text type
This particular passage is an autobiographical article, published in the Guardian newspaper online in 2015, about how Zephaniahâs childhood was affected by dyslexia and how it helped shape his identity
themes and emotions
confidence
satire
sarcasm
challenging stereotyping
dyslexia
preconceptions
beginning
presents frustration about hi mistreatment during his childhood. When he lists is as no compassion no humanity. clear sombre tone that highlights how life was for him with dyslexia.The article is written from a first-person perspective. Zephaniah reflects on the challenges he faced as a child with ignorance and stereotyping, but also how he learned to turn dyslexia to his advantage. He then reflects on his challenging time in â and out of â schools and his eye-opening stint in a borstal. He also reflects on the stark fact that dyslexic people are overrepresented in both prisons more hopefully, in the architectural population
middle
informative tone that gives factual information about dyslexiaand explores how he found out he has it. he also switches toa more humourous tone when he writes âdo i need an operation. .He also reflects on the stark fact that how dyslexic people are overrepresented in both prisons, but also, more hopefully, in the architect population. He considers what set him apart to be opportunities that he noticed ortook, as well as a refusalto buy into the labels given to him. He remembers dictating his first book of poems to his girlfriend who wrote them down for him. Zephaniah didnâtlearn to read or write properly until he was in his early 20s, when he also found outthat he was dyslexic.
end
empowrs other/ the reader with dyslexia and he refuses to let people make him fell bad when he says âbloody non dyslexic who do they think they are.
language
Benjamin Zephaniah uses many different language features to share his story. The language used in this anthology is simple to appeal to the dyslexic audience too.
We understand that the text is going to be anecdotal when Zephaniah says âAs a child, I suffered,â. The language used is also emotive- it appeals to the readerâs feelings and evokes sympathy.
âNo compassion, no understanding and no humanityâ- the triad used here are all negative connotations. He indicates that the education system was very constricting and limiting and was not empathetic towards students in any way.
He uses the metaphor âthe past is a different kind of countryâ which iterates that the way of thinking was foreign and people werenât aware of the learning disorder. The quote has an element of hope as it illustrates that the present is much more developed in terms of understanding learning disabilities.
âShut up, stupid boyâ- aggressive insults reinforcing the view that the system didnât support Zephaniah or students similar to him.
âLocal savagesâ- racism and bigotry. It shows that teachers were ignorant.
 âSo long as you could read how much the banknote was worth, you knew enough or you could ask a mateâ- evokes sympathy as he would give up due to the hardships that dyslexia had put him through.
 âI got thrown out of a lot of schoolsâŠâ the line is an example of ethos as his honesty gives him credibility. His honesty appeals to the reader.
 âI didnât stab anybody...I stole his car and drove it into his front gardenâ- he juxtaposes himself when he tries to justify that stealing a car isnât as bad as stabbing someone, however, they are both still crimes.
 âA high percentage of the prison population is dyslexic, and a high percentage of the architect population.â- the statistics used here show contrast and how differently your life can lead if you're dyslexic. He also stresses the importance of making the right choices.
 âShouldâ- the modal verb suggests that everything was leaning towards him ending up in prison.
 âA black man brought up on the wrong side of townâŠâ uses extensive listing here to relay all the things about him and his life that goes against him and should have held him back. Knowing these things helps the reader gain respect for Zephaniah.
 âBut opportunities opened for me and they missed theirs, didnât notice them or didnât take them.â- Zephaniah tries to maintain a positive, encouraging tone.
 âTook offâ- the colloquial language used helps engage the reader.
 âDo I need an operation?â use of humour to reveal his naivety and his lack of knowledge on dyslexia. It also helps create a light-hearted tone.
 âStill nowâ- the temporal marker highlights that heâs still struggling.
âBrunel Universityâ, âprofessorâ- the language choice used here is very professional and shows that people with dyslexia can achieve anything in academia.
âPassion, creativity, individualityâ- triad
âIn my life nowâ- the temporal marker juxtaposes the first sentence at the beginning of the anthology.
 âIf someone canât understand dyslexia, itâs their problem.â- defiant tone
 âHow can I become white?â- his use of humour highlights how ridiculous stereotyping is.
 âIf your dyslexic and you feel thereâs something holding you back, just remember: Itâs not you. In many ways being dyslexic is a natural way to be.â the quote has an encouraging and advisory tone. The punctuation (colon) used encourages the reader to give more attention to the message that follows. The word âyouâ is repeated several times to reassure people with dyslexia that they are not at fault. (direct address).
 âUnnatural is the way we read and writeâ- light-hearted.
 âsoâ - interjection.
 âDon't be heavy on yourself.â- reassuring tone.
 âDyslexia is not a measure of intelligence: you may have a genius on your hands.â- the colon used shows how important the second clause.
 âCreativity muscleâ- neologism (made-up word). This is so that the reader isnât displeased by jargon.
 âUs dyslexic people, weâve got it going on- we are the architects. We are the designers.â- collective pronouns are used. The quote references the title. The quote is repeated so it emphasises the purpose of the anthology.
âI didnât have that as a child.â- this reminds the reader of the anecdotes and how much has changed over a short amount of time for him.
 âBloody non-dyslexics... who do they think they are?â- the quote has a light-hearted, optimistic tone to it. It is to build rapport with those who are dyslexic and to create a sense of unity
structure
âWe are the architects, we are the designersâ.-the parallel sentence structure here focuses on the roles of architects and designers which are skilled, respected roles. He is emphasising that being dyslexic could be a great advantage. He uses the collective pronoun âweâ to ensure the reader that they are not alone if they have dyslexia.
 âI never thought I was stupid. I didnât have that struggle.â and âI just had self-beliefâ- these short sentences create a confident and defiant tone which suggests to the reader that you need confidence to be successful.