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Title: Virgin and Child Enthroned
Artist: Cimabue 1280
Medium: Tempera
Style: Byzantine
Depiction: Virgin Mary is holding the child Jesus at her side while pointing to him as the source of salvation for humankind. Mary's head usually inclines towards the child, who raises his hand in a blessing gesture
Title: Virgin and Child Enthroned
Artist: Giotto 1305-1310
Medium: Tempera
Style: Gothic / Italian Renaissance
Depiction: The subject matter of this painting is a traditional, religious one, with the Virgin Mary, or Madonna, holding the Christ Child on her lap. Saints and angels surround the Madonna on all sides
Important note: introduced naturalistic trend in painting
Title: Scrovegni (Arena) Chapel
Artist: Giotto 1305-1306
Medium: frescos
Style: Gothic / Italian Renaissance
Depiction: The frescoes tell the story of the lives of Mary (beginning with her parents, Joachim and Anna) and Christ on the long walls
Title: Kiss of Judas
Artist: Giotto 1306
Medium: Tempera, Fresco
Style: Italian Renaissance
Depiction: The Betrayal by Judas mentioned here occurs shortly after the last supper and involves him identifying Christ though an embrace (it is from this that the phrase of a Judas Kiss was born). Those seeking Jesus then arrest him and take Christ away for punishment
Title: Maestà Altarpiece (front)
Artist: Duccio 1308-1311
Medium: Tempera, Gold
Style: Byzantine
Depiction: designed for devout contemplation and depicts the Virgin and Child in majesty, surrounded by a host of angels and saints. Above and below this main scene are scenes from the Life of Christ and the Virgin, along with smaller figures of Saints
Title: The Effects of Good Government in the City and in the Country
Artist: Ambrogio Lorenzetti 1338-1339
Medium: Fresco
Style: Gothic art, Sienese school
Depiction: illustrated on the adjoining wall, which faces, and opposes, the Bad Government wall. It presents a plausible picture of Siena as an ideal and a real city at the same time, brightly colored, hard-working, full of people
Title: Exeter Cathedral
Artist: Thomas of Witney 14th century (architect)
Style: Norman, Gothic
Depiction: design the choir furnishings
Title: Pietà
Artist: Vesperbild 1330
Medium: Poplar, plaster, paint, gilt, Sculpture-Wood
Style: German style
Depiction: Virgin, in the agony of her grief, imagined she was holding Christ as a baby once again in her arms. The image is realistic and grim; his ribs protrude, his stomach is sunken and he shows visible signs of rigor mortis