a unit of thought; it is sometimes expressed by punctuation mark; opposite of an enjambed line

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22

Enjambed Line

A poetic device that preserves the flow of a complete thought from one line of poetry into the next without pause before reaching completion; opposite of end-stopped line

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23

Equivocation 

Commonly known as doublespeak...the use of ambiguous language to hide one’s meaning or to mislead...often used by dishonest politicians who want to seem like they agree with everyone.

Two elements must be present:
1. ambiguous language

2. intention to conceal/deceive

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24

Exemplum

A short tale, narrative, or anecdote developed in the late Middle Ages to explain a doctrine or to emphasize a moral point; generally in the forms of legends, folktales, and fables

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25

Figurative Language

Language that relies on figures of speech (such as simile, personification, imagery, and others) and is not understood literally; must be interpreted for intended effect

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26

Foil

Character who sets off the main character or other characters by comparison; much can be learned about each by comparing and contrasting the actions of the two

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27

Foreshadowing

The use of words, phrases, conditions, and events which function as hints as the work unfolds; hints often refer to something that will happen without revealing the details or spoiling the suspense; often noticed by strong readers but sometimes not realized until later in the text as the reader thinks back

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28

Free Verse

Poetry that is not controlled by patterns, such as meter or rhythm and does not rhyme in fixed form

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29

Hamartia

Reflects the fatal flaw that leads to a character’s downfall

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30

Hubris

Extreme pride and arrogance shown by a character, which ultimately brings about his downfall

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31

Iambic Pentameter

Metrical pattern of rhythmic verse. Sounds similar to a heartbeat and includes 10 syllables in each line. 

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32

Imagery

Groups of words (both literal and figurative) used by authors to create a sensory recognition (see, smell, hear, taste, touch) by the reader

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33

Situational Irony

An event or condition in which incongruity exists between actual circumstances and those that would seem appropriate, or between what is anticipated and what actually comes to pass.

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34

Literal Language

Language that can be understood in its actual sense

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35

Metaphor

A comparison of two unlike things that share some common characteristics, created by substituting a figurative term for the literal term

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36

Meter

The basic rhythmic structure of a line within a poem or poetic work, made up by analyzing where stressed and unstressed syllables fall and how many syllables occur in each line

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37

Monologue

It is a literary device that is the speech or verbal presentation given by a single character in order to express his or her collection of thoughts and ideas aloud.

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38

Motif

An object or idea that repeats itself throughout a literary work and is used by the author for a specific purpose, such as developing a theme

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39

Narrative

A report or tale of related events presented to listeners or readers, in words arranged in a logical sequence. A story is taken as a synonym

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40

Onomatopoeia

A literary device wherein the sound of a word echoes the sound it represents. The words "splash," "knock," and "roar" are examples.

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41

Paradox

A statement or situation containing apparently contradictory or incompatible elements but utterly true

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42

Pathetic Fallacy

Attributing human qualities and emotions to inanimate objects of nature; often used to make the environment reflect the inner experience of a narrator or other characters

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43

Personification

The term itself refers to an umbrella of devices, all of which attribute to non-human things the characteristics of humans. 

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44

Satire

A technique employed by writers to expose and criticize foolishness and corruption of an individual or a society, by using humor, irony, exaggeration, or ridicule with intention to change/improve humanity

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45

Simile

A figure of speech in which two essentially dissimilar objects or concepts are expressly compared with one another through the use of like or as

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46

Soliloquy

A speech that “reveal[s] the innermost thoughts of a character” and is delivered by one character alone on stage

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47

Theme

The author’s central message about life in a piece of literary fiction; usually implied rather than directly stated; should be expressed academically as a complete sentence

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48

Tragedy

A type of drama that presents a serious subject matter about human suffering and corresponding terrible events in a dignified manner.

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49

Trochaic Tetrameter

A metrical foot composed of two syllables with the first syllable being stressed and the second being unstressed. Authors often use it when writing about dark subjects like madness and death.

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50

Vernacular

The language or everyday ordinary people rather than scholarly languages, such as Latin

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