Comprehensive Analysis of Black Representation in Television: From Realism to Afro-surrealism and Streaming Era

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50 Terms

1
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What is assimilationist television?

Television where Black characters fit into white norms, minimizing racial difference.

2
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What is multicultural television?

Television that shows many cultures living together, celebrating diversity but not deeply political.

3
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What is Black Lives Matter television?

TV that responds to BLM with stories about racism, policing, and protest.

4
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What is Afro-surrealism?

Black stories told with dreamlike, strange, or uncanny elements to show the weirdness of racism.

5
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What is realism in television?

Showing life as it really looks and feels.

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What is mimetic realism?

Realism that looks like everyday life.

7
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What is progressive realism?

Realism that shows social problems to push for change.

8
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What is simulacral realism?

Realism that is realistic but based on media clichés, not real life.

9
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What is ideological realism?

Realism that feels normal but quietly supports a certain worldview, like color-blindness.

10
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What is high culture?

Elite, serious, artistic culture.

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What is popular culture?

Mass entertainment that everyone consumes.

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What is folk culture?

Community traditions and practices passed down.

13
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What is everyday culture?

Daily habits, routines, and meanings in ordinary life.

14
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What institutional developments were important for The Cosby Show?

Networks wanted a big family hit, NBC needed ratings, and the 1980s wanted positive, middle-class Black images.

15
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How was Black wealth portrayed in The Cosby Show?

It depicted a stable, upper-middle-class Black family (doctor and lawyer) as normal.

16
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What impact did The Cosby Show have on American television?

It proved Black-led shows could be huge hits and encouraged more family sitcoms.

17
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Why did FOX Broadcasting focus on urban African American audiences?

FOX was a new network and needed underserved viewers to grow.

18
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How did focusing on urban audiences lead to revolutionary Black programming?

It allowed for shows that were more specific, edgy, and culturally Black.

19
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What are unique aspects of FOX's Black-cast programming?

More slang, hip-hop style, and unapologetically Black humor.

20
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Why were Black audiences politically important but economically less important to networks?

Political diversity mattered, but advertisers preferred wealthier white audiences.

21
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How did multichannel cable alter the value of Black audiences?

Cable could target niches, making loyal Black viewers valuable.

22
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What were dominant representations of African Americans in the multichannel era?

A mix of respectable middle-class images and exaggerated urban stereotypes.

23
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Why did less wealthy Black audiences become less important in the cable era?

Cable required paid subscriptions, making poorer viewers less profitable.

24
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What led to the rise of animated Black television series in the early 2000s?

Adult animation was blooming, cheaper long-term, and allowed bold satire.

25
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What were Spike Lee's criticisms of The PJs?

He found it too stereotypical.

26
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What were Larry Wilmore's defenses of The PJs?

He argued it was satire based on real experiences, not mockery.

27
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What challenges do African American writers face in the writer's room?

Pressure to approve stereotypes and being ignored.

28
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How do African American writers deal with challenges in the writer's room?

They push back strategically, form alliances, and add nuance where possible.

29
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What challenges do African Americans face in the executive boardroom?

Convincing others that Black shows can succeed and facing extra scrutiny.

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How do they deal with challenges in the executive boardroom?

By using data, careful framing, and strategic decision-making.

31
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How does having an African American writer in charge of the writer's room change Black-oriented programming?

It leads to more authentic stories and fewer stereotypes.

32
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How does having an African American program executive in charge change Black-oriented programming?

It provides more support for Black shows and better protection from cancellation.

33
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What stays the same regardless of who is in charge in television?

Profit rules everything; networks still follow ratings and ad demands.

34
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What is the definition of realism?

Showing life in a believable, everyday way.

35
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What are the strengths of realism as an aesthetic?

It feels true, builds empathy, and can expose injustice.

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What are the weaknesses of realism as an aesthetic?

It can hide ideology, limit imagination, or reinforce respectability.

37
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What are conventional televisual forms of realism?

Family sitcoms (like black-ish), social-issue episodes, and workplace dramas.

38
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What does 'quality' mean in contemporary television?

Prestige, cinematic, complex storytelling tied to high culture.

39
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What are some dominant forms of quality Black TV today?

Prestige dramas and arthouse comedies.

40
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How does Atlanta differ from prior Black television series?

It has a looser structure, is more artistic, not lesson-based, and mixes genres.

41
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What is Afro-surrealism and how does it appear in Atlanta?

It uses strange, dreamlike moments to show the weirdness of Black life, seen in uncanny episodes and bizarre events.

42
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What is the significance of the camera work in Underground Railroad?

It looks like high-end cinema with slow, beautiful, emotional visuals.

43
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How does Underground Railroad appeal to an upscale audience?

Through prestige style, literary source, and artistic direction.

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What social contexts led Prime Video to produce Underground Railroad?

They needed prestige hits during streaming wars and responded to the racial-justice moment.

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How did the Black Lives Matter movement surface in television?

Through episodes about police violence, industry statements, and new documentaries.

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What are criticisms of the television industry's response to BLM?

Responses were performative, short-lived, and didn't change who holds power.

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How did streaming services manage Black representations in different eras?

Netflix had lots of Black content but limited Black leadership; streaming wars saw more Black originals due to competition and BLM pressure; consolidation led to cancellations and fewer Black shows.

48
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Which streaming services are most popular with Black audiences today?

Platforms with lots of Black shows, often Netflix, Hulu, and BET-related.

49
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Which streaming services are least popular with Black audiences today?

Platforms with little Black content or poor promotion.

50
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How does the shift from demographic to lifestyle conceptualizations influence the value of Black audiences?

Streamers care more about viewing habits than race, so Black viewers matter most when their lifestyle category is profitable.

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