African Film & Social Impact Week 2 Readings

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62 Terms

1
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What is the spine of a film?

The main dramatic force that holds the whole story together

2
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What is a character’s spine?

What a character desperately wants or yearns for

3
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Why is the spine important?

It provides unity and prevents formless storytelling

4
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How should character spines relate to the film spine?

They should all fit under the film’s central theme

5
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What makes a spine compelling?

The stakes are high—life or death emotionally or spiritually

6
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What question helps identify the protagonist?

Whose film is it? Who do we emotionally follow?

7
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What did Paul Lucey say about writing stories?

Write simple stories and complex characters

8
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What forms a character’s backstory?

Genetics, upbringing, socioeconomic status, and life experiences

9
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What does the scorpion and frog story show?

Characters act according to their nature, even against logic

10
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What’s the difference between circumstance and character?

Circumstance is the situation; character is the person in it

11
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What is a dynamic relationship?

A changing, emotionally charged relationship in the moment

12
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What is a want in film terms?

A smaller goal the character needs to reach to achieve the larger spine goal

13
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How do wants differ from spines?

Wants are short-term; the spine is the long-term emotional goal

14
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What creates dramatic tension?

Conflicts between wants and obstacles, or opposing expectations

15
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What are character expectations?

A character’s beliefs about whether they’ll get what they want

16
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What drives drama in a scene?

A character's actions taken to achieve their wants

17
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How do actors express emotion effectively?

Through actions motivated by wants within a circumstance

18
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What’s the difference between activity and action?

Action is the goal; activity is what fills the time around it

19
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What is an acting beat?

A small unit of action that shifts when the character's goal or tactic changes

20
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What is the first beat of any interaction?

Awareness of the other person

21
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What is a dramatic block?

A chunk of a scene with one dominant dramatic idea or intention

22
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Why use dramatic blocks?

They give clarity, pacing, and emotional progression

23
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What is a narrative beat?

A unit of story progression, directed and articulated by the filmmaker

24
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What does a narrative beat usually mark?

A shift in story direction or emotional escalation

25
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What is the fulcrum of a scene?

The pivotal beat where things can go either way emotionally or dramatically

26
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Why is spatial rendering important?

Changes in location help communicate emotional shifts

27
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In the Notorious patio scene, whose scene is it?

Alicia’s — we’re meant to be in her emotional perspective

28
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What are Alicia’s wants in the patio scene?

Romance and to deepen her relationship with Devlin

29
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What does Devlin want in the patio scene?

He wants her to refuse the assignment, but won't say it

30
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What is the emotional fulcrum of the patio scene?

When Alicia stands and confronts Devlin about love

31
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What symbolizes defeat at the end of the Notorious scene?

Cold dinner and Alicia returning to drinking

32
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Why does staging matter in dramatic blocks?

Each space holds a different emotional or dramatic tone

33
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How do acting and narrative beats differ?

Acting beats come from character; narrative beats come from directorial focus

34
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Is film a formal language like English?

No, film lacks grammar and a codified vocabulary

35
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Why is film like a language?

It has codes and conventions viewers learn to interpret

36
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What is foveated vision?

Only a small part of the retina sees in detail, so the eyes must constantly move

37
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How is film perception like reading?

It's selective and active, shaped by learned visual habits

38
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Why is perception not universal?

It depends on cultural training and visual literacy

39
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What does the ambiguous trident show?

Perception is shaped by learned image interpretation

40
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What is semiotics?

The study of signs and how they create meaning

41
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Why is a filmed rose different from the word 'rose'?

Because in film, the image and meaning are almost the same

42
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What’s a paradigmatic structure in film?

The set of options not chosen (what could have been used)

43
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What’s a syntagmatic structure in film?

The actual sequence of shots or sounds shown

44
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What is an icon in film?

A sign that looks like what it represents (e.g., a photo)

45
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What is an index in film?

A sign physically or causally linked to what it means (e.g., smoke = fire)

46
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What is a symbol in film?

A sign whose meaning is assigned by culture (e.g., a flag or cross)

47
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What’s denotation in film?

The literal, obvious meaning of an image

48
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What’s connotation in film?

The emotional, symbolic, or cultural meaning layered onto an image

49
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What is metonymy?

When a related object stands in (e.g., crown = royalty)

50
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What is synecdoche?

A part stands for the whole (e.g., “wheels” for “car”)

51
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What is a trope?

A figurative use of imagery for symbolic meaning

52
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What is mise-en-scène?

The arrangement of everything in the frame (space, lighting, setting, actors)

53
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What is montage?

The sequencing of shots to create meaning through editing

54
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What does a cut reflect better than a pan?

How attention shifts in the mind

55
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What is a cinematic code?

A unique film technique like montage or framing used to communicate meaning

56
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What is a cultural code in film?

A shared norm or expectation viewers bring from real life

57
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What does the Psycho shower scene combine?

Cultural, cinematic, and artistic codes

58
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What does the frame do in film?

It defines what is seen and how it’s composed

59
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What’s the difference between open and closed form?

Open form implies offscreen space; closed form is self-contained

60
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What do diagonal lines do in composition?

Create motion, tension, or emotional direction

61
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How does proximity in a shot affect meaning?

Closer = more emotionally or narratively important

62
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