Catullus Poem 50 Annotations

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Annotations from my lessons, for GCSE OCR Latin Verse Literature Option B 2025

10 Terms

1

hesterno, Licini, die otiosi

  • Use of grand word (hesterno) shows how yesterday was a great day, and gives more options for poetic exploration - as this form including ‘die’ enables the enclosing word order.

  • Enclosing word order, shows how Licinius was central to his day - spent whole day with him - link to the idea of poetic experimentation

  • Assonance of ‘o’ & ‘i’ links to Licinius and also creates a greater sense of friendliness emphatic position shows day was all about leisure

  • Vocative used to show closeness and informal affection, creates a more vivid image

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2

multum lusimus in meis tabellis

  • Emphatic position at the start of the line emphasises amount of experimentation, along with the assonance of the ‘u’ sound

  • Lots of repeated i, m, and s sounds create a flowing sentence and create a harmony that suggests the evening was friendly

  • diminutive form of ‘tabula’ creates an informal tone, poems are unimportant, shows how they are relaxed

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3

ut convenerat esse delicatos,

  • ‘ut’ shows that the unplanned nature of the night, serendipitous atmosphere

  • assonance of ‘e’ creates a playful sound

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4

scribens versiculos uterque nostrum

  • start of sentence has a ‘doing word’ in an emphatic position, these actions show the excitement and momentum of the evening

  • sibilance shows the lively and energetic atmosphere

  • diminutive (‘versiculos’) shows the unserious nature of the poems

  • teamwork is emphasised at the end of the line, allowing us to imagine how they were writing the poems together

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5

ludebat numero modo hoc modo illoc

  • see note on doing words in prior flashcard - applies to this line as well

  • polyptoton of ‘ludebat’ with ‘lusimus’ (line 2) gives the passage a playful tone

  • assonance of long o sounds, creates a mock seriousness (long, dark sound) or possibly shows deep laughter

  • alliteration of m/n - warning, dangerous sounds - links to the mock seriousness of the situation

  • parallel phrasing at the end of the line, demonstrative pronouns (use of the deictic), creates a vivid image of movement, as if we are being pointed to actual tablets

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6

reddens mutua per iocum atque vinum

  • final doing word at start, creating sense of action

  • literal word ‘reddens’ is used in a metaphorical sense to show passing of tablets

  • ‘mutua’ shows equal contributions, showing they both are enjoying the day

  • ‘per’ links all the ideas together to show they all contribute to enjoyment

  • ellisions reflect mingling of poems, wine, words merging into each other

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7

atque illinc abii tuo lepore

  • energy and excitement from repeated vowels (glottal), reflected by the use of enjambment, energy spilling over the line

  • ‘L’s show the link between Licinius and the charm

  • ‘tuo’ shows how Catullus apppreciates Licinius’ contributions, which is reflected in the next line

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8

incensus Licini facetiisque

  • ‘incensus’ use of metaphor creates a vivid mental image, long syllables stressed to place emphasis on this

  • more repeated vowels, link to point on prior line

  • jokey tone created, lightweight and lighthearted experience

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9

ut nec me miserum cibus iuvaret

  • repeated use of ‘not’ in the last two lines creates a negative tone.

  • nec here has both its literal meaning but also creates a mournful alliteration with all the m/n sounds

  • ‘cibus’ - response is comfort eating, shows that situation is not that serious, and that the language is hyperbolic

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10

nec somnus tegeret quiete ocellos

  • metaphor, sleep portrayed like a sheet or blanket

  • ‘ocellos’ - diminutive is used to generate pity or pathos

  • again notice the placement of ‘nec’ in an emphatic position to create a negative tone in the last two lines

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